[PDF] The Pleasure In Drawing eBook

Author : Jean-Luc Nancy
Publisher :
Page : 116 pages
File Size : 42,47 MB
Release : 2013
Category : Drawing
ISBN : 9780823250950

GET BOOK

"Originally written for an exhibition Jean-Luc Nancy curated at the Museum of Fine Arts in Lyon in 2007, this book addresses the medium of drawing in light of the question of form--of form in its formation, as a formative force, as a birth to form. In this sense, drawing opens less toward its achievement, intention, and accomplishment than toward a finality without end and the infinite renewal of ends, toward lines of sense marked by tracings, suspensions, and permanent interruptions. Recalling that drawing and design were once used interchangeably, Nancy notes that "drawing" designates a design that remains without project, plan, or intention. His argument offers a way of rethinking a number of historical terms (sketch, draft, outline, plan, mark, notation), which includes rethinking drawing in its graphic, filmic, choreographic, poetic, melodic, and rhythmic sense. If drawing is not reducible to any form of closure, it never resolves a tension specific to drawing but allows the pleasure of drawing to come into appearance, which is also the pleasure in drawing, the gesture of a desire that remains in excess of all knowledge. Situating drawing in these terms, Nancy engages a number of texts in which Freud addresses the force of desire in the rapport between aesthetic and sexual pleasure, texts that also turn around the same questions concerning form in its formation, form as a formative force. Between the sections of the text, Nancy has placed a series of "sketchbooks" on drawing, composed of a broad range of quotations on art from different writers, artists, or philosophers"--

Author : Jean-Luc Nancy
Publisher : Fordham University Press
Page : 128 pages
File Size : 41,34 MB
Release : 2013-07-16
Category : Art
ISBN : 0823252329

GET BOOK

Originally written for an exhibition Jean-Luc Nancy curated at the Museum of Fine Arts in Lyon in 2007, this book addresses the medium of drawing in light of the question of form—of form in its formation, as a formative force, as a birth to form. In this sense, drawing opens less toward its achievement, intention, and accomplishment than toward a finality without end and the infinite renewal of ends, toward lines of sense marked by tracings, suspensions, and permanent interruptions. Recalling that drawing and design were once used interchangeably, Nancy notes that drawing designates a design that remains without project, plan, or intention. His argument offers a way of rethinking a number of historical terms (sketch, draft, outline, plan, mark, notation), which includes rethinking drawing in its graphic,filmic, choreographic, poetic, melodic, and rhythmic senses. If drawing is not reducible to any form of closure, it never resolves a tension specific to itself. Rather, drawing allows the pleasure in and of drawing, the gesture of a desire that remains in excess of all knowledge, to come to appearance. Situating drawing in these terms, Nancy engages a number of texts in which Freud addresses the force of desire in the rapport between aesthetic and sexual pleasure, texts that also turn around questions concerning form in its formation, form as a formative force. Between the sections of the text, Nancy has placed a series of “sketchbooks” on drawing, composed of a broad range of quotations on art from different writers, artists, or philosophers.

Author : Jean-Luc Nancy
Publisher :
Page : 116 pages
File Size : 25,1 MB
Release : 2013
Category : Drawing
ISBN : 9780823252671

GET BOOK

"Originally written for an exhibition Jean-Luc Nancy curated at the Museum of Fine Arts in Lyon in 2007, this book addresses the medium of drawing in light of the question of form--of form in its formation, as a formative force, as a birth to form. In this sense, drawing opens less toward its achievement, intention, and accomplishment than toward a finality without end and the infinite renewal of ends, toward lines of sense marked by tracings, suspensions, and permanent interruptions. Recalling that drawing and design were once used interchangeably, Nancy notes that "drawing" designates a design that remains without project, plan, or intention. His argument offers a way of rethinking a number of historical terms (sketch, draft, outline, plan, mark, notation), which includes rethinking drawing in its graphic, filmic, choreographic, poetic, melodic, and rhythmic sense. If drawing is not reducible to any form of closure, it never resolves a tension specific to drawing but allows the pleasure of drawing to come into appearance, which is also the pleasure in drawing, the gesture of a desire that remains in excess of all knowledge. Situating drawing in these terms, Nancy engages a number of texts in which Freud addresses the force of desire in the rapport between aesthetic and sexual pleasure, texts that also turn around the same questions concerning form in its formation, form as a formative force. Between the sections of the text, Nancy has placed a series of "sketchbooks" on drawing, composed of a broad range of quotations on art from different writers, artists, or philosophers"--

