[PDF] The Poetics Of Inconstancy eBook

Author : Hoyt Rogers
Publisher : Unc Department of Romance Studies
Page : 258 pages
File Size : 49,94 MB
Release : 1998
Category : Literary Collections
ISBN :

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The transformation of Late Petrarchism from earlier stages reflects a profound shift in cultural values--a 'crisis of the Renaissance' that generated new perspectives in poetic theory and practice. Broadly, this book identifies a distinctive 'poetics of inconstancy' that came to the fore at the end of the sixteenth century and pervaded the love verse of the age. At the same time, as a study based on the inductive method, the book takes as its point of departure a single poet: Etienne Durand. Because of his frequently anthologized 'Stances a l'Inconstance,' Durand is often singled out as 'the poet of inconstancy.' This study, however, identifies the theme of universal change as a hallmark of Durand's contemporaries as well--a signal of a stylistic revolution that heralded the end of Renaissance verse.

Author : Hassan Melehy
Publisher : Routledge
Page : 290 pages
File Size : 47,67 MB
Release : 2016-02-24
Category : Literary Criticism
ISBN : 1317021045

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Examining both familiar and underappreciated texts, Hassan Melehy foregrounds the relationships that early modern French and English writers conceived with both their classical predecessors and authors from flourishing literary traditions in neighboring countries. In order to present their own avowedly national literatures as successfully surpassing others, they engaged in a paradoxical strategy of presenting other traditions as both inspiring and dead. Each of the book's four sections focuses on one early modern author: Joachim Du Bellay, Edmund Spenser, Michel de Montaigne, and William Shakespeare. Melehy details the elaborate strategies that each author uses to rewrite and overcome the work of predecessors. His book touches on issues highly pertinent to current early modern studies: among these are translation, the relationship between classicism and writing in the vernacular, the role of literature in the consolidation of the state, attitudes toward colonial expansion and the "New World," and definitions of modernity and the past.

Author : Zdenko Zlatar
Publisher : Peter Lang
Page : 500 pages
File Size : 23,95 MB
Release : 2007
Category : Foreign Language Study
ISBN : 9780820481357

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Between 1400 and 1878, the majority of Southern Slavic peoples endured several centuries of Ottoman rule. In the nineteenth century there was a movement among both the Croats and the Serbs to set aside regional, ethnic, religious, and cultural differences in order to work together toward the liberation of all the Southern Slavs from the Ottoman yoke. These volumes explore how the masterpieces of two leading poets among the Croats and Serbs - Ivan Mazuranić (1814-1890) and Petar II Petrović Njegos (1813-1851), who was Prince-Bishop of Montenegro from 1830-1851 - dealt with the Southern Slavs' relationship to Islam in their greatest poetic works, The Death of Smail-agha Čengić and The Mountain Wreath, respectively.

Author : Don Byrd
Publisher : SUNY Press
Page : 420 pages
File Size : 44,38 MB
Release : 1994-01-01
Category : Literary Criticism
ISBN : 9780791416860

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The Poetics of the Common Knowledge focuses on Descartes, Hegel, Freud, and the information theorists, on the one hand, and the poets of the American avant-garde, on the other. This book is a call literally for a new poetry, a new making that manifests the possibility for sense-making in a postmodern condition without universals or absolutes. In such a poetry, fragmentation bespeaks not brokenness but the richness of the world apprehended without the habits of recognition.

Author : Enaiê Mairê Azambuja
Publisher : Taylor & Francis
Page : 213 pages
File Size : 40,43 MB
Release : 2023-12-22
Category : Nature
ISBN : 1003837840

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This book is the first comprehensive study investigating the cultural affinities and resonances of Zen in early twentieth-century American poetry and its contribution to current definitions of ecopoetics, focusing on four key poets: William Carlos Williams, Marianne Moore, Wallace Stevens, and E.E. Cummings. Bringing together a range of texts and perspectives and using an interdisciplinary approach that draws on Eastern and Western philosophies, including Zen and Taoism, posthumanism and new materialism, this book adds to and extends the field of ecocriticism into new debates. Its broad approach, informed by literary studies, ecocriticism, and religious studies, proposes the expansion of ecopoetics to include the relationship between poetic materiality and spirituality. It develops ‘cosmopoetics’ as a new literary-theoretical concept of the poetic imagination as a contemplative means to achieving a deeper understanding of the human interdependence with the non-human. Addressing the critical gap between materialism and spirituality in modernist American poetry, The Zen of Ecopoetics promotes new forms of awareness and understanding about our relationship with non-human beings and environments. It will be of interest to scholars, researchers, and students in ecocriticism, literary theory, poetry, and religious studies.

Author : Douglas Trevor
Publisher : Cambridge University Press
Page : 288 pages
File Size : 38,58 MB
Release : 2004-09-30
Category : Literary Criticism
ISBN : 9780521834698

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The Poetics of Melancholy in Early Modern England explores how attitudes toward, and explanations of, human emotions change in England during the late sixteenth and early seventeenth century. Typically categorized as 'literary' writers Edmund Spenser, John Donne, Robert Burton and John Milton were all active in the period's reappraisal of the single emotion that, due to their efforts, would become the passion most associated with the writing life: melancholy. By emphasising the shared concerns of the 'non-literary' and 'literary' texts produced by these figures, Douglas Trevor asserts that quintessentially 'scholarly' practices such as glossing texts and appending sidenotes shape the methods by which these same writers come to analyse their own moods. He also examines early modern medical texts, dramaturgical representations of learned depressives such as Shakespeare's Hamlet, and the opposition to materialistic accounts of the passions voiced by Neoplatonists such as Edmund Spenser.