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Author : Shannon Scott Clute
Publisher : UPNE
Page : 338 pages
File Size : 28,34 MB
Release : 2011
Category : Performing Arts
ISBN : 1611680476
Part thinking-man's fan crush, part crazily inspired remix of the most beloved of film genres, this book will force scholars and film lovers alike to view film noir afresh
Author : Richard Deming
Publisher : Bloomsbury Publishing
Page : 105 pages
File Size : 22,59 MB
Release : 2020-05-14
Category : Performing Arts
ISBN : 1844579514
Orson Welles' classic 1958 noir movie Touch of Evil, the story of a corrupt police chief in a small town on the Mexican-American border, starring Charlton Heston, Janet Leigh and Marlene Dietrich, is widely recognised as one of the greatest noir films of Classical Hollywood cinema. Richard Deming's study of the film considers it as an outstanding example of the noir genre and explores its complex relationship to its source novel, Badge of Evil by Whit Masterson. He traces the film's production history, and provides an insightful close analysis of its key scenes, including its famous opening sequence, a single take in which the camera follows a booby-trapped car on its journey through city streets and across the border.
Author : Shannon Scott Clute
Publisher : UPNE
Page : 332 pages
File Size : 32,80 MB
Release : 2011
Category : Performing Arts
ISBN : 1611681855
Part thinking-man's fan crush, part crazily inspired remix of the most beloved of film genres, this book will force scholars and film lovers alike to view film noir afresh
Author : Robert Miklitsch
Publisher : University of Illinois Press
Page : 265 pages
File Size : 34,45 MB
Release : 2014-09-15
Category : Performing Arts
ISBN : 0252096517
Consider the usual view of film noir: endless rainy nights populated by down-at-the-heel boxers, writers, and private eyes stumbling toward inescapable doom while stalked by crooked cops and cheating wives in a neon-lit urban jungle. But a new generation of writers is pushing aside the fog of cigarette smoke surrounding classic noir scholarship. In Kiss the Blood Off My Hands: On Classic Film Noir, Robert Miklitsch curates a bold collection of essays that reassesses the genre's iconic style, history, and themes. Contributors analyze the oft-overlooked female detective and little-examined aspects of filmmaking like love songs and radio aesthetics, discuss the significance of the producer and women's pulp fiction, and investigate topics as disparate as Disney noir and the Fifties heist film, B-movie back projection and blacklisted British directors. At the same time the writers' collective reconsideration shows the impact of race and gender, history and sexuality, technology and transnationality on the genre. As bracing as a stiff drink, Kiss the Blood Off My Hands writes the future of noir scholarship in lipstick and chalk lines for film fans and scholars alike. Contributors: Krin Gabbard, Philippa Gates, Julie Grossman, Robert Miklitsch, Robert Murphy, Mark Osteen, Vivian Sobchack, Andrew Spicer, J. P. Telotte, and Neil Verma.
Author : David Henderson
Publisher : Cambridge Scholars Publishing
Page : 315 pages
File Size : 28,99 MB
Release : 2012-03-15
Category : Psychology
ISBN : 144383811X
This collection embraces a range of lively and informed discussions of important themes in contemporary psychoanalytic discourse. The chapters grow out of presentations at “Psychoanalysis, Culture and Society,” a conference organised by the Centre for Psychoanalysis, Middlesex University, for post-graduate students and research fellows. The essays demonstrate that the future of psychoanalytic studies is full of promise.
Author : Alain Silver
Publisher : Rowman & Littlefield
Page : 444 pages
File Size : 36,97 MB
Release : 2024-01-11
Category : Performing Arts
ISBN : 1493082299
In this essential study of film noir, editors Alain Silver and James Ursini select the most significant and influential articles on the movement from their highly respected Film Noir Reader series and assemble them into a single, convenient, heavily illustrated volume. Still included, of course, are many rare early articles and such seminal essays as Borde and Chaumeton's “Towards a Definition of Film Noir” from Panorama du Film Noir Americain, Paul Schrader's “Notes on Film Noir ” and “Paint It Black: the Family Tree of the Film Noir” by Raymond Durgnat. With newer studies such as “Lounge Time” by Vivian Sobchack, “Manufacturing Heroines in Classic Noir Films” by Sheri Chinen Biesen, and “Voices from the Deep: Film Noir as Psychodrama” J. P. Telotte, this collection of over 30 articles probes this most influential American film movement from varying angles: formalist, feminist, structuralist, sociological, and stylistic; narrative-thematic historical, and even from the point of view of a pure aficionado. There is something in this volume for every student or devotee of film noir. Plus like the readers that have proven an invaluable tool for academics planning a syllabus, it can serve as the most complete core text for any of the myriad of film noir courses taught throughout the world.
