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Using the lens of environmental history, William D. Bryan provides a sweeping reinterpretation of the post-Civil War South by framing the New South as a struggle over environmental stewardship. Ultimately, he uses lessons from the New South to reflect on the path of American conservation and notions of sustainability today.
Using the lens of environmental history, William D. Bryan provides a sweeping reinterpretation of the post–Civil War South by framing the New South as a struggle over environmental stewardship. For more than six decades, scholars have caricatured southerners as so desperate for economic growth that they rapaciously consumed the region’s abundant natural resources. Yet business leaders and public officials did not see profit and environmental quality as mutually exclusive goals, and they promoted methods of conserving resources that they thought would ensure long-term economic growth. Southerners called this idea "permanence." But permanence was a contested concept, and these businesspeople clashed with other stakeholders as they struggled to find new ways of using valuable resources. The Price of Permanence shows how these struggles indelibly shaped the modern South. Bryan writes the region into the national conservation movement for the first time and shows that business leaders played a key role shaping the ideals of American conservationists. This book also dismantles one of the most persistent caricatures of southerners: that they had little interest in environmental quality. Conservation provided white elites with a tool for social control, and this is the first work to show how struggles over resource policy fueled Jim Crow. The ideology of "permanence" protected some resources but did not prevent degradation of the environment overall, and The Price of Permanence ultimately uses lessons from the New South to reflect on sustainability today.
For Yale University Press, which celebrates its hundredth birthday in 2008, the century has been an eventful one, punctuated with no few surprises. The Press has published more than 8,000 volumes through the years, scores of bestsellers and award-winners among them, and these books have come to fruition through the efforts of a host of colorful authors, editors, directors, board members, and others of intellectual and literary renown. With an ear always cocked for an interesting tale, one of today's best storytellers presents an anecdote-rich chronicle of the Press's first 100 years. Nicholas Basbanes, whom David McCullough has called the leading authority of books about books, quickly convinces us that the Press's history, while bookish, is also lively and fascinating. Basbanes explores the saga behind the acquisition of Eugene O'Neill's blockbuster play, the all-time Yale bestseller Long Day's Journey into Night; the controversy sparked in 1965 by publication of The Vinland Map; the origins of the groundbreaking Annals of Communism series, initiated in the wake of the Soviet Union's demise; and many more highlights from Press annals. Basbanes looks at the reasons behind the publisher's remarkable financial success, and he completes A World of Letters with a glimpse at the new initiatives that will propel the Press into a second exciting century.
"In the late twentieth century, residents of the Blue Ridge mountains in western North Carolina fiercely resisted certain environmental efforts, even while launching aggressive initiatives of their own. Kathryn Newfont provides context for those events by examining the environmental history of this region over the course of three hundred years, identifying what she calls commons environmentalism--a cultural strain of conservation in American history that has gone largely unexplored. Efforts in the 1970s to expand federal wilderness areas in the Pisgah and Nantahala national forests generated strong opposition. For many mountain residents the idea of unspoiled wilderness seemed economically unsound, historically dishonest, and elitist. Newfont shows that local people's sense of commons environmentalism required access to the forests that they viewed as semipublic places for hunting, fishing, and working. Policies that removed large tracts from use were perceived as 'enclosure' and resisted. Incorporating deep archival work and years of interviews and conversations with Appalachian residents, Blue Ridge Commons reveals a tradition of people building robust forest protection movements on their own terms."--p. [4] of cover.
Once a fringe phenomenon, tattooing is now a full-blown cultural fact. More than 40 million people in the U.S. alone have tattoos, all with unique stories about why they chose to indelibly mark their bodies. Permanence combines photographic tattoo portraits with these stories, told in the subjects' own words and handwriting. Kip Fulbeck brings together young and old of all races, religions, and political persuasions—from celebrities to suburban moms to Hells Angels. Including interviews with celebrity tattooers Kat Von D and Oliver Peck (Miami Ink), hardcore legend Evan Seinfeld, and some regular folks, Permanence is an entertaining and enlightening portrait of the tattooed population today.
The impact of environmental issues on government is traced by exploring controversial policies and clarifying relationships between political institutions and changing social values in contemporary America.
Reflecting on forty years of matrimony, John Piper exalts the biblical meaning of marriage over its emotion, exhorting couples to keep their covenant for all the best reasons. Even in the days when people commonly stayed married "'til death do us part," there has never been a generation whose view of marriage was high enough, says Pastor John Piper. That is all the more true in our casual times. Though personal selfishness and cultural bondage obstruct the wonder of God's purpose, it is found in God's Word, where his design can awaken a glorious vision capable of freeing every person from small, Christ-ignoring, romance-intoxicated views. As Piper explains in reflecting on forty years of matrimony: "Most foundationally, marriage is the doing of God. And ultimately, marriage is the display of God. It displays the covenant-keeping love between Christ and his people to the world in a way that no other event or institution does. Marriage, therefore, is not mainly about being in love. It's mainly about telling the truth with our lives. And staying married is not about staying in love. It is about keeping covenant and putting the glory of Christ's covenant-keeping love on display." This Momentary Marriage unpacks the biblical vision, its unexpected contours, and its weighty implications for married, single, divorced, and remarried alike.
How should one approach the notion of the precarious in art – its meanings and its outcomes? Its presence in artistic practices may be transient, yet it instigates permanent changes in the production, discourse, and perception of art. The Permanence of the Transient: Precariousness in Art gathers essays that examine the traces and implications of precariousness in contemporary art, and lays a foundation for a thoughtful study of its emergence in related fields throughout the 20th and 21st centuries. The different perspectives represented in this volume touch on art history and theory, curatorial practice, media art, philosophy, language, and transnational studies, and highlight artists’ narratives. Together, these interdisciplinary essays locate precariousness as an undercurrent in contemporary art and a connective tissue across diverse areas of knowledge and everyday life.
Why do we preserve certain landscapes while developing others without restraint? Drew A. Swanson’s in-depth look at Wormsloe plantation, located on the salt marshes outside of Savannah, Georgia, explores that question while revealing the broad historical forces that have shaped the lowcountry South. Wormsloe is one of the most historic and ecologically significant stretches of the Georgia coast. It has remained in the hands of one family from 1736, when Georgia’s Trustees granted it to Noble Jones, through the 1970s, when much of Wormsloe was ceded to Georgia for the creation of a state historic site. It has served as a guard post against aggression from Spanish Florida; a node in an emerging cotton economy connected to far-flung places like Lancashire and India; a retreat for pleasure and leisure; and a carefully maintained historic site and green space. Like many lowcountry places, Wormsloe is inextricably tied to regional, national, and global environments and is the product of transatlantic exchanges. Swanson argues that while visitors to Wormsloe value what they perceive to be an “authentic,” undisturbed place, this landscape is actually the product of aggressive management over generations. He also finds that Wormsloe is an ideal place to get at hidden stories, such as African American environmental and agricultural knowledge, conceptions of health and disease, the relationship between manual labor and views of nature, and the ties between historic preservation and natural resource conservation. Remaking Wormsloe Plantation connects this distinct Georgia place to the broader world, adding depth and nuance to the understanding of our own conceptions of nature and history.