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Aged emperor Thelden III Arrigar's last days are approaching and the Empire's leaders are taking sides in a struggle for power between rival heirs. Blood runs in the streets and the nights are thick with intrigue. Drake Arrigar, bastard prince and half-blooded sorcerer. Darius of Lorradon, foreign-born Initiate of a holy order of warriors sworn to the Empire. Leasha, senior maiden and chief spy for the Emperor's daughter. These three unlikely friends must navigate the coming storms as plots, violence, and unholy barbarians tear their lives apart. Their trials, failures, and triumphs will have far-reaching consequences, for their people and for their own futures.
This is photojournalist Galen Rowell's acclaimed portrait of the mountain lands of China and Tibet -- a realm the Chinese call the "middle kingdom" between earth and sky, higher and more remote than anywhere else on earth. Rowell's text sets his own adventures in this exotic region against a rich historical and cultural background, recreating the exploits of and describing the dramatic changes that recent years have wrought on Chinese life and society. From the palaces of Lhasa to the pristine strongholds of the snow leopard, the 85 splendid color photographs and compelling narrative map a geography that stretches the bounds of imagination. From the Trade Paperback edition.
Author : Morgan Y. Liu Publisher : University of Pittsburgh Pre Page : 297 pages File Size : 50,70 MB Release : 2012-05-20 Category : Social Science ISBN : 0822977923
Under Solomon's Throne provides a rare ground-level analysis of post-Soviet Central Asia's social and political paradoxes by focusing on an urban ethnic community: the Uzbeks in Osh, Kyrgyzstan, who have maintained visions of societal renewal throughout economic upheaval, political discrimination, and massive violence. Morgan Liu illuminates many of the challenges facing Central Asia today by unpacking the predicament of Osh, a city whose experience captures key political and cultural issues of the region as a whole. Situated on the border of Uzbekistan and Kyrgyzstan—newly independent republics that have followed increasingly divergent paths to reform their states and economies—the city is subject to a Kyrgyz government, but the majority of its population are ethnic Uzbeks. Conflict between the two groups led to riots in 1990, and again in 2010, when thousands, mostly ethnic Uzbeks, were killed and nearly half a million more fled across the border into Uzbekistan. While these tragic outbreaks of violence highlight communal tensions amid long-term uncertainty, a close examination of community life in the two decades between reveals the way Osh Uzbeks have created a sense of stability and belonging for themselves while occupying a postcolonial no-man's-land, tied to two nation-states but not fully accepted by either one. The first ethnographic monograph based on extensive local-language fieldwork in a Central Asian city, this study examines the culturally specific ways that Osh Uzbeks are making sense of their post-Soviet dilemmas. These practices reveal deep connections with Soviet and Islamic sensibilities and with everyday acts of dwelling in urban neighborhoods. Osh Uzbeks engage the spaces of their city to shape their orientations relative to the wider world, postsocialist transformations, Islamic piety, moral personhood, and effective leadership. Living in the shadow of Solomon's Throne, the city's central mountain, they envision and attempt to build a just social order.
From the internationally bestselling author of The Twentieth Wife, a novel based on the tumultuous history of a legendary 186-carat diamond—originating in India—and the men and women who possessed it. As empires rose and fell and mighty kings jostled for power, its glittering radiance never dimmed. It is the “Mountain of Light”—the Kohinoor diamond—and its facets reflect a sweeping story of love, adventure, conquest, and betrayal. Its origins are the stuff of myth, but for centuries this spectacular gem changes hands from one ruler to another in India, Persia, and Afghanistan. In 1850, the ancient stone is sent halfway around the world where it will play a pivotal role in the intertwined destinies of a boy-king of India and a young queen of England—a queen who claims the Mountain of Light and India itself for her own burgeoning empire, the most brilliant jewels in her imperial crown. The Mountain of Light is a magnificent story of loss and recovery, sweeping change and enduring truth, wrapped around the glowing heart of one of the world’s most famous diamonds.
The Thunder King has been destroyed—or has he actually reappeared in Obann’s greatest city, to claim it as his prey? In city and in forest, the boy king’s loyal servants struggle to preserve his throne. But it will be a long journey home for King Ryons and his army, while ambitious and unfaithful men scheme to take away his kingdom. Nothing in the city of Obann is what it seems to be: evil masquerades as good, while good must hide behind a semblance of evil. The king’s chief spy must pose as the usurper’s trusted adviser—but will he be able to find the help he needs to mount a successful resistance? For God has chosen Ryons to be king, and Ryons’ people must find friends in unexpected places. Join the heroes of Bell Mountain as they fight for Ryons' throne!
This book argues that the throne motif constitutes the major interpretive key to the complex structure and theology of the book of Revelation. In the first part of the book, Gallusz examines the throne motif in the Old Testament, Jewish literature and Graeco-Roman sources. He moves on to devote significant attention to the throne of God texts of Revelation and particularly to the analysis of the throne-room vision (chs. 4&5), which is foundational for the development of the throne motif. Gallusz reveals how Revelation utilizes the throne motif as the central principle for conveying a theological message, since it appears as the focus of the author from the outset to the climax of the drama. The book concludes with an investigation into the rhetorical impact of the motif and its contribution to the theology of Revelation. Gallusz finally shows that the throne, what it actually represents, is of critical significance both to Revelation's theism and to God's dealing with the problem of evil in the course of human history.
First of a new epic fantasy series inspired by an ancient Sanskrit epic and Indian mythology, Upon a Burning Throne evokes the expansive world-building and complex twists of George R.R. Martin's A Song of Ice and Fire, N.K. Jemisin's Inheritance trilogy, and Ken Liu's The Dandelion Dynasty series.