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Pather Panchali placed Indian cinema on the world map in 1955: this is a simple statement of fact, no hyperbole. In the sixty years since, the movie has acquired cult status, and its sketchbook mythical proportions. Believed to have been forever lost after the film-maker donated it to the Cinematheque Francaise archives, the sketchbook is now available as a book, along with other fascinating and previously unseen material on the film: parts of the draft scenario, reviews, recollections, posters and illustrations. For film and Ray enthusiasts, this is a treasure trove, and for a whole new generation of filmgoers, including those who might not even have seen the film yet, it will reveal a process unfolding, a mind at work. As for connoisseurs of the graphic form, Ray's sketches are legend, and the novelistic qualities of this particular sketchbook have been the matter of intense discussion. As much a chronicle of the work of a genius as it is a handbook for aspiring film-makers, this collector's edition of The Pather Panchali Sketchbook is a must-have for every film lover's library.
Satyajit Ray: An Intimate Master is an invaluable sourcework for studies in the work of Satyajit Ray and offers fascinating reading at the same time. Specially commissioned articles by experts and some of Ray's closest associates, relations and friends provide insights into the entire range of the creativity of Satyajit Ray, one of the world's greatest filmmakers—as artist and designer, writer, and filmmaker—and the environment that nurtured him. The contributions unravel features never before touched—upon all those subterranean elements that went into the making of his films and his artistic character. They should serve to open up new approaches to and possibilities for fresh readings of Ray's works in fiction, design and filmmaking alike. The 400-odd illustrations—several of them appearing in print for the first time—bring together a wide range of film stills, working stills, book illustrations, early drawings and sketches, layouts for advertisement insertions, film posters, brochures, portraits, caricatures, jacket designs, giving viewers a rare chance of studying the entirety of Ray's visual imagination and artistic craftsmanship. The memoiral, and analytical and critical pieces are supplemented by a comprehensive and thoroughly authenticated documentation, covering Ray's biography, a chronology of his films, filmography, synopses and cast/credits, awards and honours, his contributions to works by others, discography, bibliography, citations received on several occasions, the text of his earliest literary work, reproductions of his earliest artistic works, and portfolios on the making of Pather Panchali, his masterwork, and his involvement with Sandesh, the popular children's periodical launched by his grandfather that Ray revived in 1961, from a passionate concern for the enlightenment of children, a project that grew to be a passion of his in his last years. A selection of reviews of Ray’s films, national and international, arranged chronologically and filmwise offer a record of the world’s perception of and response to his films over four decades, in historical perspective. The volume as a whole, the product of several years’ research, has drawn on the rich collection of relevant documentary and archival material and memorabilia lying with the Ray family; and with the thoroughness that has gone into its documentation, it will be, for several years to come, the most authoritative and exhaustive and reliable work on Satyajit Ray.
With the Apu Trilogy - Pather Panchali, Aparajito and Apur Sansar - in the fifties, Satyajit Ray caught the attention of film enthusiasts all over the world. The trilogy is the story of growing up in India. It traces Apus growth from childhood - cruelly poor but brightened by a passion for creativity and learning - to battered maturity. This 50th Anniversary volume, containing a foreword and working sketches by Ray presents the first authorized publication of these scripts in their entirety along with extensive interviews with Ray himself. Fresh material special to this edition includes an expansive interview with Ray by Shyam Benegal, himself a leading filmmaker with several award winning films to his credit. In the interaction between the two directors, Ray talks about early influences, the experience of making the Apu Trilogy, the importance of music and the portrayal of women in his film as well as other aspects of his craft. This edition also includes a complete filmography.
Frank and funny, these stories written originally for the Bengali children's magazine Sandesh, are an essential read for all Ray enthusiasts as well as those who want to know Ray, the writer and film-maker, better. In this volume, Ray also shares some of his experiences while shooting Pather Panchali—his epic debut, and subsequent films, particularly for children. He describes how an entire field of kaash flowers was eaten up by cows before he could shoot his famous scene with the train in Pather Panchali; and how a circus tiger let loose in a bamboo grove chased away a group of curious onlookers in the blink of an eye.
