[PDF] The Musical Language Of Italian Opera 1813 1859 eBook

Author : William Rothstein
Publisher : Oxford University Press
Page : 601 pages
File Size : 47,25 MB
Release : 2022-11-15
Category :
ISBN : 0197609686

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Though studying opera often requires attention to aesthetics, libretti, staging, singers, compositional history, and performance history, the music itself is central. This book examines operatic music by five Italian composers--Rossini, Bellini, Mercadante, Donizetti, and Verdi--and one non-Italian, Meyerbeer, during the period from Rossini's first international successes to Italian unification. Detailed analyses of form, rhythm, melody, and harmony reveal concepts of musical structure different from those usually discussed by music theorists, calling into question the notion of a common practice. Taking an eclectic analytical approach, author William Rothstein uses ideas originating in several centuries, from the sixteenth to the twenty-first, to argue that operatic music can be heard not only as passionate vocality but also in terms of musical forms, pitch structures, and rhythmic patterns--that is, as carefully crafted music worth theoretical attention. Although no single theory accounts for everything, Rothstein's analysis shows how certain recurring principles define a distinctively Italian practice, one that left its mark on the German repertoire more familiar to music theorists.

Author : William Rothstein
Publisher :
Page : 0 pages
File Size : 35,51 MB
Release : 2022
Category : Theory, Analysis, and Composition
ISBN : 9780197609705

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The Musical Language of Italian Opera, 1813-1859 examines operatic music by five Italian composers--Rossini, Bellini, Mercadante, Donizetti, and Verdi--and one non-Italian, Meyerbeer, showing how certain recurring principles define a distinctively Italian practice that left its mark on the German repertoire more familiar to music theorists.

Author : Steven Huebner
Publisher : Boydell & Brewer
Page : 333 pages
File Size : 17,88 MB
Release : 2023
Category : Music
ISBN : 1648250408

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"Verdi's art emerged from a rich array of dramatic and musical practices operative in the Italy of his day. Drawing the reader into his creative world, this study (translated from the French original by the author himself) begins where Verdi began when it came time to set notes to paper: the libretto. Designed for the non-Italophone reader, Steven Huebner's Verdi and the Art of Italian Opera explains key principles of Italian poetry that shaped his music. From there, Huebner outlines the various musical textures available to the composer, including an exploration of the characteristics of recitative and aria. Working outward, subsequent chapters explore the syntax of Verdi's melodic writing and the larger-level forms that he used. A concluding chapter considers ways of conceiving musical unity in his operas. Huebner's long-needed study provides significant insights into Verdi's musico-dramatic strategies, pulling together-and making more easily accessible-principles and insights that are spread widely across the scholarly literature. Verdi remains by far the most performed opera composer on world stages today: singers, vocal coaches, stage directors, and opera lovers more generally will welcome this compact perspective on his art"--

Author : Miriam Piilonen
Publisher : Oxford University Press
Page : 169 pages
File Size : 43,10 MB
Release : 2024-01-02
Category : Music
ISBN : 0197695299

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What did historical evolutionists such as Charles Darwin and Herbert Spencer have to say about music? What role did music play in their evolutionary theories? What were the values and limits of these evolutionist turns of thought, and in what ways have they endured in present-day music research? Theorizing Music Evolution: Darwin, Spencer, and the Limits of the Human is a critical examination of ideas about musical origins, emphasizing nineteenth-century theories of music in the evolutionist writings of Darwin and Spencer. Author Miriam Piilonen argues for the significance of this Victorian music-evolutionism in light of its ties to a recently revitalized subfield of evolutionary musicology. Taking an interdisciplinary approach to music theorizing, Piilonen explores how historical thinkers constructed music in evolutionist terms and argues for an updated understanding of music as an especially fraught area of evolutionary thought. In this book, Piilonen delves into how historical evolutionists, in particular Darwin and Spencer, developed and applied a concept of music that served as a boundary-drawing device, used to trace or obscure the conceptual borders between human and animal. She takes as primary texts the early evolutionary treatises that double as theoretical accounts of music's origins. For Darwin, music served as a kind of proto-language common to humans and animals alike; he heard the songs of birds and the chirps of mice as musical, as articulated in texts such as The Descent of Man (1871) and The Expression of the Emotions in Man and Animals (1872). Spencer, on the other hand, viewed music as a specifically human stage of evolutionary advance, beyond language acquisition, as outlined in his essay, "The Origin and Function of Music" (1857). These competing views established radically different perspectives on the origin and function of music in human cultural expression, while at the same time being mutually constitutive of one another. A ground-breaking contribution to music theory and histories of science, Theorizing Music Evolution turns to music evolution with an eye toward disrupting and intervening in these questions as they recur in the present.

Author : Timothy Koozin
Publisher : Oxford University Press
Page : 305 pages
File Size : 16,67 MB
Release : 2024
Category : Music
ISBN : 0197692982

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This book explores the intimate connection between body and instrument in popular music, explaining chords, melodies, riffs, and grooves in terms of embodied movement, which in turn informs the imagination in constructing meaning in songs. Tracing connections from foundational blues, gospel, and rock musicians to current rap artists, author Timothy Koozin demonstrates how a focus on body-instrument interaction can illuminate creative strategies while leveling implied hierarchies of cultural value, revealing how artists represent subjectivities of gender, race, and social class in shaping songs and whole albums.

