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"My name is Jude. And because of Law, Hey and the Obscure, they thought I was a boy." Jude is twenty-one when she flies in a private plane to Sark, a tiny carless Channel Island and the last place in Europe to abolish feudalism. She's been hired for the summer to tutor a rich local boy named Pip. But when Jude arrives, the family is unsettling. Pip is awkward, overly literal, and adamant he doesn't need a tutor, and upstairs, his enigmatic mother Esmé casts a shadow over the house. Enter Sofi: the family's holiday cook, a magnetic, mercurial Polish girl with appalling kitchen hygiene, who sings to herself and sleeps naked. When the father of the family goes away on business, Pip's science lessons are replaced by midday rosé and scallop-smuggling, and summer begins. Soon something powerful starts to touch the three together. But those strange, golden weeks on Sark can't last forever. Later, in Paris, Normandy and London, they find themselves looking for the moment that changed everything.Compelling, sensual, and lyrical, The Last Kings of Sark by Rosa Rankin-Gee is a tale of complicated love, only children and missed opportunities, from an extraordinary new writer.
'My name is Jude. And because of Law, Hey and the Obscure, they thought I was a boy.' Jude is twenty-one when she flies in a private plane to Sark, a tiny carless Channel Island, the last place in Europe to abolish feudalism. She has been hired for the summer to give tuition to a rich local boy called Pip. But when she arrives, the family is unsettling- Pip is awkward, over-literal, and adamant he doesn't need a tutor, and upstairs, his enigmatic mother Esmé casts a shadow over the house. Enter Sofi: the family's holiday cook, a magnetic, mercurial Polish girl with appalling kitchen hygiene, who sings to herself and sleeps naked. When the father of the family goes away on business, Pip's science lessons are replaced by midday rosé and scallop-smuggling, and summer begins. Soon something surprising starts to touch the three together. But those strange, golden weeks cannot last forever. Later, in Paris, Normandy and London, they find themselves looking for the moment that changed everything. Compelling, dark and funny, The Last Kings of Sark is tale of complicated love, only children and missed opportunities, from an extraordinary new writer.
For fans of Children of Men, Years and Years & Station Eleven, a postcard from a future Britain that''s closer than we think. An Evening Standard ''Best New Book'' ''A beautiful book: thought-provoking, eerily prescient and very witty.'' Brit Bennett, author of The Vanishing Half ''Water courses through its pages, as rising sea levels heighten inequalities, buoy populist politicians and wash away every certainty of civilisation. But there''s also the novel''s prose - its liquid grace and glinting sparkle - and the sheer irresistibility of a narrative that sweeps along with a force that feels tidal in its pull.'' The Observer ''''You said that you would come back. You looked me in the eye and said that. Well, if you had, this is what you would have seen: soft wood, black cracks, fridges in the road. The broken spines of old rides at Dreamland.'' In the coastal resort of Margate, hotels lie empty and sun-faded ''For Sale'' signs line the streets. The sea is higher - it''s higher everywhere - and those who can are moving inland. A young girl called Chance, however, is just arriving. Chance''s family is one of many offered a cash grant to move out of London - and so she, her mother Jas and brother JD relocate to the seaside, just as the country edges towards vertiginous change. In their new home, they find space and wide skies, a world away from the cramped bedsits they''ve lived in up until now. But challenges swiftly mount. JD''s business partner, Kole, has a violent, charismatic energy that whirlpools around him and threatens to draw in the whole family. And when Chance comes across Franky, a girl her age she has never seen before - well-spoken and wearing sunscreen - something catches in the air between them. Their fates are bound: a connection that is immediate, unshakeable, and, in a time when social divides have never cut sharper, dangerous. Set in a future unsettlingly close to home, against a backdrop of soaring inequality and creeping political extremism, Rankin-Gee demonstrates, with cinematic pace and deep humanity, the enduring power of love and hope in a world spinning out of control. ''She vividly captures the balance between ferocity and vulnerability as the two girls explore their burgeoning desire; one minute they''re greedy for each other, the next they''re proceeding more gingerly. Theirs is a great first love, blazing bright and furious amid the poverty and the pain, the perfect counterweight that''s needed to make the novel sing. Dreamland brings us face-to-face with much of what we''re on the threshold of losing; nevertheless, it manages to convince us that its characters have everything still to live for.'' Guardian ''A great coming-of-age story, and a warning.'' Evening Standard ''This brutal read has moments of hope and love but also serves as a hideous warning to fight for what''s right'' Daily Mail ''Brilliantly bleak... this compelling novel is horribly plausible, chilling and feels like a warning that''s come too late.'' Daily Mirror ''Chance''s life is filled with poverty, crime, drugs and fear - until she meets Franky, a girl unlike anyone else she knows. Their relationship brings light and love...'' Daily Express ''Rankin-Gee''s novel is a triumph, being as much a love letter to the heady ups and crashing lows of youthful entanglements as it is a paean to the former grandeur of its stark coastal setting. Read this now.'' GQ ''A writer of a new time... A writer we will all want to read again and again.'' Monique Roffey, author of the Costa Book of The Year The Mermaid of Black Conch "Dazzling and shattering" Nell Dunn, author of Up The Junction and Talking to Women ''The writing clings like sand. Unexpected turns of phrase have burrowed deep into the recesses of my brain. She has created a vivid, textural portrait, teeming with life and granular, sensory detail as well as wisdom. It does what the most haunting of apocalyptic novels do, which is to shine a light on what is already happening around us and ask that we wake up.'' Olivia Sudjic, author of Asylum Road ''Entrancing... A dark and devastating funhouse ride through curtailed innocence and apocalyptic experience. And- most uniquely- a love letter to the waning magic and melancholy of British seaside towns. It is its own twist on the lucid dystopias of Diane Cook, Kirsten Roupenian and Emily St John Mandel. The book is also deeply cinematic- I was reminded, throughout, of Terry Gilliam''s waterlogged neo-noir fantasy Tideland, as well as the dreamy realism of the films of Andrea Arnold and Lynne Ramsay.'' Sharlene Teo, author of Ponti ''Rankin-Gee is a visionary empath. Every page of this book both broke my heart and made me laugh out loud. What a feat!'' Jac Jemc, author of The Grip of It and False Bingo
If only she'd been born a boy, Tamsyn would never have been sent away to Uncle Gideon's the armourer's house when her grandmother died. She could have stayed by the wild sea that she loved with her Uncle Martin, the ship merchant. But instead, she is bound for busy, bustling Tudor London, and the armourer's house, far from the coast and far from her beloved ships. Homesick and lonely in the loud family of cousins, it isn't until she meets the strange old Wise Woman that Tamsyn is finally promised her "heart's desire".
