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The Philosophy of Time Travel an 88-page journal An 88 page journal for those of us trying to figure out the Primary &Tangent Universe This jouranal may contain spoilers! Finally, soft cover edition of The Philosophy of Time Travel This journal is dedicated to the 2001 movie Donnie Darko Great gift for any fan of the Donnie Darko universe
This “stimulating contribution to literary theory” reveals the deeply philosophical concerns and developments behind popular time travel sci-fi (London Review of Books). In Time Travel, literary theorist David Wittenberg argues that time travel fiction is not mere escapism, but a narrative “laboratory” where theoretical questions about storytelling—and, by extension, about the philosophy of temporality, history, and subjectivity—are presented in story form. Drawing on physics, philosophy, narrative theory, psychoanalysis, and film theory, Wittenberg links innovations in time travel fiction to specific shifts in the popularization of science, from nineteenth-century evolutionary biology to twentieth-century quantum physics and more recent “multiverse” cosmologies. Wittenberg shows how popular awareness of new science led to surprising innovations in the literary “time machine,” which evolved from a vehicle used for sociopolitical commentary into a psychological device capable of exploring the temporal structure and significance of subjects, viewpoints, and historical events. Time Travel draws on classic works of science fiction by H. G. Wells, Edward Bellamy, Robert Heinlein, Samuel Delany, and Harlan Ellison, television shows such as “The Twilight Zone” and “Star Trek,” and other popular entertainments. These are read alongside theoretical work ranging from Einstein, Schrödinger, Stephen Hawking to Gérard Genette, David Lewis, and Gilles Deleuze. Wittenberg argues that even the most mainstream audiences of popular time travel fiction and cinema are vigorously engaged with many of the same questions about temporality, identity, and history that concern literary theorists, media and film scholars, and philosophers.
A companion volume to "one of the most original works of recent American Cinema"* Donnie Darko was the surprise cult hit of 2001. Appearing nationwide on critic's year-end top-ten lists, the quirky independent film's effortless blending of science fiction, horror, adolescent angst, and social satire defied description while simultaneously providing "an unexpectedly poignant catharsis for Sept. 11 blues" (Jan Stuart, Newsday). Its Möbius strip-like narrative about Donnie, a troubled teenager who can see into the future, continues to inspire fans to obsessive heights. The Donnie Darko Book includes the film's screenplay, an in-depth interview with writer-director Richard Kelly, facsimile pages from The Philosophy of Time Travel book that Donnie uses to go back in time, as well as photos and drawings from the film and the artwork it inspired.
Featuring numerous updates and enhancements, Science Fiction and Philosophy, 2nd Edition, presents a collection of readings that utilize concepts developed from science fiction to explore a variety of classic and contemporary philosophical issues. Uses science fiction to address a series of classic and contemporary philosophical issues, including many raised by recent scientific developments Explores questions relating to transhumanism, brain enhancement, time travel, the nature of the self, and the ethics of artificial intelligence Features numerous updates to the popular and highly acclaimed first edition, including new chapters addressing the cutting-edge topic of the technological singularity Draws on a broad range of science fiction’s more familiar novels, films, and TV series, including I, Robot, The Hunger Games, The Matrix, Star Trek, Blade Runner, and Brave New World Provides a gateway into classic philosophical puzzles and topics informed by the latest technology
This thoroughly revised and updated edition of Adrian Bardon's A Brief History of the Philosophy of Time is a short introduction to the history, philosophy, and science of the study of time--from the pre-Socratic philosophers through Einstein and beyond. Bardon covers subjects such as time and change, the experience of time, physical and metaphysical approaches to the nature of time, the direction of time, time travel, time and freedom of the will, and scientific and philosophical approaches to cosmology and the beginning of time. He employs helpful illustrations and keeps technical language to a minimum in bringing the resources of over 2500 years of philosophy and science to bear on some of humanity's most fundamental and enduring questions.
There are various arguments for the metaphysical impossibility of time travel. Is it impossible because objects could then be in two places at once? Or is it impossible because some objects could bring about their own existence? In this book, Nikk Effingham contends that no such argument is sound and that time travel is metaphysically possible. His main focus is on the Grandfather Paradox: the position that time travel is impossible because someone could not go back in time and kill their own grandfather before he met their grandmother. In such a case, Effingham argues that the time traveller would have the ability to do the impossible (so they could kill their grandfather) even though those impossibilities will never come about (so they won't kill their grandfather). He then explores the ramifications of this view, discussing issues in probability and decision theory. The book ends by laying out the dangers of time travel and why, even though no time machines currently exist, we should pay extra special care ensuring that nothing, no matter how small or microscopic, ever travels in time.
