The Location Sound Bible Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of The Location Sound Bible book. This book definitely worth reading, it is an incredibly well-written.
Introduction - What is a sound effect? - The science of sound - The microphone - Mocrophone models and applications - Microphone accessories - Recorders - Building a field recording package - The ten recording commandments - Sound effects gathering - Building a Foley Stage for a home studio - The art of Foley - Digital audio - Studio equipment - Designing your own studio - The ten sound editing commandments - File naming and metadata - Sound design - The sound effects encyclopedia - The future of sound design - Resources.
"The clash of light sabers in the electrifying duels of Star Wars. The chilling bass line signifying the lurking menace of the shark in Jaws. The otherworldly yet familiar pleas to "phone home" in the enchanting E.T." "These are examples of the different ways sound can contribute to the overall dramatic impact of a film. To craft a distinctive atmosphere, sound design is as important as art direction and cinematography - and it can also be an effective tool to express the personalities of your characters."--Jacket.
Holman covers the broad field of sound accompanying pictures, from the basics through recording, editing and mixing for theatrical films, documentaries and television shows. In each area, theory is followed by practical sections.
Sound Biblical Preaching: Giving the Bible a Voice is a comprehensive book on preaching that remarkably provides a survey of the whole subject in a short page span. Dr. Franklin L. Kirksey presents a compendium of information that is a veritable anthology of great preachers, past and present, to encourage, instruct and inspire the reader. This highly recommended book has a motivational message for the beginning preacher, the seasoned veteran of the pulpit and for one exploring God's call to preach the Word. As a result of careful reading and extensive research, Kirksey offers many practical "how to" insights, for example: How to accept the call of God; How to make sure you have been called and How to understand and undertake the call of God. The author insightfully weaves the sobering realities of the pastorate and the heavenly idealism of the pulpit ministry into this practical handbook that should be required reading for every preaching class. This "must read" book has been described as "very readable," and "a fast read with powerful punch." Dr. Stephen F. Olford, Founder and Senior Lecturer of the Stephen Olford Center for Biblical Preaching, Memphis, Tennessee writes, ". . . SOUND BIBLICAL PREACHING is a welcome contribution to the high and holy calling to 'rightly divide the word of truth'." WARNING: "Franklin Kirksey's passion for sound biblical preaching is contagious," according to Dr. Roger D. Willmore, Senior Pastor, Deerfoot Baptist Church, Trussville, Alabama. In the words of Dr. Robert G. Witty, Founder and President Emeritus, Luther Rice Seminary, "Buy the book, digest its content, apply its teaching. You will be rewarded in your ministry."
Written specifically for the person asking, "How did we get our Bible?" this book explains how we got our Bible, addressing the subjects of revelation, inspiration, inerrancy, authority, canonization, textual criticism, translations, and errors-apparent or real. Rather than isolated independent topics, this book provides a chart that demonstrates the interrelationship between the topics and offers questions for further study and discussion with each chapter. WILLIAM J. McRAE is President Emeritus of Tyndale College & Seminary in Toronto, Canada. He is also the author of _The Dynamics of Spiritual Gifts_, _Preparing for your Marriage_, and _Making a Good Thing Better_.
This book guides nonfiction storytellers in the art of creatively and strategically using sound to engage their audience and bring stories to life. Sound is half of film and video storytelling, and yet its importance is often overlooked until a post-production emergency arises. Written by two experienced creators—one a seasoned nonfiction producer/director with a background in music, and one a sound designer who owns a well-regarded mix studio—this book teaches nonfiction producers, filmmakers, and branded content creators how to reimagine their storytelling by improving sound workflow from field to post. In addition to real-world examples from the authors’ own experiences, interviews with and examples from industry professionals across many genres of nonfiction production are included throughout. Written in a conversational style, the book pinpoints practical topics and considerations like 360 video and viewer accessibility. As such, it is a vital point of reference for all nonfiction filmmakers, directors, and producers, or anyone wanting to learn how to improve their storytelling. An accompanying Companion Website offers listening exercises, production sound layout diagrams, templates, and other resources.
By examining three case studies of award-winning soundtracks from cult films-Barton Fink (1991), Bram Stoker's Dracula (1992), and The English Patient (1996)-it becomes clear that major American film communities, when confronted with the initial technological changes of the 1990s, experienced similar challenges with the inelegant transition from analogue to digital. However, their cultural and structural labor differences governed different results. Vanessa Ament, author of The Foley Grail (2009), rather than defining the 1990s as an era of technological determinism-a superficial reading-it is best understood as one in which sound professionals became more viable as artists, collaborated in sound design authorship, and influenced this digital transition to better accommodate their needs and desires in their work.