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Two different origins Two different destinies He was born from the shadows. She shines brighter than the stars. He fell from grace, meant to punish humankind. She is blessed by the light, but hunted by her own demons. He has a mission and is out for revenge. She is just a girl trying to survive. He desires her light. She craves his darkness. But not everything is what it seems. Who's really the angel and who's the devil in this story?
Kira's life is tough her job is frustrating, she's anxious around guys, and she's feeling lost. Approaching her 30th birthday, her world is disrupted by an enigmatic stranger who informs her of her impending death within 30 days. As Kira grapples with the fleeting nature of her existence, she embarks on a poignant journey of transformation. In a whirlwind of self-discovery, Kira confronts her fears, embraces her passions, and forms unexpected connections. With the support of friends, newfound love, and her own indomitable spirit, she dares to rewrite her story. As the countdown dwindles, Kira finds herself on the cusp of a new beginning, where life's fragility is a reminder to seize each moment with purpose and embrace the beauty of the unknown.
In this deeply personal collection, I explore the tender and raw facets of human existence through my own vulnerable reflections on love, loss, and uncertainty while navigating major changes in life. Across this journey, I examine how playfulness, humor, and art can become sources of hope and acceptance in life's more difficult seasons, helping us to mend, make meaning, and move forward. Through my words and paintings, I invite you to explore the delicate beauty of our shared experiences, complex emotions, and uncanny resilience. Some call it an early-onset midlife crisis. I am happy to call it my first book.
A young lord with a fatal secret that is slowly killing him. A blacksmith who loathes the oppressing aristocracy and takes pleasure in pursuing a forbidden craft. A stable boy with a sleight of hand and a tendency to enjoy the wrong company. A girl, deemed the local witch, who has sought solitary refuge between ancient trees. And a town bowing to a law in fear of what might linger in the uncharted shadows of the nearby woods. As fate entangles the four young adults, they flee together from society into the wild unknown of the forest, where they progressively manage to build themselves a new life among ethereal creatures. But the past is catching up and when fires begin to rise between the treetops, the unforseen group is forced to defend what they have come to call home.
In the region of war-struck Ukraine, lives a family of three. Pretty soon the child will turn five. As his birthday draws near, he has only one wish. To celebrate the day with a large beautiful cake with his friends. Mother plans the day with utmost care to make sure her son is happy. They invite all his friends and make decorations at home. But the universe has different plans. Due to unforeseen events, she resorts to baking the cake at home. But the day takes an even peculiar turn when an unknown guest comes knocking. Is he here for the cake or did he come with gifts? The story is a poetic take on how a simple wish for a child to celebrate his birthday with a cake proves to be the most challenging one for his parents.
Adaptations have occurred regularly since the beginning of cinema, but little recognition has been given to avant-garde adaptations of literary or other texts. This compelling study corrects such omissions by detailing the theory and practice of alternative adaptation practices from major avant-garde directors. Avant-Garde films are often relegated to the margins because they challenge our traditional notions of what film form and style can accomplish. Directors who choose to adapt previous material run the risk of severe critical dismay; making films that are highly subjective interpretations or representations of existing texts takes courage and foresight. An avant-garde adaptation provokes spectators by making them re-think what they know about film itself, just as much as the previous source material. Adaptation and the Avant-Garde examines films by Peter Greenaway, Jean-Luc Godard, Guy Maddin, Jan Svankmajer and many others, offering illuminating insights and making us reconsider the nature of adaptation, appropriation, borrowing, and the re-imagining of previous sources.
Author : Seth Barry Watter Publisher : State University of New York Press Page : 217 pages File Size : 14,16 MB Release : 2023-10-01 Category : Performing Arts ISBN : 1438495102
The Human Figure on Film asks what it is we look for when we look at human beings projected on a screen. People have appeared onscreen since film was invented. Nothing could be more common, and yet nothing confounds us more, than a filmed human being. Scholars and critics have attempted to reduce the mystery, creating methodologies that make this figure legible. Some of their efforts form the subject of this book. Each chapter is devoted to a single, central concept—the natural, the pictorial, the institutional, and the fictional—that viewers have used to make sense of what they see. Each concept, in turn, is tied to the work and methods of a particular kind of historical observer: the natural historian (Ray L. Birdwhistell), the aesthete or pictorialist (Victor O. Freeburg), the anthropologist of institutions (Hortense Powdermaker), and the critic of fiction (V. F. Perkins). All of these researchers have their own interests and criteria of understanding, ranging from a microscopic look at gestures to a broad view of characters. Using a combination of critical history, biography, and formal analysis, The Human Figure on Film offers a fresh approach to the problem of figuration in an age of digital cinema. It is, at once, a cross-section of the field of film studies, a handbook of methods, and an inquiry into the nature of inquiry itself.