Philosophical foundations of the physics of space-time This concise book introduces nonphysicists to the core philosophical issues surrounding the nature and structure of space and time, and is also an ideal resource for physicists interested in the conceptual foundations of space-time theory. Tim Maudlin's broad historical overview examines Aristotelian and Newtonian accounts of space and time, and traces how Galileo's conceptions of relativity and space-time led to Einstein's special and general theories of relativity. Maudlin explains special relativity with enough detail to solve concrete physical problems while presenting general relativity in more qualitative terms. Additional topics include the Twins Paradox, the physical aspects of the Lorentz-FitzGerald contraction, the constancy of the speed of light, time travel, the direction of time, and more. Introduces nonphysicists to the philosophical foundations of space-time theory Provides a broad historical overview, from Aristotle to Einstein Explains special relativity geometrically, emphasizing the intrinsic structure of space-time Covers the Twins Paradox, Galilean relativity, time travel, and more Requires only basic algebra and no formal knowledge of physics
As a growing area of research, the philosophy of time is increasingly relevant to different areas of philosophy and even other disciplines. This book describes and evaluates the most important debates in philosophy of time, under several subject areas: metaphysics, epistemology, physics, philosophy of language, philosophy of mind, cognitive science, rationality, and art. Questions this book investigates include the following. Can we know what time really is? Is time possible, especially given modern physics? Must there be time because we cannot think without it? What do we experience of time? How might philosophy of time be relevant to understanding the mind–body relationship or evidence in cognitive science? Can the philosophy of time help us understand biases toward the future and the fear of death? How is time relevant to art—and is art relevant to philosophical debates about time? Finally, what exactly could time travel be? And could time travel satisfy emotions such as nostalgia and regret? Through asking such questions, and showing how they might be best answered, the book demonstrates the importance philosophy of time has in contemporary thought. Each of the book’s ten chapters begins with a helpful introduction and ends with study questions and an annotated list of further reading. This and a comprehensive bibliography at the end of the book prepare the reader to go further in their study of the philosophy of time.
The last century has seen enormous progress in our understanding of time. This volume features original essays by the foremost philosophers of time discussing the goals and methodology of the philosophy of time, and examining the best way to move forward with regard to the field's core issues. The collection is unique in combining cutting edge work on time with a focus on the big picture of time studies as a discipline. The major questions asked include: What are the implications of relativity and quantum physics on our understanding of time? Is the passage of time real, or just a subjective phenomenon? Are the past and future real, or is the present all that exists? If the future is real and unchanging (as contemporary physics seems to suggest), how is free will possible? Since only the present moment is perceived, how does the experience as we know it come about? How does experience take on its character of a continuous flow of moments or events? What explains the apparent one-way direction of time? Is time travel a logical/metaphysical possibility?
The science fiction genre maintains a remarkable hold on the imagination and enthusiasm of the filmgoing public, captivating large audiences worldwide and garnering ever-larger profits. Science fiction films entertain the possibility of time travel and extraterrestrial visitation and imaginatively transport us to worlds transformed by modern science and technology. They also provide a medium through which questions about personal identity, moral agency, artificial consciousness, and other categories of experience can be addressed. In The Philosophy of Science Fiction Film, distinguished authors explore the storylines, conflicts, and themes of fifteen science fiction film classics, from Metropolis to The Matrix. Editor Steven M. Sanders and a group of outstanding scholars in philosophy, film studies, and other fields raise science fiction film criticism to a new level by penetrating the surface of the films to expose the underlying philosophical arguments, ethical perspectives, and metaphysical views. Sanders's introduction presents an overview and evaluation of each essay and poses questions for readers to consider as they think about the films under discussion.The first section, "Enigmas of Identity and Agency," deals with the nature of humanity as it is portrayed in Blade Runner, Dark City, Frankenstein, Invasion of the Body Snatchers, and Total Recall. In the second section, "Extraterrestrial Visitation, Time Travel, and Artificial Intelligence," contributors discuss 2001: A Space Odyssey, The Terminator, 12 Monkeys, and The Day the Earth Stood Still and analyze the challenges of artificial intelligence, the paradoxes of time travel, and the ethics of war. The final section, "Brave Newer World: Science Fiction Futurism," looks at visions of the future in Metropolis, The Matrix, Alphaville, and screen adaptations of George Orwell's 1984.