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This illuminating study charts the changing role of the Hollywood film sequel over the past century. Considering a range of sequels in their industrial, historical and aesthetic contexts, from The Son of a Sheik (1926) to Toy Story 3 (2010), this book provides a comprehensive history of this critically-neglected yet commercially-dominant art form.
"This illuminating study charts the changing role of the Hollywood film sequel over the past century. Considering a range of sequels in their industrial, historical and aesthetic contexts, from The Son of a Sheik (1926) to Toy Story 3 (2010), this book provides a comprehensive history of this critically-neglected yet commercially-dominant art form."--
The fast-paced, funny sequel to the best-selling Son of the Mob. Vince Luca is in heaven . . . he's off to Los Angeles, to attend the University of Santa Monica's film school. College should be fantastic, and he is more thrilled about being 3,000 miles away from his mob family. As it turns out, college brings its own problems: from other film students moving in on his girl, to a kleptomaniac roommate, to having to get a job on campus to help pay tuition. It's a fair amount to handle, though nothing Vince couldn't easily manage — if he didn't keep finding himself with unexpected guests from the East Coast. It seems Vince's dad may just be ready to expand operations to L.A. With the popularity of shows such as "The Sopranos," the mafia is a topic of intrigue for young adults. The fast-paced plot, hilarious dialogue and Korman's keen understanding of teen issues, made this a bestseller and a critical success.
They're rich, powerful, and ambitious--and whatever the new generation of Hollywood wives want, they get. They will stop at nothing for their chance in the spotlight. There are no limits to their passions--or their excesses--and there are new rules to the power game. Megastar Lissa Roman is about to discover that the game itself can exact a deadly price.
Author : Carolyn Jess-Cooke Publisher : State University of New York Press Page : 267 pages File Size : 11,66 MB Release : 2012-02-01 Category : Performing Arts ISBN : 1438430310
In A Wrinkle in Time Quintet book two, Charles Wallace falls ill, and Meg, Calvin, and their teacher, Mr. Jenkins, must travel inside C.W. to make him well, and save the universe from the evil Echthros. It is November. When Meg comes home from school, Charles Wallace tells her he saw dragons in the twin's vegetable garden. That night Meg, Calvin and C.W. go to the vegetable garden to meet the Teacher (Blajeny) who explains that what they are seeing isn't a dragon at all, but a cherubim named Proginoskes. It turns out that C.W. is ill and that Blajeny and Proginoskes are there to make him well – by making him well, they will keep the balance of the universe in check and save it from the evil Echthros. Meg, Calvin and Mr. Jenkins (grade school principal) must travel inside C.W. to have this battle and save Charles' life as well as the balance of the universe. Books by Madeleine L'Engle A Wrinkle in Time Quintet A Wrinkle in Time A Wind in the Door A Swiftly Tilting Planet Many Waters An Acceptable Time A Wrinkle in Time: The Graphic Novel by Madeleine L'Engle; adapted & illustrated by Hope Larson Intergalactic P.S. 3 by Madeleine L'Engle; illustrated by Hope Larson: A standalone story set in the world of A Wrinkle in Time. The Austin Family Chronicles Meet the Austins (Volume 1) The Moon by Night (Volume 2) The Young Unicorns (Volume 3) A Ring of Endless Light (Volume 4) A Newbery Honor book! Troubling a Star (Volume 5) The Polly O'Keefe books The Arm of the Starfish Dragons in the Waters A House Like a Lotus And Both Were Young Camilla The Joys of Love
When a lawyer discovers the possible existence of a lost, secret second novel from America's favorite writer, all hell breaks loose. For years, Frederick Lowell has quietly managed the estate of the revered novelist Edward Goodwin. Though the author of only one novel, that book has gone on to sell hundreds of millions of copies, keeping Lowell comfortable, as well as Goodwin's ne'er-do-well and feckless children. Then word comes that a sequel to the novel may in fact exist, and Lowell becomes a detective, navigating a series of startling twists that take him from a Hamptons retreat to a state penitentiary, from a Westchester homestead to a decaying Southern hotel. "The Sequel" is Jeffrey Deaver at his finest, diabolically plotted and filled with rich characterizations. "The Sequel" by Jeffrey Deaver is one of 20 short stories within Mulholland Books's Strand Originals series, featuring thrilling stories by the biggest names in mystery from the Strand Magazine archives. View the full series list at mulhollandbooks.com and listen to them all!
The veteran producer and author of the bestseller Hello, He Lied takes a witty and critical look at the new Hollywood. Over the past decade, producer Lynda Obst gradually realized she was working in a Hollywood that was undergoing a drastic transformation. The industry where everything had once been familiar to her was suddenly disturbingly strange. Combining her own industry experience and interviews with the brightest minds in the business, Obst explains what has stalled the vast moviemaking machine. The calamitous DVD collapse helped usher in what she calls the New Abnormal (because Hollywood was never normal to begin with), where studios are now heavily dependent on foreign markets for profit, a situation which directly impacts the kind of entertainment we get to see. Can comedy survive if they don’t get our jokes in Seoul or allow them in China? Why are studios making fewer movies than ever—and why are they bigger, more expensive and nearly always sequels or recycled ideas? Obst writes with affection, regret, humor and hope, and her behind-the-scenes vantage point allows her to explore what has changed in Hollywood like no one else has. This candid, insightful account explains what has happened to the movie business and explores whether it’ll ever return to making the movies we love—the classics that make us laugh or cry, or that we just can’t stop talking about.
Whilst the prominence of the sequel in contemporary American cinema is inarguable, little attempt has been made to identify its formal characteristics or to provide a comprehensive account of its historical development over the past century. Offering a corrective to this oversight, this thesis addresses three key research questions: what are the formal characteristics of the sequel in all its variations in American cinema?; to what extent have these formal characteristics changed over time?; and how are these changes related to the shifts in the economic and industrial structures of the American film industry? Drawing on a wide range of sources, the first four chapters trace the historical development of the sequel, from silent era features such as The Son of Sheik (1926) through to contemporary franchises. Building upon this historical context, the second half of the thesis is dedicated to an examination of the Hollywood sequel's formal characteristics. Initially concerned with the manner in which the sequel form differs from and challenges the notions of closure which inform the Classical Hollywood paradigm, these chapters progress to a consideration of the dynamic between genre, stars, character and narrative as it plays out in sequels ranging from Bride Of Frankenstein (1935) to Rooster Cogburn (1975) and Rambo (2008). In placing equal emphasis on history and aesthetics, the thesis ultimately aims to both develop a typology of the sequel form, and to build a more complete picture of the many ways in which Hollywood has sought to repeat its previous successes, the historically specific conditions which have governed these repetitions, and the compositional norms which have resulted.