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"The Gypsies, the anti-Romantic tale of a city-dweller whose search for "unspoiled" values among gypsies ends in tragedy, is modern Russian literature's first masterpiece. The Bridegroom turns the Romantic ballad into a whodunit filled with sexual dread and subconscious terror. Count Nulin, a deliciously comic tale of country life, stands Shakespeare's Rape of Lucrece on its head - what would have happened if Lucrece had slapped Tarquin's face? The Tale of the Dead Princess is Pushkin's version of the Snow White story, and the eerie Tale of the Golden Cockerel savagely politicizes the folk-tale form."--Jacket.
"The Gypsies, the anti-Romantic tale of a city-dweller whose search for "unspoiled" values among gypsies ends in tragedy, is modern Russian literature's first masterpiece. The Bridegroom turns the Romantic ballad into a whodunit filled with sexual dread and subconscious terror. Count Nulin, a deliciously comic tale of country life, stands Shakespeare's Rape of Lucrece on its head - what would have happened if Lucrece had slapped Tarquin's face? The Tale of the Dead Princess is Pushkin's version of the Snow White story, and the eerie Tale of the Golden Cockerel savagely politicizes the folk-tale form."--Jacket.
The Gypsies (Originally translated as The Gipsies) is a narrative poem by Alexander Pushkin, originally written in Russian in 1824 and first published in 1827.The last of Pushkin's four 'Southern Poems' written during his exile in the south of the Russian Empire, The Gypsies is also considered to be the most mature of these Southern poems, and has been praised for originality and its engagement with psychological and moral issues. The poem has inspired at least eighteen operas and several ballets.
The Spanish Gypsy is a narrative poem set in fifteenth-century Spain and tells the story of a young woman, Fedalma. She was born a gypsy, but was taken from her parents by the Spaniards during a raid against the Moors. She was raised in luxury and as a Catholic by her fiancé Don Silva's family. Her father, a leader of the gypsies later appears and she must chose between her fiance and her people.
A New Edition of Tsigan: The Gypsy Poem by Cecilia Woloch. This New Edition of Tsigan includes new poems by Cecilia Woloch reflecting the ongoing saga of the Roma people and includes an expanded and updated timeline based on her new research. Praise for Tsigan: The Gypsy Poem: I read and reread it with admiration, indeed, but also with gratitude for the realization, the authenticity of its wandering fire. What depth and scope are given here to the very image of Tsigan, the Gypsy, until it becomes the spirit itself. --W.S Merwin A lyrical journey through history and memory so beautiful that at times it belies the deep pain it represents. Woloch takes us through fragments of memory that give glimpses into a life-long struggle with a hidden identity. Before I read Tsigan: The Gypsy Poem, I knew what had happened to Gypsies across the ages - I knew the detail of their persecution under the Nazis; their gassing at Auschwitz - but now I understand it completely differently. Now I feel it as if I had lived it. Poetry so tender allows one to be led by the hand through an anguished and otherwise unapproachable world with dignity and love. Tsigan: The Gypsy Poem gives us time and space to breathe, to live the arc of history and be present in every age, and to take a personal journey into the deep struggle of memory and identity. It's difficult to say that reading about five hundred years of Gypsy persecution left me profoundly enriched, but there is no other way to describe how I feel. Woloch took me on a personal journey as seeker, historian, guide, storyteller. Touchingly authentic. --Stephen D. Smith, Executive Director, USC Shoah Foundation Institute Cecilia Woloch both eulogizes and celebrates the lives of Gypsies, a people who, through diasporas and a history of persecution, have endured centuries of dispossession, exile, poverty and extermination. What is extraordinary and profoundly compelling in this book-length poetic meditation is how skillfully Woloch intertwines her personal journey of identity with the larger forces in the world that have shaped the Roma people's fate and fortunes. --Maurya Simon It has been said that poets write to give voice to those who do not speak for themselves. Cecilia Woloch does this in Tsigan: The Gypsy Poem, and more. She gives form to her own urge for historical and personal identity. Her voice sings through free verse, prose poems, and a relentless beating rhythm of primary accents that underscore the abuses of Gypsies throughout western civilization where the soul of the Gypsy has been pursued to near extinction. But through the words of Woloch, Gypsy lives are caught in burning imagery for longer than a flash on the page. --Sylvia Melville I can't think of anyone who writes like Cecilia Woloch. As she says quoting Isabel Fonseca, "among Gypsies, continual self-reinvention has been the primary tool of survival." In Tsigan: The Gypsy Poem, Cecilia Woloch reinvents herself as a Gypsy fire of language, a "single word" set flaming as a daring, dancing lyric conflagration in the reader's hand. --Carol Muske-Dukes Upon the blank page of her grandmother's, and every Gypsy's death, Cecilia Woloch writes her own story. Haunted. Unsettled. Gorgeously so. --Ralph Angel
A short yet fascinating account of Russia's most celebrated writer. In Robert Chandler's exquisite biography, literary giant Alexander Pushkin, lauded as the Russian Shakespeare, is examined as writer, lover and public figure. Chandler explores his relationship to politics and provides a fascinating glimpse of the turbulent history Pushkin lived through. The book acts as a succinct guide to anybody trying to understand Russia's most celebrated literary figure and also illuminates the wider historical and political context of early nineteenth-century Russia.
“Myths do not flow through the pipes of history,” writes Viktor Shklovsky, “they change and splinter, they contrast and refute one another. The similar turns out to be dissimilar.” Published in Moscow in 1970 and appearing in English translation for the first time, Bowstring is a seminal work, in which Shklovsky redefines estrangement (ostranenie) as a device of the literary comparatist—the “person out of place,” who has turned up in a period where he does not belong and who must search for meaning with a strained sensibility. As Shklovsky experiments with different genres, employing a technique of textual montage, he mixes autobiography, biography, memoir, history, and literary criticism in a book that boldly refutes mechanical repetition, mediocrity, and cultural parochialism in the name of art that dares to be different and innovative. Bowstring is a brilliant and provocative book that spares no one in its unapologetic project to free art from conventionality.
In this fully updated edition with a new foreword by Andre Liebich, David M. Crowe provides an overview of the life, history, and culture of the Gypsies, or Roma, from their entrance into the region in the Middle Ages up until the present, drawing from previously untapped East European, Russian, and traditional sources.