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A collection of essays which reveal the wide scope of issues covered by visual anthropology. Contributions by Nordic and international scholars focus on the use of ethnographic film in research, teaching, and the dissemination of anthropological information. The editor s introduction gives a comprehensive view of the development of visual anthropology in the Nordic countries."
How is film used in research, and what are the implications of using audio-visual material in the development of scientific knowledge? This book confronts the strategies and challenges of using film in research contexts with a focus on the concept of reflexivity and the relationship between the researcher and informant. Jenssen examines reflexivity with respect to specific social science methodologies and to the cultural forms of expression of modernity. She also covers the historical role of visual media in knowledge production and in the communication and dissemination of research, and shows how visual media underpin important aesthetic and ethical issues related to the construction of social life. This book is an accessible and provocative read for those in media studies and visual anthropology, as well as for all scholars and students who use film in research.
This collection explores the intersections between anthropology and film festival studies. Film and anthropology scholars map ethnographic film festivals and ethnographic approaches to festivals worldwide. The book provides a historical reconstruction of most of the main festivals exhibiting ethnographic film, considering the parallel evolution of programming and organisational practices across the globe. It also addresses the great value and challenges of ethnographic research tools for studying the wide-ranging field of film festivals. This volume is the first to collect long-term experiences of curating and exhibiting ethnographic film, as well as new approaches to the understanding of film festival practices. Its contributions reflect on curatorial practices within visual anthropology and their implications for ethnographic filmmaking, and they shed light on problems of cultural translation, funding, festival audiences and the institutionalisation of ethnographic cinema. The book offers a novel perspective on film festivals as showcases for cinema, socio-cultural hubs and distribution nodes. Aimed at anthropologists, media scholars, festival organisers and documentary film professionals, it offers a starting point for the study of ethnographic film exhibition within its cultural and social contexts.
Above a naked corpse, an odor of death hangs like a dark cloud as decay advances and finds expression in the desert air. As curious vultures dive down and dig in, a piece of paper is released from the corpses shirt pocket, its destiny unknown. In his debut collection of twenty-five short stories, seasoned Australian writer Robert Halsey transports others on a journey through vivid settings and the eyes of eclectic characters as they face a variety of challenges. As a man stands in a barn and contemplates a decision that will bring the final curtain down on a tragic story, he returns to his memories to find solace as a curious observer watches. Eliab struggles to remember a time when happiness prevailed as he cautiously explores his old family home. Two Himalayan trekkers must make an agonizing choice on the bleak slopes of Kinchengunja. A priest is left to question his faith in God after an earthquake devastates the Dominican Republic. Canticle for Calyute is a collection of diverse short stories that leads others down a creative path intended to raise self-consciousness and encourage introspection.
A Finnish journalist, now a naturalized American citizen, asks Americans to draw on elements of the Nordic way of life to nurture a fairer, happier, more secure, and less stressful society for themselves and their children Moving to America in 2008, Finnish journalist Anu Partanen quickly went from confident, successful professional to wary, self-doubting mess. She found that navigating the basics of everyday life—from buying a cell phone and filing taxes to education and childcare—was much more complicated and stressful than anything she encountered in her homeland. At first, she attributed her crippling anxiety to the difficulty of adapting to a freewheeling new culture. But as she got to know Americans better, she discovered they shared her deep apprehension. To understand why life is so different in the U.S. and Finland, Partanen began to look closely at both. In The Nordic Theory of Everything, Partanen compares and contrasts life in the United States with life in the Nordic region, focusing on four key relationships—parents and children, men and women, employees and employers, and government and citizens. She debunks criticism that Nordic countries are socialist “nanny states,” revealing instead that it is we Americans who are far more enmeshed in unhealthy dependencies than we realize. As Partanen explains step by step, the Nordic approach allows citizens to enjoy more individual freedom and independence than we do. Partanen wants to open Americans’ eyes to how much better things can be—to show her beloved new country what it can learn from her homeland to reinvigorate and fulfill the promise of the American dream—to provide the opportunity to live a healthy, safe, economically secure, upwardly mobile life for everyone. Offering insights, advice, and solutions, The Nordic Theory of Everything makes a convincing argument that we can rebuild our society, rekindle our optimism, and restore true freedom to our relationships and lives.