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This is the first book devoted to the Queen's Men, one of the major acting companies of the age of Shakespeare. In describing the troupe's position in the general political situation and the London theatre scene of the 1580s, the authors break new ground by showing how Elizabethan theatre history can be refocused by concentrating on the company which produced the plays rather than on the authors who wrote them. The book combines a thorough examination of documentary evidence with textual and critical analysis, to provide a full account of the characteristics which gave the company its identity: its acting style, staging methods, touring patterns and repertoire. The conclusions will interest Elizabethan historians as well as students and scholars of early modern theatre.
John Medina is a living legend with the CIA, a shadowy specialist in Black Ops, those operations that are never openly funded, and the details of which never see the light of day. Only few people inside the CIA know him on sight, while foreign governments offer bounties for him, dead or alive. Neima Burdock is a communications specialist for the CIA who retired from field work after the death of her husband, also an agent and under orders from John Medina. When Niema is needed in an arms deal operation headed by John she is extremely reluctant to take the job but her director convinces her. Niema and John enter the underground world of an international arms dealer and its many dangerous and glamorous intrigues. They discover a passion for each other, but will they survive the race to evade the people who are trying to kill them and transmit the documents they have managed to steal?
"The Agents of the Crown returns with this riveting novel following the original MI6 agent as he is assigned a dangerous mission to recreate a weapon from antiquity. As she travels through Waltham Forest, Queen Elizabeth I is ambushed by masked gunmen who leave her carriage riddled with holes before disappearing into the night. The Queen's Private Secretary, Sir Francis Walsingham, is tasked with finding the perpetrators, about whom they know precious little. But someone alerted the gunman to the route of the Queen's carriage, and Walsingham knows that the assassins will not stop until she's dead. Only one man can top the plot, loyal friend John Dee.
AND ALL THE QUEEN'S MEN is a frank, poignant reading experience, an ambitious memoir that explores the psychological profile of a woman throughout her life with husbands, boyfriends and acquaintances. It is a story of promiscuity and forgiveness, of the secrets she keeps and the situations in which she finds herself over the course of five decades. Sessa speaks to the hearts and lives of women of all ages in conflict with a controlling father. She puts a face to women in relationships that have become scarred by sexual domination or verbal abuse or to those smothered by a soundless partner who refuses to communicate, all of which she has experienced and chosen to share in her debut book. For this author, there has always been the muddling chasm between anticipation and reality in all of her relationships. She falls in love serially with the prospect of a man rather than with the man himself, holding on for long stretches of time waiting for these men to fulfill her expectations. However, each liaison is more complicated than the one that came before. As the author writes, every step forward begins with a foot firmly planted in the past. She returns to her roots to investigate what went so terribly wrong.
Netflix’s most watched limited series to date! The thrilling novel of one young woman’s journey through the worlds of chess and drug addiction. When eight-year-old Beth Harmon’s parents are killed in an automobile accident, she’s placed in an orphanage in Mount Sterling, Kentucky. Plain and shy, Beth learns to play chess from the janitor in the basement and discovers she is a prodigy. Though penniless, she is desperate to learn more—and steals a chess magazine and enough money to enter a tournament. Beth also steals some of her foster mother’s tranquilizers to which she is becoming addicted. At thirteen, Beth wins the chess tournament. By the age of sixteen she is competing in the US Open Championship and, like Fast Eddie in The Hustler, she hates to lose. By eighteen she is the US champion—and Russia awaits . . . Fast-paced and elegantly written, The Queen’s Gambit is a thriller masquerading as a chess novel—one that’s sure to keep you on the edge of your seat. “The Queen’s Gambit is sheer entertainment. It is a book I reread every few years—for the pure pleasure and skill of it.” —Michael Ondaatje, Man Booker Prize–winning author of The English Patient
Amp Anthony is strong-willed, ruggedly handsome, with a body that women will pay just to look at. He is also a recently freed felon. It's not easy to make things whole again under the rules of the halfway house to which he's been released, especially since his parole officer would like nothing more than to send him back to prison. Amp is bound and determined to make sure that will never happen. Like most felons, Amp has a hell of a time finding and keeping a job because of his record. When all else fails, he uses his body, letting women look for a price. If they're willing to pay more, they can even touch. Under the supervision of savvy club owner Madam Fox, Amp becomes one of the hottest male exotic dancers at Club Eden. Everything is strictly business until the club's attractive female DJ catches Amp's attention. Will either one of them be able to avoid the taboo of mixing business with pleasure? Ladies Night is an intense, thrilling, scandalous, and, at times, funny look at the transition of Amp Anthony from ex-con to exotic dancer, as he struggles to put the pieces of his life back together and escape the past that put him in prison in the first place.
