[PDF] The Music Of Archduke Rudolph Beethovens Patron Pupil And Friend eBook

Author : Susan Kagan
Publisher : Pendragon Press
Page : 384 pages
File Size : 25,13 MB
Release : 1988
Category : Biography & Autobiography
ISBN : 9780945193456

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In early 19th-century Austria the Archduke Rudolph occupied multiple roles: a noble Hapsburg by birth, a Cardinal-Archbishop by career, and a dedicated musician by avocation. A talented pianist and composer, Archduke Rudolph enjoyed the unique privilege of being Beethoven's only composition student, and in the two decades of studying with him produced a sizable and well-crafted body of music for piano, chamber ensemble, and voice. Many of the Archduke's autograph manuscripts were corrected in detail by Beethoven, giving us fascinating insights into Beethoven's thinking on the structure and syntax of music. This comprehensive book surveys Archduke Rudolph's life and career in music, which also encompasses his significant role as music patron and collector. It is based on a study of primary sources, principally the autograph manuscripts of his compositions and sketches, and most importantly, Beethoven's own autographs-including sketches, corrections on the Rudolph manuscripts, and a four-measure theme composed expressly for Rudolph's use-produced here, in facsimile, for the first time. Other primary sources examined include the Archduke's correspondence with Beethoven and members of the Imperial household, the catalogues of Rudolph's music collection, and documents related to his ecclesiastical career. The thematic catalogue of Archduke Rudolph's music lists all of his finished and unfinished works in chronological order, as well as sketches, copies, and transcriptions. Fifty illustrations and 190 musical examples are also provided.

Author : TED. TED ALBRECHT
Publisher : Boydell & Brewer
Page : 375 pages
File Size : 33,12 MB
Release : 2022-12-06
Category : Biography & Autobiography
ISBN : 1783276215

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A complete new edition of Beethoven's conversation books, in 12 volumes, now translated into English in their entirety for the first time. Covering a period associated with the revolutionary style of what we call late Beethoven, these lively and compelling conversations are now finally accessible in English for the scholar and Beethoven-lover.

Author : Robert S. Kahn
Publisher : Scarecrow Press
Page : 180 pages
File Size : 22,90 MB
Release : 2010-06-01
Category : Music
ISBN : 1461664055

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The Grosse Fuge, composed by Ludwig van Beethoven in his late period, has an involved and complicated history. Written for a string quartet but published as an independent work, the piece raises interesting questions about whether music without words can have meaning, and invokes speculation about the composer and his frame of mind when he wrote it. Kahn looks closely at the musical, aesthetic, philosophical, and historical problems the work raises, considering its history, structure and development, meaning, and response among critics and contemporaries. Kahn also studies Beethoven's difficulties with publishers and sponsors, his everyday life, and his character in light of recent advances in the pharmacology of depressive illness. The book places both Beethoven and the Grosse Fuge in their historic and social contexts, arguing that Beethoven intended the Fuge as the finale of his String Quartet Opus 130 and created a substitute finale for the quartet at his publisher's urging; not because he was unhappy with the work. Beethoven is examined as a freelance musician: a vocation whose members were frequently excluded from society and the protection of its laws, including respect for copyright. Viewed in this light, Beethoven's famous quirks and resentments become understandable, even rational. Kahn also devotes a chapter to the phenomenon of synesthesia—a sense of motion through three-dimensional volumes of space—examining how some works of Western music can evoke synesthesia in listeners. He also speculates that Beethoven's creative dry spell in his late 40s was caused by an extended bout with clinical depression. Written for a general audience and including a bibliography and index, this fascinating study will interest scholars and fans of classical music and Beethoven.

Author : Robin Stowell
Publisher : Cambridge University Press
Page : 272 pages
File Size : 34,60 MB
Release : 1994-09-08
Category : Music
ISBN : 9780521416443

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The ten essays in this volume explore different aspects of the performance of instrumental works by Beethoven. Each essay discusses performance issues from Beethoven's time to the present, whether the objective be to realise a performance in an historically appropriate manner, to elucidate the interpretation of Beethoven's music by conductors and performers, to clarify transcriptions by editors or to reconstruct the experience of the listener in various different periods. Four contributions focus on the piano music while another group concentrates on Beethoven's music for strings. These chapters are complemented by an examination of Beethoven's exploitation of the developing wind choir, an evaluation of early twentieth-century recordings as pointers to early nineteenth-century performance practice and an historical survey of rescorings in Beethoven's symphonies.

Author : Ludwig van Beethoven
Publisher : Boydell & Brewer
Page : 443 pages
File Size : 29,34 MB
Release : 2019
Category : Biography & Autobiography
ISBN : 1783271515

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A complete new edition of Beethoven's conversation books, now translated into English in their entirety for the first time, covering a period associated with the revolutionary style of what we call late Beethoven.