Author : Richard Beaudoin
Publisher : Oxford University Press
Page : 297 pages
File Size : 21,47 MB
Release : 2024
Category : Music
ISBN : 0197659284

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In Sounds as They Are, author Richard Beaudoin recognizes the often-overlooked sounds made by the bodies of performers and their recording equipment as music and analyzes these sounds using a bold new theory of inclusive track analysis (ITA). In doing so, he demonstrates new expressive, interpretive, and embodied possibilities and also uncovers insidious inequalities across music studies and the recording industry, including the silencing of certain sounds along lines of gender and race.

Author : Nancy Murphy
Publisher : Oxford University Press
Page : 217 pages
File Size : 16,74 MB
Release : 2023
Category : Music
ISBN : 0197635210

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"It is 1969 and Joni Mitchell is on television, standing empty-handed in the middle of a circular stage that is adorned with psychedelic colors. She is wearing a long, hunter-green dress, surrounded by an audience sitting cross-legged on the floor. She waits for television host Dick Cavett to introduce her next performance. The show is filming on the day after the 1969 Woodstock music festival, an event that Mitchell was initially scheduled to attend but from which she was held back by her management to ensure she could perform on The Dick Cavett Show the next day. The host introduces Mitchell and jokes with her about singing a capella, wondering aloud if someone stole her guitar. The singer laughs politely in response, denies any theft, and then proceeds to her performance, explaining to the audience that she will be singing a "song for America" that she wrote "as a Canadian living in this country." With her hands clasped behind her back, she performs "The Fiddle and the Drum" with no accompaniment, channeling the folk performance tradition on which the song is based. This song about military participation is a rare political statement from Mitchell who, unlike her peers Bob Dylan and Buffy Sainte-Marie, had only released this one "protest song" by 1969. But the song's message was not a particularly risky proclamation. Her anti-war narrative echoed the opinions of the young Cavett Show audience that night, aligning with an established trend of resistance against the war in Vietnam. Similar to the way that Mitchell's song "Woodstock" would eventually capture the spirit of an event she did not attend, "The Fiddle and the Drum" characterizes a popular anti-war sentiment in the public consciousness of the late 1960s"--

Author : Dmitri Tymoczko
Publisher : Oxford University Press
Page : 633 pages
File Size : 14,30 MB
Release : 2023
Category : Music
ISBN : 0197577105

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This encyclopaedic book proposes a sweeping reformulation of the basic concepts of Western music theory, revealing simple structures underlying a wide range of practices from the Renaissance to contemporary pop. Its core innovation is a collection of simple geometrical models describing the implicit knowledge governing a broad range of music-making, much as the theory of grammar describes principles that tacitly guide our speaking and writing. Each of its central chapters re-examines a basic music-theoretical concept such as voice leading, repetition, nonharmonic tones, the origins of tonal harmony, the grammar of tonal harmony, modulation, and melody. These are flanked by two largely analytical chapters on rock harmony and Beethoven. Wide-ranging in scope, and with almost 700 musical examples from the Middle Ages to the present day, Tonality: An Owner's Manual weaves philosophy, mathematics, statistics, and computational analysis into a new and truly twenty-first century theory of music.

Author : Vincent N Parrillo
Publisher : Taylor & Francis
Page : 280 pages
File Size : 23,31 MB
Release : 2024-06-28
Category : Social Science
ISBN : 104015283X

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Fully updated and expanded, the fifth edition of Diversity in America offers a comparative, sociohistorical analysis of diversity in the United States. Drawing from the latest data and research and incorporating recent developments such as the Black Lives Matter movement, Parrillo gives a detailed and multifaceted portrait of intergroup relations. Parrillo takes a chronological approach and uses intergenerational comparisons to highlight demographic shifts and changing perceptions of diversity within different periods of American history. The tensions between the processes of assimilation and pluralism are explored throughout with reference to debates surrounding immigration, the perceived threat of multiculturalism, and the fear of society losing its “American” identity. The original concept of the ‘Dillingham Flaw’ is deployed to explain false perceptions of immigrants. Further updates to the fifth edition include analytical commentary on the controversies surrounding Critical Race Theory and Great Replacement Theory; Affirmative Action, the rise of White supremacist groups; the political divide over asylum seekers, refugees, and undocumented immigrants; and changing racial and religious demographics in an evolving multi-racial America. The book thus sheds light on the socially constructed myths about America’s past, misunderstandings about its present, and anxieties about its future. This accessible and engagingly written book will be of interest to students, academics, and general readers with an interest in diversity, race, ethnicity and migration in the United States.

Author : Sara Gamarro
Publisher : Rugginenti Editore
Page : 166 pages
File Size : 11,76 MB
Release : 2020-09-07
Category : Music
ISBN : 8876652612

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This book is a complete guide to the magic spells that the lyric diction of Italian Opera has cast on its audience for the last four hundred years, revealed and explained in their secrets by the author through an exact method of study whose effectiveness has been proven, over more than a decade of coaching activity, on her many students - Opera stars included - all over the world.