One grim reaper. Three hellhounds who refuse to bow down to her. A monster hunting them in the shadows...Ten years ago, I was judged worthy of life after death and returned to the mortal realm as a grim reaper. Scythe in hand, I guide souls to deliverance-and it's time for a promotion.My new territory is triple the size of any I've worked before. High death rates mean one busy reaper, and the only way to keep up is with a pack of hellhounds. Faithful. Strong. Merciless. Hellhound shifters are a reaper's right hand in the field, shepherding and guarding souls until they can be reaped.We get our pick of the litter from the best breeders in Hell, but for some reason, I'm drawn to the pack no one wants.An alpha who refuses to yield.A beta who doesn't take me seriously.A runt who flinches at every command.I want them-even if they don't want me.Because the hunger in their eyes tells a different story. But the fact that they can't decide whether to love me or hate me, fight me or screw me, is making our situation way too complicated.Still, I refuse to give up. If this infuriatingly handsome trio can't be trained, if we don't pass the trials, they go back to a cage and a cruel demon master.Yeah. Not happening.Reapers and hellhounds are natural allies, and the sooner we secure our bond, the better, because as it turns out...All our lives depend on it.Reaper's Pack is a standalone why-choose paranormal romance and is part of the ALL THE QUEEN'S MEN series. Each book in the series is a full-length standalone featuring layered heroes and a headstrong heroine who never has to settle for just one happily-ever-after. The books can be read in any order and are part of the same supernatural universe.
I don't belong here. Seriously. I don't.For as long as I can remember, supernatural clans took care of their own bad apples. Shifters, fae, vampires, elves, witches-we handled our crap quietly, efficiently, and within the confines of our community's law.Until now, apparently.How else am I supposed to explain doing inventory in my café one minute, then waking up the next in a processing cell, cuffed and shackled to a chair, wearing a collar that mutes my magic?I've never gotten so much as a parking ticket before. I'm a witch without a coven, but I play by the rules. I don't start beef with other supers. Me and my familiar-we don't make waves. We like cozy, rainy Sunday afternoons and the smell of freshly baked bread.So, whatever they've got on me, it's nonsense.I know, I know. That's what everyone in Xargi Penitentiary says. Innocent. Innocent. Innocent.Only the creatures around me aren't always so innocent, and even inside these four walls, trapped by wards and warlocks and wolves, my past is determined to damn me.Until I find a non-magical way out of this, my wits are all I've got.Well, my wits... and the gruff dragon shifter who looks at me like I'm treasure he's desperate to hoard. The gorgeous fae who delights in the fact that I'm not impressed with him. Oh, and the brooding vampire who could tempt me into darkness with his smile.But I'm not here to make friends or fall in love.I don't belong in Xargi Penitentiary, and if it's the last thing I ever do, I'm getting out.Or... I just might die trying.Caged Kitten is a standalone why-choose paranormal romance and is part of the ALL THE QUEEN'S MEN series. Each book in the series is a full-length standalone featuring layered heroes and a headstrong heroine who never has to settle for just one happily-ever-after. The books can be read in any order and are part of the same supernatural universe.
Locating the Queen's Men presents new and groundbreaking essays on early modern England's most prominent acting company, from their establishment in 1583 into the 1590s. Offering a far more detailed critical engagement with the plays than is available elsewhere, this volume situates the company in the theatrical and economic context of their time. The essays gathered here focus on four different aspects: playing spaces, repertory, play-types, and performance style, beginning with essays devoted to touring conditions, performances in university towns, London inns and theatres, and the patronage system under Queen Elizabeth. Repertory studies, unique to this volume, consider the elements of the company's distinctive style, and how this style may have influenced, for example, Shakespeare's Henry V. Contributors explore two distinct genres, the morality and the history play, especially focussing on the use of stock characters and on male/female relationships. Revising standard accounts of late Elizabeth theatre history, this collection shows that the Queen's Men, often understood as the last rear-guard of the old theatre, were a vital force that enjoyed continued success in the provinces and in London, representative of the abiding appeal of an older, more ostentatiously theatrical form of drama.