The absorbing story of how one of the greatest directors of our time began his film-making career 'Ray's fascinating account of how he made the (Apu) trilogy and how his passion for cinema was first kindled.' -India Today 'Written in an impeccable style it brings back memories of an era when film-making was an art born out of a love for the medium and not merely a means to make money. -Sunday Mail 'My Years With Apu prompts wistful thoughts of those other books, the other Ray masterpieces that remained unwritten at the time of the director's death.' -Indian Review of Books 'A swift, detailed, precise narrative...the story and its many links still retain, as a powerful myth of artistic genesis, their freshness, and may have acquired a new significance with the passing of time.' -The Telegraph
The man known as Blutch is one of the giants of contemporary comics, and Peplum may be his masterpiece: a grand, strange dream of ancient Rome. At the edge of the empire, a gang of bandits discovers the body of a beautiful woman in a cave; she is encased in ice but may still be alive. One of the bandits, bearing a stolen name and with the frozen maiden in tow, makes his way toward Rome—seeking power, or maybe just survival, as the world unravels. Thrilling and hallucinatory, vast in scope yet unnervingly intimate, Peplum weaves together threads from Shakespeare and the Satyricon along with Blutch’s own distinctive vision. His hypnotic storytelling and stark, gorgeous art pull us into one of the great works of graphic literature, translated into English for the first time. This NYRC edition features new English hand-lettering and is an oversized paperback with French flaps and extra-thick paper.
Picturing America argues that photography is a prevalent practice of making places, determining how we situate ourselves in the world. As a prime site of knowledge and change, it enacts our perception as well as transformative conception of American environments.
A NEW YORK TIMES NOTABLE BOOK ONE OF THE NEW YORKER’S BEST BOOKS OF THE YEAR Carrying a single suitcase, Kailash arrives in post-Reagan America from India to attend graduate school. As he begins to settle into American existence, Kailash comes under the indelible influence of a charismatic professor, and also finds his life reshaped by a series of very different women with whom he recklessly falls in and out of love. Looking back on the formative period of his youth, Kailash’s wry, vivid perception of the world he is in, but never quite of, unfurls in a brilliant melding of anecdote and annotation, picture and text. Building a case for himself, both as a good man in spite of his flaws and as an American in defiance of his place of birth, Kailash weaves a story that is at its core an incandescent investigation of love—despite, beyond, and across dividing lines.
The Complete Fiction of H. P. Lovecraft is a collection of chilling and macabre tales that delve into cosmic horror and the unknown. Lovecraft's works often explore the fragility of the human mind when faced with ancient and incomprehensible forces, making use of atmospheric prose to evoke a sense of dread and unease. His stories are characterized by intricate world-building and a pervasive sense of cosmic insignificance, drawing inspiration from both supernatural folklore and his own vivid imagination. The stories included in this collection showcase Lovecraft's unique ability to create a sense of existential terror and are a must-read for fans of horror fiction. The author's narrative style is highly descriptive and immersive, drawing readers into his nightmarish visions of eldritch entities and forbidden knowledge. The Complete Fiction of H. P. Lovecraft offers a comprehensive look into the mind of a master of horror and is a seminal work in the genre.
The incredible story of a film that was never madeIn the 1950s, when Satyajit Ray asked Pandit Ravi Shankar to compose the music for the Apu Trilogy, he conceptualized a film on the legendary sitarist. He also worked out a detailed storyboard for the film. However,for reasons unknown till now, the film was never made and the project was forgotten. Now, for the first time,Ray's storyboard is available. Together with interviews by both Ray and Ravi Shankar on various aspects of their collaboration and a scholarly introduction, this is truly a collector's edition.