[PDF] The Impact Of The British Oboist Leon Goossens eBook

Author : Jonathan Tobutt
Publisher : Cambridge Scholars Publishing
Page : 133 pages
File Size : 28,91 MB
Release : 2023-06-28
Category : Music
ISBN : 1527510808

GET BOOK

In this study of Léon Goossens’ musical life, the author reassesses the current limited and fragmented perspectives of Léon’s contribution to British oboe playing through his interpretative and performance strategies, his orchestral and solo careers, the people who influenced and were influenced by him, his character as reported by those who studied and worked with him and, significantly, his pivotal role as a catalyst for new compositions that created a considerable library of British oboe music addressing a paucity in the repertoire. To place Léon’s impact in the context of the oboe’s history in Britain, factors concerning the influence of the French School on the British style of oboe playing are explored, as well as the entrenched polarised attitudes towards the instrument and a solo compositional vacuum prevalent in the late nineteenth and early twentieth centuries that ultimately provided a platform for a restoration of the instrument’s status.

Author : Geoffrey Vernon Burgess
Publisher : Yale University Press
Page : 444 pages
File Size : 42,36 MB
Release : 2004-01-01
Category : Music
ISBN : 9780300093179

GET BOOK

The oboe, including its earlier forms the shawm and the hautboy, is an instrument with a long and rich history. In this book two distinguished oboist-musicologists trace that history from its beginnings to the present time, discussing how and why the oboe evolved, what music was written for it, and which players were prominent. Geoffrey Burgess and Bruce Haynes begin by describing the oboe’s prehistory and subsequent development out of the shawm in the mid-seventeenth century. They then examine later stages of the instrument, from the classical hautboy to the transition to a keyed oboe and eventually the Conservatoire-system oboe. The authors consider the instrument’s place in Romantic and Modernist music and analyze traditional and avant-garde developments after World War II. Noting the oboe’s appearance in paintings and other iconography, as well as in distinctive musical contexts, they examine what this reveals about the instrument’s social function in different eras. Throughout the book they discuss the great performers, from the pioneers of the seventeenth century to the traveling virtuosi of the eighteenth, the masters of the romantic period and the legends of the twentieth century such as Gillet, Goossens, Tabuteau, and Holliger. With its extensive illustrations, useful technical appendices, and discography, this is a comprehensive and authoritative volume that will be the essential companion for every woodwind student and performer.

Author : Charles Marie Widor
Publisher : Courier Corporation
Page : 226 pages
File Size : 21,30 MB
Release : 2005-01-01
Category : Music
ISBN : 0486442691

GET BOOK

Renowned for his talents as organist and composer, Charles-Marie Widor (1844–1937) was also a professor at the Paris Conservatoire, where his vast knowledge of counterpoint, fugue, and orchestration benefited such students as Honegger, Varèse, Milhaud, and Dupré. In the course of his four decades of teaching at the Conservatoire, he wrote this study of instrumentation, The Technique of the Modern Orchestra, which he viewed as a supplement to Berlioz’s celebrated but dated treatise on the same subject. Full of insights and details not found in other manuals of instrumentation, Widor’s 1904 text presents a comprehensive catalog of the various abilities and qualities of all the orchestral instruments. It also features an abundance of practical advice regarding instrumental combinations and relevant works to study. This classic work represents an invaluable reference for any student of orchestration.

Author : Benjamin Britten
Publisher : Oxford University Press, USA
Page : 480 pages
File Size : 41,94 MB
Release : 2003
Category : Music
ISBN : 9780198167143

GET BOOK

Benjamin Britten was a most reluctant public speaker. Yet his contributions were without doubt a major factor in the transformation during his lifetime of the structure of the art-music industry. This book, by bringing together all his published articles, unpublished speeches, drafts, and transcriptions of numerous radio interviews, explores the paradox of a reluctant yet influential cultural commentator, artist, and humanist. Whether talking about his own music, about the role of the artist in society, about music criticism, or wading into a debate on Soviet ideology at the height of the cold war, Britten always gave a performance which reinforced the notion of a private man who nonetheless saw the importance of public disclosure.

Author : Aaron F. Jakubiec
Publisher :
Page : 154 pages
File Size : 22,17 MB
Release : 2012
Category : Concertos (Oboe with string orchestra)
ISBN :

GET BOOK

Goossens was considered the finest oboist of his day. In recognition of his exceptional gifts almost every notable English composer wrote for him and some of his students. This thesis examines two works each by Britten and Vaughan Williams.

Author : Robert Philip
Publisher : Yale University Press
Page : 442 pages
File Size : 35,53 MB
Release : 2004-04-10
Category : Music
ISBN : 0300161522

GET BOOK

Listeners have enjoyed classical music recordings for more than a century, yet important issues about recorded performances have been little explored. What is the relationship between performance and recording? How are modern audiences affected by the trends set in motion by the recording era? What is the impact of recordings on the lives of musicians? In this wide-ranging book, Robert Philip extends the scope of his earlier pioneering book, "Early Recordings and Musical Style: Changing Tastes in Instrumental Performance 1900-1950." Philip here considers the interaction between music-making and recording throughout the entire twentieth century. The author compares the lives of musicians and audiences in the years before recordings with those of today. He examines such diverse and sometimes contentious topics as changing attitudes toward freedom of expression, the authority of recordings made by or approved by composers, the globalization of performing styles, and the rise of the period instrument movement. Philip concludes with a thought-provoking discussion of the future of classical music performance.