[PDF] The London Symphony Orchestra Thirty First Series Season 1936 1937 Second Symphony Concert Friday October 16th 1936 At 815pm Etc eBook

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Program Notes

Author : Chicago Symphony Orchestra
Publisher :
Page : 98 pages
File Size : 15,16 MB
Release : 1892
Category :
ISBN :

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Programme

Author : San Francisco Symphony Orchestra
Publisher :
Page : 470 pages
File Size : 27,18 MB
Release : 1942
Category : Concert programs
ISBN :

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That's Got 'Em!

Author : Mark Berresford
Publisher :
Page : 0 pages
File Size : 48,47 MB
Release : 2012-12-17
Category : Music
ISBN : 9781617037221

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The story of an African American musician and band leader whose showmanship and versatility bridged the gap between ragtime and jazz Wilbur C. Sweatman (1882-1961) is one of the most important, yet unheralded, African American musicians involved in the transition of ragtime into jazz in the early twentieth century. In That's Got 'Em!, Mark Berresford tracks this energetic pioneer over a seven-decade career. His talent transformed every genre of black music before the advent of rock and roll--"pickaninny" bands, minstrelsy, circus sideshows, vaudeville (both black and white), night clubs, and cabarets. Sweatman was the first African American musician to be offered a long-term recording contract, and he dazzled listeners with jazz clarinet solos before the Original Dixieland Jazz Band's so-called "first jazz records." Sweatman toured the vaudeville circuit for over twenty years and presented African American music to white music lovers without resorting to the hitherto obligatory "plantation" costumes and blackface makeup. His bands were a fertile breeding ground of young jazz talent, featuring such future stars as Duke Ellington, Coleman Hawkins, and Jimmie Lunceford. Sweatman subsequently played pioneering roles in radio and recording production. His high profile and sterling reputation in both the black and white entertainment communities made him a natural choice for administering the estate of Scott Joplin and other notable black performers and composers. That's Got 'Em! is the first full-length biography of this pivotal figure in black popular culture, providing a compelling account of his life and times.

Desirable Body

Author : Hubert Haddad
Publisher : Yale University Press
Page : 230 pages
File Size : 46,52 MB
Release : 2018-08-21
Category : Fiction
ISBN : 0300240457

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A medical mystery/fantasy/love story that delves deeply into the nature of consciousness while raising many of the ethical and existential issues facing scientists today A contemporary Frankenstein that defies expectations, this is a thrilling novel, couched in luminous, captivating prose about a journalist, Cédric Allyn-Weberson, who suffers a horrific accident, paralyzing him from the neck down. An ideal candidate for a body transplant, Cédric survives the surgery but has both physical and existential trouble with his recovery and adaptation: encountering his lover with a new body, discovering the life history of his donor, and attempting to understand the mind-body relationship as he lives it. Haddad explores the confusion and insignificance of a single consciousness before experience and identity: What is a head without a body? What or who is a lover with another’s body? The gruesome transplant (detailed in a manner that highlights the author’s own diligent research and comprehension) parallels other ways humanity mutates nature globally; the novel is a provocative and timely allegory—a work of dystopian fantasy.

Florence Mills

Author : Bill Egan
Publisher : Scarecrow Press
Page : 372 pages
File Size : 36,45 MB
Release : 2004
Category : Biography & Autobiography
ISBN : 9780810850071

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This biography reveals the lost history of the life of the 1920s Black female international superstar. Mills was lionized by the crowned heads in Europe and opened doors for generations of Black female stars from Lena Horne to Diana Ross. Although her career and shows changed the nature of Black entertainment, and thereby the wider American popular culture, she was largely forgotten in later years. Anyone who wants to understand the history of Black entertainment from Bert Williams to Michael Jackson and, by implication, the history of American popular culture, needs to understand the ways in which Florence Mills changed the rules forever.