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Interpreting Cézanne

Author : Sidney Geist
Publisher : Harvard University Press
Page : 316 pages
File Size : 43,49 MB
Release : 1988
Category : Art
ISBN : 9780674459557

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In this remarkable book the sculptor and writer Sidney Geist presents a revolutionary interpretation of the art of Cézanne. Geist argues that Cézanne's paintings are fertile with reflections of the artist's private world and passionate concerns. Looking at more than two hundred works, all reproduced in the book, he identifies the symbolism that gives form to a hidden significance in the paintings--concealed allusions to Cézanne himself and to his relations with his wife and mother, his father, his son, and his friend Zola, as well as a circle of colleagues including Pissarro, Frederic Bazille, and Ambroise Vollard. It is a complex pattern of symbols expressed in both secondary visual images and in verbal connections, including rebuses and puns. In reading these paintings for symbolic meaning Geist opens the way to a fuller understanding of Cézanne as well as to new ways of looking at pictures. Interpretation of this kind in its turn explains formal aspects of the paintings with a richness not possible in abstract analysis.

Interpreting Cezanne

Author : Paul Smith
Publisher : Stewart, Tabori, & Chang
Page : 92 pages
File Size : 40,21 MB
Release : 1996
Category : Art
ISBN :

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Interpreting Cezanne explores the style and content of Cezanne's work and analyzes the artist's own comments about painting. Greatly influenced by the landscapes of his native Provence, the Old Masters, and, most importantly, Impressionism, Cezanne had a lasting and profound influence on 20th century art. Includes 63 illustrations, 50 in color.

Cézanne and the End of Impressionism

Author : Richard Shiff
Publisher : University of Chicago Press
Page : 337 pages
File Size : 42,87 MB
Release : 2014-12-15
Category : Art
ISBN : 022623777X

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Drawing on a broad foundation in the history of nineteenth-century French art, Richard Shiff offers an innovative interpretation of Cézanne's painting. He shows how Cézanne's style met the emerging criteria of a "technique of originality" and how it satisfied critics sympathetic to symbolism as well as to impressionism. Expanding his study of the interaction of Cézanne and his critics, Shiff considers the problem of modern art in general. He locates the core of modernism in a dialectic of making (technique) and finding (originality). Ultimately, Shiff provides not only clarifying accounts of impressionism and symbolism but of a modern classicism as well.

CŽzanne, Murder, and Modern Life

Author : AndrŽ Dombrowski
Publisher : Univ of California Press
Page : 320 pages
File Size : 15,27 MB
Release : 2013
Category : Art
ISBN : 0520273397

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"Cézanne, Murder and Modern Life changes the way we think about—and see—Cézanne’s entire oeuvre. Dombrowski’s arguments are convincing and bold, especially on the theme of murder as a vehicle for representation. Modern Olympia has never before been so satisfactorily analyzed." Susan Sidlauskus, Rutgers University, author of Cezanne's Other: The Portraits of Hortense “Exciting and intelligent, Cézanne, Murder, and Modern Life will be important for modernists, and essential for scholars of Cézanne, early Impressionism, and painting in the 1860s. Dombrowski shows us a Cézanne we did not know.” Nancy Locke, author of Manet and the Family Romance

Cézanne's Composition

Author : Erle Loran
Publisher : Univ of California Press
Page : 174 pages
File Size : 12,40 MB
Release : 2006
Category : Art
ISBN : 9780520248458

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Praise for the first edition: "I have learned a great deal from his book about modern painting in general. [Loran] devotes his attention mainly to Cezanne's concrete means and methods, and he arrives thereby at an understanding of Cezanne's art more essential than any other I have seen in print."--Clement Greenberg, Nation

Cézanne in the Studio

Author : Carol Armstrong
Publisher : Getty Publications
Page : 166 pages
File Size : 46,52 MB
Release : 2004-11-01
Category : Art
ISBN : 0892366230

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In the last years of his life Paul Cézanne produced a stunning series of watercolors, many of them sill lifes. Still Life with Blue Pot is one of these late masterpieces that is now in the collection of the Getty Museum. In Cézanne in the Study: Still Life in Watercolors, Carol Armstrong places this great painting within the context of Cezanne’s artistic and psychological development and of the history of the genre of still life in France. Still life—like the medium of watercolor—was traditionally considered to be “low” in the hierarchy of French academic paintings. Cézanne chose to ignore this hierarchy, creating monumental still-life watercolors that contained echoes of grand landscapes and even historical paintings in the manner of Poussin—the “highest” of classical art forms. In so doing he changed his still lifes with new meanings, both in terms of his own notoriously difficult personality and in the way he used the genre to explore the very process of looking at, and creating, art. Carol Armstrong’s study is a fascinating exploration of the brilliant watercolor paintings that brought Cézanne’s career to a complex, and triumphant, conclusion, The book includes new photographic studies of the Getty’s painting that allow the reader to encounter this great watercolor as never before, in all of its richness and detail.