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Re-reading Jayanta Mahapatra is a selection of the seminal poems of poet Padmashree Jayanta Mahapatra, meticulously selected by Indian English poet Professor Nandini Sahu, with a long critical introduction by her. The book highlights the quality of tranquility and quietude about his poetry, and celebrates the nostalgic elements of Mahapatra's poetry. While the book hardly confines him as a ''Romantic', as he is not prepared to accept the capability of romantic imagination-the book problematizes Mahapatra's dismissal of the term 'romantic' vis-à-vis himself. . Nandini argues, his poetry reveals a self that is secluded and withdrawn, but it is romantic to the core. Mahapatra began his poetic career as a poet of love. His earlier poetry tried to capture the multiple facets of love, so as to relate it to the redolent conformation of life. Even if Mahapatra is 'rueful' about his beginning as a love poet, yet it is through his love poetry that he could learn how to establish a rapport with the cultural tradition in his later poetry. Nandini venerates his poetry; as a fellow poet herself, she is proud of belonging to the historiography of Indian English poetry that Mahapatra shaped. His poetry has been the poetry of departure into the self, like a Pantheist, where it is unadorned, moving and still, sans pretense and insincere masks.
The Poetry of Jayanta Mahapatra is an incisive and well researched book. It makes an in-depth study of the poetry of Jayanta Mahapatra from Close the Sky Ten by Ten to Shadow Space. Various aspects of his poetry ranging from thematic study to technical accomplishment have been discussed here with insight and precision. The concluding chapter seeks to evaluate Mahapatra as a Modernist, Post-Modernist and finally, a Post-Colonial poet. This is an invaluable book on Mahapatra?s poetry.
A History of Indian Poetry in English explores the genealogy of Anglophone verse in India from its nineteenth-century origins to the present day. Beginning with an extensive introduction that charts important theoretical contributions to the field, this History includes extensive essays that illuminate the legacy of English in Indian poetry. Organized thematically, these essays survey the multilayered verse of such diverse poets as Henry Louis Vivian Derozio, Rabindranath Tagore, Nissim Ezekiel, Dom Moraes, Kamala Das, and Melanie Silgardo. Written by a host of leading scholars, this History also devotes special attention to the lasting significance of imperialism and diaspora in Indian poetry. This book is of pivotal importance to the development of Indian poetry in English and will serve as an invaluable reference for specialists and students alike.
In Recent Years, The Indian English Literature Has Made Conspicuous Progress In All Its Forms, Mainly In Fiction And Poetry. The Present Anthology Aims At Presenting An In-Depth Study Of Nineteen Authors Who Are Both Established As Well As Upcoming Writers: Toru Dutt, Nissim Ezekiel, Jayanta Mahapatra, R.C. Shukla, Rajendra Singh, Mulk Raj Anand, Kamala Markandaya, Amitav Ghosh, Arundhati Roy, Shashi Tharoor, Shiv K. Kumar, Shobha De, Intizar Husain And Mahesh Dattani. Although The Present Anthology Contains Articles On Indian English Poetry, Fiction And Drama, But Fiction Enjoys A Prominent Place.Since Most Of The Authors Included In The Present Volume For Discussion Are Prescribed In The English Syllabus In The Various Indian Universities, It Is Hoped That Both The Teachers And Students Will Find The Book Extremely Useful. Even The General Readers Who Are Interested In Literature In English Will Find It Intellectually Stimulating.
This book aims at study and analysis of the poetry of the first four major poets of the postcolonial trend in the Indian context. It examines and explores the various aspects and characteristics of their poetry which can qualify them on the double standards of both being Indian and modern at the same time in a justifiable manner.
This collection uses a transnational approach to study contemporary English-language poetry composed by poets of South Asian origin. The poetry contains themes, motifs, and critiques of social changes, and the contributors seek to encapsulate the continually changing environments that these contemporary poets write about. The contributors show that English-language poetry in South Asia is hybridized with imagery and figurative language adapted from the vernacular languages of South Asia. The chapters examine women’s issues, concerns of marginalized groups—such as the Dalit community and the people of Northeastern India—, social changes in Sri Lanka, the changing society of Pakistan, and the formation of the identity in the several nation states that resulted from the British colony of India.
A scandal in a small town, a boy s arranged marriage, the evening of Gandhi s death these are some of the subjects that are given a new significance and intensity when subjected to the acute vision and magical art of Jayanta Mahapatra. Harsh, seemingly ordinary, and sometimes sensational themes are here transformed into something rich and strange; persons and events achieve a symbolic significance; and language acquires a lyrical power that is as accomplished as it appears natural.