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Every door has a hinge, A door that doesn't is a wall, it just doesn't work. The Hinge is the moment, event, or person that makes all the difference. It connects who we are with who we become and it only takes one. Mental Toughness is what allows the Hinge to connect. Will you be ready? In this cutting edge book, you'll learn: How a plane crash changed the music landscape forever in America. How a blade of grass caused the dominance of Korean golf. What Hall of Famers really believe. The most important mental skills and how to apply them. Why we should listen to our gut. To understand that "it only takes one.""
Author : Gary Alan Fine Publisher : University of Chicago Press Page : 272 pages File Size : 26,62 MB Release : 2021-02-09 Category : Political Science ISBN : 022674583X
Most of the time, we believe our daily lives to be governed by structures determined from above: laws that dictate our behavior, companies that pay our wages, even climate patterns that determine what we eat or where we live. In contrast, social organization is often a feature of local organization. While those forces may seem beyond individual grasp, we often come together in small communities to change circumstances that would otherwise flatten us. Challenging traditional sociological models of powerful forces, in The Hinge, Gary Alan Fine emphasizes and describes those meso-level collectives, the organizations that bridge our individual interests and the larger structures that shape our lives. Focusing on “tiny publics,” he describes meso-level social collectives as “hinges”: groups that come together to pursue a shared social goal, bridging the individual and the broader society. Understanding these hinges, Fine argues, is crucial to explaining how societies function, creating links between the micro- and macro-orders of society. He draws on historical cases and fieldwork to illustrate how these hinges work and how to describe them. In The Hinge, Fine has given us powerful new theoretical tools for understanding an essential part of our social worlds.
In life we get opportunities to make decisions that will either change our lives for the better or pose problems for years to come. Exploring these "hinge moments," Gordon College president Michael Lindsay shares faith-based stories of success and failure from his ten-year study of other leaders, providing both practical and spiritual insights for making the most of each stage of life.
In 1960 George Heard Hamilton published the first complete typographic translation of Duchamp's Green Box in English. This landmark publication translated Duchamp's notes and conceptual ambitions for his masterwork, The Bride Stripped Bare by Her Bachelors, Even. And as a book, designed to hinge at its binding, the work fulfilled Duchamp's conceptual proposal for art that would move from two- into three-dimensional space. Hinge Pictures is an artist's book in eight parts--a gorgeous, palimpsestual publication that layers the practices of Sarah Crowner, Julia Dault, Leslie Hewitt, Tomashi Jackson, Erin Shirreff, Ulla von Brandenburg, Adriana Varejão and Claudia Wieser over the pages of Duchamp's imagination. It is also a companion publication to an exhibition in eight parts, a confrontation with the patrimony of European modernism. A literal reading of Duchamp positions the Bride, a nude woman, suspended above a host of ogling bachelors. In his writing, Duchamp narrates both social and physical constraint ("The Bride accepts this stripping...") and formal liberation ("discover true form...develop the principle of the hinge."). The artists of Hinge Pictures use formal constraint--a commitment to abstraction--in a demonstration of social liberation. With a Swiss binding that unveils the spine of the book and multiple vellum overlays that create layered interlocutions, the book's physical qualities mirror its conceptual occupations.
The world is at an inflection point. Advancing technologies are creating new opportunities and challenges. Great demographic changes are occurring rapidly, with significant consequences. Governance everywhere is in disarray. A new world is emerging. These are some of the key insights to emerge from a series of interdisciplinary roundtables and global expert contributions hosted by the Hoover Institution. In these pages, George P. Shultz and James Timbie examine a range of issues shaping our present and future, region by region. Concrete proposals address migration, reversing the decline of K–12 education, updating the social safety net, maintaining economic productivity, protecting our democratic processes, improving national security, and more. Meeting these transformational challenges will require international cooperation, constructive engagement, and strong governance. The United States is well positioned to ride this wave of change—and lead other nations in doing the same.
New to the city of Cobble, Orio must depend on help wherever she can find it, but her assigned familiar Bauble has other interests. And as the two explore the walls of their city, they find that they are not the only new arrivals.