Author : Theodore Albrecht
Publisher : Boydell & Brewer
Page : 323 pages
File Size : 12,27 MB
Release : 2024-02-20
Category :
ISBN : 1837651051

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Brings to life the day-to-day details of staging the premiere of one the most iconic works of Western classical music. The Ninth Symphony of Ludwig van Beethoven with its final choral movement is one of the iconic works of Western classical music. And yet, the story never fully told concerns the months leading to the symphony's world premiere in Vienna on 7 May and repeat performance on 23 May 1824. In his new book, Theodore Albrecht brings to life the day-to-day details that it took to stage that premiere. It's a story of negotiating for performance halls and performers' payments, of hand-copying legible scores and individual parts for over 120 performers, of finding financiers, as well as space and time for rehearsals. Importantly, it is also a story of the relationship between Beethoven and the musicians who performed this symphonic masterpiece. In fact, as the maddening rehearsal schedule towards the symphony's premiere shows, it transpires that many passages of the Ninth have been tailored to specific orchestral players. Many modern-day musicians will recognize familiar situations in rehearsals, many scholars and students will relish unprecedented new detail. All this comes to the fore by reconstructing the story drawing on the (almost) deaf composer's Conversation Books which Beethoven had been using since 1818. In the performance story of the Ninth Symphony's premiere, Albrecht makes full use of these invaluable documents, which are now being translated for the first time into English in a series of 12 volumes published by the Boydell Press. THEODORE ALBRECHT, Professor Emeritus of Music at Kent State University, Ohio, is an award-winning Beethoven scholar. He has authored many important articles on the composer and is the editor of Letters to Beethoven and Other Correspondence (1996) as well as translator and editor of Beethoven's Conversation Books (Boydell Press).

Author : Wolfgang Amadeus Mozart
Publisher : Courier Corporation
Page : 241 pages
File Size : 43,16 MB
Release : 2000-01-01
Category : Music
ISBN : 0486411656

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Mozart's supremacy as a composer is nowhere more apparent than in his piano concertos, which were a lifelong preoccupation for him from 1767, when he was 11 years old, until 1791, the year of his death. The remarkably precocious works in this volume, written in 1776 and 1777, foreshadow the even greater piano concertos to come. Each exhibits the qualities for which their successors are justly celebrated: keyboard mastery, experimentation with texture, and a natural sensitivity to form and balance. Despite his youth, Mozart captured the spirit of his times with these compositions, reflecting an eighteenth-century mood of elegance and refinement. This volume includes the Triple Concerto No. 7 in F (K.242), Mozart's only concerto for three pianos, with the composer's cadenzas for all three movements. Also here are the Concerto No. 8 in C (K.246) and Concerto No. 9 in E-flat (K.271), offering a contrast in moods — the former, in the lighthearted, refined galant spirit; the latter, a work of dramatic, emotional character. The concluding music in this prized compilation is the world-famous Double Concerto No. 10 in E-flat (K.365), written for the composer himself and his sister Nannerl. Pianists and all lovers of fine music will welcome this valuable compilation of seminal works, reproduced complete and unabridged from the authoritative Breitkopf & H�rtel Complete Works edition. Included as well, as appendixes, are Mozart's original cadenzas for Concerto No. 9 and reproductions of the rare autograph sketches of cadenzas for the Double Concerto.

Author : Derek Carew
Publisher : Routledge
Page : 494 pages
File Size : 16,59 MB
Release : 2016-03-23
Category : Music
ISBN : 1317037650

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Intended as a supplement to The Mechanical Muse: The Piano, Pianism and Piano Music, c.1760-1850, this Companion provides additional information which, largely for reasons of space but also of continuity, it was not possible or desirable to include in that volume. The book is laid out alphabetically and full biographical entries are provided for all musical figures mentioned, including composers, performers, theoreticians and teachers, as well as piano makers and publishers of music, within the period covered by The Mechanical Muse. There are also entries on figures of importance from outside the period but whose influence is palpably important within it, such as J.S. Bach. As well as biographical information, all these entries contain lists of principal works and a section on further reading so that readers can follow up people and matters of particular interest. Also included in The Companion are entries devoted to particular works and other information of relevance, such as descriptions of musical forms, characteristics of dances and so on, as well as some technical information on music and explanations of technical terms pertaining to keyboard instruments themselves and to ways of playing them. This Companion is not intended to replace existing reference books such as Grove or Musik in Geschichte und Gegenwart, but will be useful for those who desire to know more about a particular topic and do not necessarily have access to more specialist reference works, or time to visit large or specialist libraries. As such it is indispensable to users of The Mechanical Muse.

Author : Glenn Stanley
Publisher : Cambridge University Press
Page : 268 pages
File Size : 18,59 MB
Release : 2000-05-11
Category : Music
ISBN : 1107494044

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This Companion, first published in 2000, provides a comprehensive view of Beethoven and his work. The first part of the book presents the composer as a private individual, as a professional, and at the work-place, discussing biographical problems, Beethoven's professional activities when not composing and his methods as a composer. In the heart of the book, individual chapters are devoted to all the major genres cultivated by Beethoven and to the elements of style and structure that cross all genres. The book concludes by looking at the ways that Beethoven and his music have been interpreted by performers, writers on music, and in the arts, literature, and philosophy. The essays in this volume, written by leading Beethoven specialists, maintain traditional emphases in Beethoven studies while incorporating other developments in musicology and theory.