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The Making of Memory in the Middle Ages

Author : Lucie Doležalová
Publisher : BRILL
Page : 524 pages
File Size : 45,56 MB
Release : 2009-11-17
Category : History
ISBN : 9047441605

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Based on case studies from across Europe including its ‘peripheries,’ this book offers an interdisciplinary perspective on the notion of memory in the Middle Ages concentrating on contructing memory both as individual competence and as part of a society’s identity.

The Medieval Craft of Memory

Author : Mary Carruthers
Publisher : University of Pennsylvania Press
Page : 324 pages
File Size : 15,46 MB
Release : 2002
Category : Health & Fitness
ISBN : 9780812218817

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"A volume that will interest a wide spectrum of readers."—Patrick Geary, University of California, Los Angeles

Memory and Commemoration in Medieval Culture

Author : Elma Brenner
Publisher : Routledge
Page : 375 pages
File Size : 35,64 MB
Release : 2016-04-22
Category : History
ISBN : 1317097726

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In medieval society and culture, memory occupied a unique position. It was central to intellectual life and the medieval understanding of the human mind. Commemoration of the dead was also a fundamental Christian activity. Above all, the past - and the memory of it - occupied a central position in medieval thinking, from ideas concerning the family unit to those shaping political institutions. Focusing on France but incorporating studies from further afield, this collection of essays marks an important new contribution to the study of medieval memory and commemoration. Arranged thematically, each part highlights how memory cannot be studied in isolation, but instead intersects with many other areas of medieval scholarship, including art history, historiography, intellectual history, and the study of religious culture. Key themes in the study of memory are explored, such as collective memory, the links between memory and identity, the fallibility of memory, and the linking of memory to the future, as an anticipation of what is to come.

The Book of Memory

Author : Mary Carruthers
Publisher : Cambridge University Press
Page : 875 pages
File Size : 10,24 MB
Release : 2008-05-01
Category : Literary Criticism
ISBN : 1107652251

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Mary Carruthers's classic study of the training and uses of memory for a variety of purposes in European cultures during the Middle Ages has fundamentally changed the way scholars understand medieval culture. This fully revised and updated second edition considers afresh all the material and conclusions of the first. While responding to new directions in research inspired by the original, this new edition devotes much more attention to the role of trained memory in composition, whether of literature, music, architecture, or manuscript books. The new edition will reignite the debate on memory in medieval studies and, like the first, will be essential reading for scholars of history, music, the arts and literature, as well as those interested in issues of orality and literacy (anthropology), in the working and design of memory (both neuropsychology and artificial memory), and in the disciplines of meditation (religion).

Ideology in the Middle Ages

Author : Flocel Sabaté
Publisher : ARC Humanities Press
Page : 0 pages
File Size : 48,58 MB
Release : 2019
Category : Ideology
ISBN : 9781641892605

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This highly interdisciplinary volume, with a focus on southern European case studies, sets out to illuminate medieval thought, and to consider how the underlying values of the Middle Ages exerted significant influence in medieval society in the West.

The Book of Memory

Author : Mary J. Carruthers
Publisher : Cambridge University Press
Page : 440 pages
File Size : 22,56 MB
Release : 1992-05-14
Category : History
ISBN : 9780521429733

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The Book of Memory is a magisterial and beautifully illustrated account of the workings and function of memory in medieval society. Memory was the psychological faculty valued above all others in the period stretching from late antiquity through the Renaissance. The prominence given to memory has profound implications for the contemporary understanding of all creative activity, and the social role of literature and art. Drawing on a range of fascinating examples from Dante, Chaucer, and Aquinas to the symbolism of illuminated manuscripts, this unusually wide-ranging book offers new insights into the medieval world.

Creative Selection between Emending and Forming Medieval Memory

Author : Sebastian Scholz
Publisher : Walter de Gruyter GmbH & Co KG
Page : 212 pages
File Size : 33,87 MB
Release : 2021-11-08
Category : History
ISBN : 3110757273

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Karl Valentin once asked: "How can it be that only as much happens as fits into the newspaper the next day?" He focussed on the problem that information of the past has to be organised, arranged and above all: selected and put into form in order to be perceived as a whole. In this sense, the process of selection must be seen as the fundamental moment – the “Urszene” – of making History. This book shows selection as highly creative act. With the richness of early medieval material it can be demonstrated that creative selection was omnipresent and took place even in unexpected text genres. The book demonstrates the variety how premodern authors dealt with "unimportant", unpleasant or unwanted past. It provides a general overview for regions and text genres in early medieval Europe.

Medieval Music and the Art of Memory

Author : Anna Maria Busse Berger
Publisher : University of California Press
Page : 304 pages
File Size : 16,30 MB
Release : 2019-10-08
Category : Music
ISBN : 0520314271

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Winner of the ASCAP Deems Taylor Award and Society of Music Theory's Wallace Berry Award This bold challenge to conventional notions about medieval music disputes the assumption of pure literacy and replaces it with a more complex picture of a world in which literacy and orality interacted. Asking such fundamental questions as how singers managed to memorize such an enormous amount of music and how music composed in the mind rather than in writing affected musical style, Anna Maria Busse Berger explores the impact of the art of memory on the composition and transmission of medieval music. Her fresh, innovative study shows that although writing allowed composers to work out pieces in the mind, it did not make memorization redundant but allowed for new ways to commit material to memory. Since some of the polyphonic music from the twelfth century and later was written down, scholars have long assumed that it was all composed and transmitted in written form. Our understanding of medieval music has been profoundly shaped by German philologists from the beginning of the last century who approached medieval music as if it were no different from music of the nineteenth century. But Medieval Music and the Art of Memory deftly demonstrates that the fact that a piece was written down does not necessarily mean that it was conceived and transmitted in writing. Busse Berger's new model, one that emphasizes the interplay of literate and oral composition and transmission, deepens and enriches current understandings of medieval music and opens the field for fresh interpretations.