Author : Jean-Luc Nancy
Publisher : Fordham Univ Press
Page : 133 pages
File Size : 45,25 MB
Release : 2013-09-10
Category : Art
ISBN : 0823250938

GET BOOK

Originally written for an exhibition Nancy curated at the Museum of Fine Arts in Lyon in 2007, the text addresses the medium of drawing in light of form in its formation, of form as a formative force, opening drawing to questions of pleasure and desire.

Author : Peter D. Johnson
Publisher : Rockport Pub
Page : 127 pages
File Size : 17,18 MB
Release : 1984
Category : Art
ISBN : 9780891340805

GET BOOK

Shows how to create realistic landscapes and still lifes by drawing with colored marker pens, pencils, and crayons

Author : Norman Battershill
Publisher : Search Press
Page : 0 pages
File Size : 36,16 MB
Release : 2006
Category : Drawing
ISBN : 9781844481729

GET BOOK

Drawing for Pleasure contains examples of the work of fourteen artists, in a wide range of media, including pencil, charcoal, Cont�, felt-tipped pen, crayon and wash. A valuable work of reference for anyone learning to draw, it gives sound practical instruction on line, tone, perspective and composition. It also demonstrates to the more experienced student how to capture the mood of a subject by subtle methods, which can only be imparted by experts who are also teachers. Anyone who reads this book will find that drawing is not only the firm basis of painting, architecture and sculpture, but is also a satisfying art form in itself. Replaces ISBN 0 85532 860 6

Author : George Edwin Lutz
Publisher : Read Books Ltd
Page : 75 pages
File Size : 25,5 MB
Release : 2013-04-18
Category : Art
ISBN : 1447496272

GET BOOK

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Author : Julian Brooks
Publisher : Getty Publications
Page : 128 pages
File Size : 19,78 MB
Release : 2010
Category : Art
ISBN : 1606060198

GET BOOK

The purpose of this volume is to introduce the reader to the pleasure of looking at master drawings. Through forty-five spectacular works of art, each shown in full and with an enlarged detail, the book simulates the experience of looking at a drawing through a magnifying glass: we can see the techniques and materials used and get close to the artist's creativity. They are roughly ordered by date and were chosen for inclusion because, in addition to yielding beautiful details, they encompass a wide variety of media and techniques. Accompanying short texts highlight particular aspects of each work; italicized technical terms are explained in an accessible and informative glossary at the back. Works by some of the greatest masters of the craft--Leonardo da Vinci, Dürer, Raphael, Rembrandt, Ingres, Goya, Seurat, and Van Gogh--are included. The reader will gain insights into why artists made drawings, how they used the media available to them--including red chalk, watercolor, pen and ink, and pastel--and their techniques, such as hatching, stumping, squaring, and heightening. This beautiful and unpretentious book will have a wide appeal and will be especially invaluable for art students, practicing artists, and those who study art and art history.

Author : Nick Neddo
Publisher :
Page : 163 pages
File Size : 32,21 MB
Release : 2015-01-15
Category : Art
ISBN : 1592539262

GET BOOK

This is an art book which highlights the possibility of using natural, organic materials as art supplies and inspiration.

Author : Austin Osman Spare
Publisher : Createspace Independent Publishing Platform
Page : 0 pages
File Size : 14,37 MB
Release : 2018-02
Category : Occultism
ISBN : 9781984994844

GET BOOK

The Book of Pleasure could be regarded as the central text among Austin Osman Spare's writings. It covers both mystical and magical aspects of Spare's ideas; as the modern ideas on sigils (as now have become popular in chaos magic) and Spare's special theory on incarnation are for the first time introduced in this book.There are some chapters in The Book of Pleasure that Spare has referred to within the text, but are omitted. It seems that they were destroyed during World War II