Author : Mark de Valk
Publisher : Routledge
Page : 347 pages
File Size : 42,23 MB
Release : 2013-05-02
Category : Performing Arts
ISBN : 113650852X
The Film Handbook examines the current state of filmmaking and how film language, technique and aesthetics are being utilised for today’s ‘digital film’ productions. It reflects on how critical analysis’ of film underpins practice and story, and how developing an autonomous ‘vision’ will best aid student creativity. The Film Handbook offers practical guidance on a range of traditional and independent ‘guerrilla’ film production methods, from developing script ideas and the logistics of planning the shoot to cinematography, sound and directing practices. Film professionals share advice of their creative and practical experiences shooting both on digital and film forms. The Film Handbook relates theory to the filmmaking process and includes: • documentary, narrative and experimental forms, including deliberations on ‘reading the screen’, genre, mise-en-scène, montage, and sound design • new technologies of film production and independent distribution, digital and multi-film formats utilised for indie filmmakers and professional dramas, sound design and music • the short film form, theories of transgressive and independent ‘guerrilla’ filmmaking, the avant-garde and experimental as a means of creative expression • preparing to work in the film industry, development of specialisms as director, producer, cinematographer, editor, and the presentation of creative work.
Author : Mark T. Conard
Publisher : University Press of Kentucky
Page : 266 pages
File Size : 24,53 MB
Release : 2006-01-01
Category : Reference
ISBN : 0813123771
Explores philosophical themes and ideas inherent in classic noir and neo-noir films, establishing connections to diverse thinkers ranging from Camus to the Frankfurt School. The authors, each focusing on a different aspect of the genre, explores the philosophical underpinnings of classic films.
Author : Carl Richardson
Publisher : Scarecrow Press
Page : 266 pages
File Size : 18,90 MB
Release : 1992
Category : Performing Arts
ISBN : 9780810824966
Richardson deals chiefly with three films noirs: The Maltese Falcon (1941), The Naked City (1948), and Touch of Evil (1958). Treated in chronological order, these case studies show how essential location became to the grim assessment of reality for which noir's repertoire is noted. As the appropriately bleak title suggests, the main thrust of the inquiry is to find out what happened to arguably the most intriguing group of films ever produced by the American Film industry. Richardson makes abundant use of primary material, situates films in historical context, and examines them intertextually. This is the first study of its kind to delve into the use, misuse, and abuse of locations. Although it centers exclusively on film noir, the results suggest larger implications.
Author : Jans B. Wager
Publisher :
Page : 184 pages
File Size : 45,72 MB
Release : 1999
Category : History
ISBN :
Both film noir and the Weimar street film hold a continuing fascination for film spectators and film theorists alike. The female characters, especially the alluring femmes fatales, remain a focus for critical and popular attention. In the tradition of such attention, Dangerous Dames focuses on the femme fatale and her antithesis, the femme attrapée. Unlike most theorists, Jans Wager examines these archetypes from the perspective of the female spectator and rejects the persistence of vision that allows a reading of these female characters only as representations of unstable postwar masculinity. Professor Wager suggests that the woman in the audience has always seen and understood these characters as representations of a complex aspect of her existence. Dangerous Dames looks at the Weimar street films The Street, Variety, Asphalt, and M and the film noir movies The Maltese Falcon, Gun Crazy, and The Big Heat. This book opens the doors to spectators and theorists alike, suggesting cinematic pleasures outside the bounds of accepted readings and beyond the narrow categorization of film noir and the Weimar street film as masculine forms.