In a news career spanning more than sixty years, Joseph C. Harsch was a firsthand witness to many of the great events of the twentieth century. As a reporter and columnist for the Christian Science Monitor, and as a correspondent for all three of the major networks, he became one of the most respected figures in the profession, a mentor to a generation of journalists covering international affairs. At the Hinge of History is Harsch's career autobiography. What is most striking in this deftly rendered account is Harsch's uncanny knack for being at the right place at the right time. He was a reporter in Washington when President Hoover began to grasp the magnitude of the economic crisis that became known as the Great Depression. While traveling to the Soviet Union in 1941, he arrived in Hawaii just before the Japanese attacked Pearl Harbor. He was with General MacArthur in Australia on the occasion of the "I shall return" speech. He reported from the liberated death camps in 1945, went behind the newly forged Iron Curtain in 1947 and 1949, and was stationed in London when certain postwar pressures tested the Anglo-American alliance. Throughout the book, Harsch reveals an overarching perspective that places major events in a larger historical context. This is especially evident in the later chapters when he discussed the course of the Cold War, the role of ideology in the American view of China and the conduct of the Vietnam War, and the origins of the Arab-Israeli conflict. The book is filled with fascinating sketches of his encounters with such figures as President Roosevelt, General MacArthur, Dean Acheson, Walter Lippmann, and Adlai Stevenson. On occasion, Harsch recalls events not recounted elsewhere, and he frequently casts a new light on familiar ground. In one eye-opening chapter, for example, he describes the international effort in the 1930s to resettle European Jews in Angola--an effort that collapsed when Hitler invaded Poland. He provides a chilling firsthand recollection of the complacency and unpreparedness that preceded the Pearl Harbor bombing. In still other chapters he relates his role in the "capture" of Nazi leader Albert Speer and in the investigation following the mysterious murder in Greece of his fellow correspondent George Polk. At once refreshingly direct and replete with self-effacing irony, At the Hinge of History is a memorable testament to the personal qualities of its author, to the art and science of journalism, and to the tumultuous twentieth century.
"Educators will find a wealth of classroom examples and success stories that bring this proven practice to life. In addition to boosting achievement, Feedback helps students develop a lifelong learning skill that they will use in everything they do." -- Back Cover.
Novelist and essayist Joan Didion writes about the refusal of Americans to openly discuss and debate the Bush administration's new unilateralism toward both domestic and international policies since 9/11. This provocative and persuasive essay was originally published in The New York Review of Books, and garnered a tremendous response from the magazine's readers. In a preface commissioned for this book edition, Frank Rich, the popular op-ed columnist for The New York Times, echoes her argument with his own passionate analysis. Fixed Ideas is an incisive, timely political commentary from an American virtuoso.
Acclaimed historian and New York Times bestselling author Craig Shirley delivers a compelling account of 1945, particularly the watershed events in the month of April, that details how America emerged from World War II as a leading superpower. In the long-awaited follow-up to the widely praised December 1941, Craig Shirley's April 1945 paints a vivid portrait of America--her people, faith, economy, government, and culture. The year of 1945 bought a series of watershed events that transformed the country into an arsenal of democracy, one that no longer armed the world by necessity but henceforth protected the world by need. At the start of 1945, America and the rest of the world were grieving millions of lives lost in the global conflict. As President Roosevelt was sworn into his fourth term, optimism over an end to the bloody war had grown--then, in April, several events collided that changed the face of the world forever: the sudden death of President Roosevelt followed by Harry S. Truman's rise to office; Adolph Hitler's suicide; and the horrific discoveries of Dachau and Auschwitz. Americans doubled down on their completion of the atomic bomb and their plans to drop them on Hiroshima and Nagasaki, the destruction ultimately leading the Japanese Empire to surrender on V-J day and ending World War II for good. Combining engaging anecdotes with deft research and details that are both diminutive and grand, April 1945 gives readers a front-row seat to the American stage at the birth of a brand-new world.