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The King in Yellow is a book of short stories by American writer Robert W. Chambers, first published by F. Tennyson Neely in 1895. The book is named after a fictional play with the same title which recurs as a motif through some of the stories. The first half of the book features highly esteemed weird stories, and the book is described by S.T. Joshi as a classic in the field of the supernatural. There are ten stories, the first four of which, The Repairer of Reputations, The Mask, In the Court of the Dragon and The Yellow Sign, mention The King in Yellow, a forbidden play which induces despair or madness in those who read it. The Yellow Sign inspired a film of the same name released in 2001. The British first edition was published by Chatto & Windus in 1895 (316 pages). This version includes new illustrations.
A milestone of American supernatural fiction, The King in Yellow created a sensation upon its 1895 publication. Since then, it has markedly influenced writers in the genre, most famously, H. P. Lovecraft. Author Robert W. Chambers has been hailed as a writer of remarkable imaginative powers and the historic link between Edgar Allan Poe and Stephen King. This edition features 12 of his gripping stories and was edited by a noted authority on supernatural fiction, E. F. Broiler, who provides an informative introduction.
»The Maker of Moons« is a short story by Robert W. Chambers, originally published 1896 in the short story collection The Maker of Moons. ROBERT W. CHAMBERS [1865-1933] was an American author and artist. He was highly prolific, writing over 80 novels and short story collections, with the most famous being the short story collection The King in Yellow [1895].
»In the Court of the Dragon« is a short story by Robert W. Chambers, originally published 1895 in the short story collection The King in Yellow. ROBERT W. CHAMBERS [1865-1933] was an American author and artist. He was highly prolific, writing over 80 novels and short story collections, with the most famous being the short story collection The King in Yellow [1895].
Selected works by women writers of the fin-de-siècle whose legacy still echoes in the speculative fiction we know and love today, edited by award-winning author Theodora Goss.
A New York Times bestseller! A confident little boy takes pride in his first day of kindergarten, by the Newbery Honor-winning author of Crown. The morning sun blares through your window like a million brass trumpets.It sits and shines behind your head--like a crown. Mommy says that today, you are going to be the King of Kindergarten! Starting kindergarten is a big milestone--and the hero of this story is ready to make his mark! He's dressed himself, eaten a pile of pancakes, and can't wait to be part of a whole new kingdom of kids. The day will be jam-packed, but he's up to the challenge, taking new experiences in stride with his infectious enthusiasm! And afterward, he can't wait to tell his proud parents all about his achievements--and then wake up to start another day. Newbery Honor-winning author Derrick Barnes's empowering story will give new kindergarteners a reassuring confidence boost, and Vanessa Brantley-Newton's illustrations exude joy.
That evening I took my usual walk in Washington Park, pondering over the occurrences of the day. I was thoroughly committed. There was no back out now, and I stared the future straight in the face. I was not good, not even scrupulous, but I had no idea of deceiving either myself or Tessie. The one passion of my life lay buried in the sunlit forests of Brittany. Was it buried forever? Hope cried “No!” For three years I had been listening to the voice of Hope, and for three years I had waited for a footstep on my threshold. Had Sylvia forgotten? “No!” cried Hope. I said that I was not good. That is true, but still I was not exactly a comic opera villain. I had led an easy-going reckless life, taking what invited me of pleasure, deploring and sometimes bitterly regretting consequences. In one thing alone, except my painting, was I serious, and that was something which lay hidden if not lost in the Breton forests. It was too late now for me to regret what had occurred during the day. Whatever it had been, pity, a sudden tenderness for sorrow, or the more brutal instinct of gratified vanity, it was all the same now, and unless I wished to bruise an innocent heart my path lay marked before me. The fire and strength, the depth of passion of a love which I had never even suspected, with all my imagined experience in the world, left me no alternative but to respond or send her away. Whether because I am so cowardly about giving pain to others, or whether it was that I have little of the gloomy Puritan in me, I do not know, but I shrank from disclaiming responsibility for that thoughtless kiss, and in fact had no time to do so before the gates of her heart opened and the flood poured forth. Others who habitually do their duty and find a sullen satisfaction in making themselves and everybody else unhappy, might have withstood it. I did not. I dared not. After the storm had abated I did tell her that she might better have loved Ed Burke and worn a plain gold ring, but she would not hear of it, and I thought perhaps that as long as she had decided to love.somebody she could not marry, it had better be me. I, at least, could treat her with an intelligent affection, and whenever she became tired of her infatuation she could go none the worse for it. For I was decided on that point although I knew how hard it would be. I remembered the usual termination of Platonic liaisons and thought how disgusted I had been whenever I heard of one. I knew I was undertaking a great deal for so unscrupulous a man as I was, and I dreaded the future, but never for one moment did I doubt that she was safe with me. Had it been anybody but Tessie I should not have bothered my head about scruples. For it did not occur to me to sacrifice Tessie as I would have sacrificed a woman of the world. I looked the future squarely in the face and saw the several probable endings to the affair. She would either tire of the whole thing, or become so unhappy that I should have either to marry her or go away. If I married her we would be unhappy. I with a wife unsuited to me, and she with a husband unsuitable for any woman. For my past life could scarcely entitle me to marry. If I went away she might either fall ill, recover, and marry some Eddie Burke, or she might recklessly or deliberately go and do something foolish. On the other hand if she tired of me, then her whole life would be before her with beautiful vistas of Eddie Burkes and marriage rings and twins and Harlem flats and Heaven knows what. As I strolled along through the trees by the Washington Arch, I decided that she should find a substantial friend in me anyway and the future could take care of itself. Then I went into the house and put on my evening dress for the little faintly perfumed note on my dresser said, “Have a cab at the stage door at eleven,” and the note was signed “Edith Carmichael, Metropolitan Theater, June 19th, 189—.”
The King in Yellow is a book of quick memories by the American author Robert W. Chambers, first posted by using F. Tennyson Neely in 1895. The e book is called after a play with the identical title which recurs as a motif via some of the memories. The first half of the e book features distinctly esteemed weird testimonies, and the ebook has been described by means of critics which includes E. F. Bleiler, S. T. Joshi and T. E. D. Klein as a classic within the subject of the supernatural. There are ten memories, the first 4 of which ("The Repairer of Reputations", "The Mask", "In the Court of the Dragon", and "The Yellow Sign") mention The King in Yellow, a forbidden play which induces depression or insanity in people who read it. "The Yellow Sign" inspired a movie of the equal name released in 2001.