DigiCat Publishing presents to you this special edition of "Tam O'Shanter" by Robert Burns. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Winner of the Sherwood Anderson Foundation Fiction Award Honorable Mention for the PEN/Hemingway Award "F. Scott Fitzgerald meets Wes Anderson" (The Village Voice) in this inventive and witty debut about a young man’s quest to become a writer and the misadventures in life and love that take him around the globe—from the author of Why We Came to the City As early as he can remember, the narrator of this remarkable novel has wanted to become a writer. From the jazz clubs of Manhattan to the villages of Sri Lanka, Kristopher Jansma’s hopelessly unreliable—yet hopelessly earnest—narrator will be haunted by the success of his greatest friend and literary rival, the brilliant Julian McGann, and endlessly enamored with Evelyn, the green-eyed girl who got away. A profound exploration of the nature of truth and storytelling, this delightful picaresque tale heralds Jansma as a bold, new American voice.
THE FANTASY BOOKTOK SENSATION! For fans of Uprooted and For the Wolf comes a dark, lushly gothic fantasy about a maiden who must unleash the monster within to save her kingdom—but the monster in her head isn't the only threat lurking. Elspeth needs a monster. The monster might be her. Elspeth Spindle needs more than luck to stay safe in the eerie, mist-locked kingdom she calls home—she needs a monster. She calls him the Nightmare, an ancient, mercurial spirit trapped in her head. He protects her. He keeps her secrets. But nothing comes for free, especially magic. When Elspeth meets a mysterious highwayman on the forest road, her life takes a drastic turn. Thrust into a world of shadow and deception, she joins a dangerous quest to cure the kingdom of the dark magic infecting it. Except the highwayman just so happens to be the King’s own nephew, Captain of the Destriers…and guilty of high treason. He and Elspeth have until Solstice to gather twelve Providence Cards—the keys to the cure. But as the stakes heighten and their undeniable attraction intensifies, Elspeth is forced to face her darkest secret yet: the Nightmare is slowly, darkly, taking over her mind. And she might not be able to stop him.
Sir Nigel is a historical novel set during the Hundred Years' War, by the British author Sir Arthur Conan Doyle. Written in 1906, it is a fore-runner to Doyle's earlier novel The White Company, and describes the early life of that book's hero Sir Nigel Loring in the service of King Edward III at the start of the Hundred Years' War.
West Golden-so easy to hate, yet so hard to resist.Don't let that pretty face of his fool you. He isn't the boy next door, or the kind you trust with your heart. He's the devil in designer jeans, with all the charm of a bona fide psycho.Trust me.He swears I did something to cross him before I even stepped foot inside Cypress Prep, but it's a lie. No one knows better than me that I'm all out of chances. One more misstep and I can kiss my future goodbye, which means I can't possibly be guilty of whatever he thinks I've done.West marks me with a target anyway, and as this town's football star, no one dares to go against him. His money, status, and the loyalty of his equally entitled brothers makes him seem untouchable. Only, I know better than that.This false god isn't infallible like he wants the world to believe. Whenever I stare into those devilish green eyes, I see it plain as day. The chink in his armor. His one and only weakness.Me.The King of Cypress Prep has finally met his match and taking him down just became an inside job.
Long-listed for the 2012 Man Booker Prize, The Teleportation Accident is a hilarious sci-fi noir about sex, Satan, and teleportation devices. When you haven't had sex in a long time, it feels like the worst thing that could ever happen. If you're living in Germany in the 1930s, it probably isn't. But that's no consolation to Egon Loeser, whose carnal misfortunes will push him from the experimental theaters of Berlin to the absinthe bars of Paris to the physics laboratories of Los Angeles, trying all the while to solve two mysteries: Was it really a deal with Satan that claimed the life of his hero, Renaissance set designer Adriano Lavicini, creator of the so-called Teleportation Device? And why is it that a handsome, clever, modest guy like him can't-just once in a while-get himself laid? Ned Bauman has crafted a stunningly inventive, exceptionally funny, dangerously unsteady and (largely) coherent novel about sex, violence, space, time, and how the best way to deal with history is to ignore it.