[PDF] The Great Art Of Light And Shadow eBook

Widely regarded by historians of the early moving picture as the best work yet published on pre-cinema, The Great Art of Light and Shadow: Archaeology of the Cinema throws light on a fascinating range of optical media from the twelfth century to the turn of the twentieth. First published in French in 1994 and now translated into English, Laurent Mannoni's account projects a broad picture of the subject area now known as 'pre-cinema'. Starting from the earliest uses of the camera obscura in astronomy and entertainment, Mannoni discusses, among many other devices, the invention and early years of the magic lantern in the seventeenth century, the peepshows and perspective views of the eighteenth century, and the many weird and wonderful nineteenth-century attempts to recreate visions of real life in different ways and forms. This fully-illustrated and accessible account of a strange mixture of science, magic, art and deception introduces to an English-speaking readership many aspects of pre-cinema history from other European countries.

Push your watercolor painting to the next level by mastering the use of color, light, and shadows. Go beyond trying to copy what you see by designing with shapes, shadows, and highlights. Deepen the expressive nature of your paintings as you capture the subject's luminosity. Master painter William B. Lawrence offers hands-on techniques and insights for intermediate to advanced artists. Light and color take the viewer on a journey. Properly harnessed, they can convey emotion, create a mood, or tell a story. Whether your work is realistic, expressive, or abstract, the options are unlimited. Lawrence explores pattern, hue, contrast, and texture in this treasured classic. Using a combination of theory, demonstration, and practical suggestions this new arsenal of tools, will help you grow as an artist. Other techniques covered include: How to design with light and shadow The use of overlapping patterns How light can express movement Learning to use light and dark to add drama and intensity to your work Discover how to guide the viewer's eye through floodlights, spotlights, and other advanced light-manipulation techniques. Painting Light and Shadow in Watercolor will help you create radiant watercolor paintings and give you greater painting pleasure as you develop new skills which bring your imagination to life.

Without shading, even a beautiful drawing can appear flat. But artists can learn to add dimension to their work with these techniques, illustrations, and exercises that show how to achieve effects with light and shadow.

More than 130 artists briefly describe how they achieved light and shadow in the watercolor paintings selected for this collection.

From Shadow to Light: The Life and Art of Mort Meskin is a coffee table art book and critical biography of one of the twentieth century’s most influential comic book artists. Meskin’s career spanned both the Golden and Silver ages of comics, from the 1940s to the 1960s. His drawing, chiaroscuro technique, and storytelling are considered by connoisseurs of the form to be among the most sophisticated of his time. His passion for his artwork was equaled by his skill, and the quality of his overall oeuvre blurs the artificial distinction between high and low art. Yet he is known mostly among hard-core aficionados today, eclipsed by many of his peers, some of whom he profoundly influenced. Among Meskin’s fans and admirers are Jim Steranko, Joe Kubert, Alex Toth, Carmine Infantino, Steve Ditko, Jerry Robinson, and Jack Kirby. From Shadow to Light: The Life and Art of Mort Meskin will finally give this neglected artist the recognition he’s due.

(back cover) Titles in Barron's Drawing Academy series guide beginning students through a detailed training course in the art of drawing. The books open with basic instruction, then proceed to analyze the details that make up a successfully executed drawing. Drawing Academy titles make fine self-instruction manuals and can also serve as textbooks in formal art classes. LEARNING BY DOING Constant practice teaches you to analyze the characteristics and understand the difficulties you must overcome in developing techniques to produce light and shadow effects. Exercises will teach you mastery of strokes, shadings, and tonal ranges. ANALYSIS It is not enough to practice. You must also learn to see. The Analysis Section following each exercise shows how professional artists resolve difficulties and achieve desired graphic effects in their drawings. You'll learn to profit from others' achievements and incorporate some of their solutions and effects into your own work. SKETCHBOOK A section at the end of each chapter is the sketchbook section. It allows you to analyze the difficulties you encountered and isolate different parts of your overall composition to measure your success in attempting light and shadow effects, tone-building processes, applying tonal scales, and fully developing your draftsman's skills. Available titles in Drawing Academy Series: The Basics of Drawing Line and Shading in Drawing Light and Shadow in Drawing

Without light, there is no photograph. As almost every photographer knows, the word “photograph” has its roots in two Greek words that, together, mean “drawing with light.” But what is less commonly acknowledged and understood is the role that shadow plays in creating striking, expressive imagery, especially in portraiture. It is through deft, nuanced use of both light and shadow that you can move beyond shooting simply ordinary, competent headshots into the realm of creating dramatic portraiture that can so powerfully convey a subject’s inner essence, communicate a personal narrative, and express your photographic vision.

In The Dramatic Portrait: The Art of Crafting Light and Shadow, Chris Knight addresses portraiture with a unique approach to both light and shadow that allows you to improve and elevate your own portraiture. He begins with the history of portraiture, from the early work of Egyptians and Greeks to the sublime treatment of light and subject by artists such as Caravaggio, Rembrandt, and Vermeer. Chris then dives into a deep, hands-on exploration of light, shadow, and portraiture, offering numerous lessons and takeaways. He covers:

• The qualities of light: hard, soft, and the spectrum in between

• The relationships between light, subject, and background, and how to control them

• Lighting patterns such as Paramount, Rembrandt, loop, and split

• Lighting ratios and how they affect contrast in your image

• Equipment: from big and small modifiers to grids, snoots, barn doors, flags, and gels

• Multiple setups for portrait shoots, including those that utilize one, two, and three lights

• How color contributes to drama and mood, eliciting an emotional response from the viewer

• How to approach styling your portrait, from wardrobe to background

• The post-processing workflow, including developing the RAW file, maximizing contrast, color grading, retouching, and dodging and burning for heightened drama and effect

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• How all of these elements culminate to help you define your personal style and create your own narrative

Exhibition held at the J. Paul Getty Museum, Los Angeles, 13 November 2001 to 3 February 2002.

Natural light portraiture is hugely popular. The light source is free, malleable, and available anywhere. Mastering its use requires a specific skill set, however. Fortunately, Tony Corbell is up to the task of showing readers how to harness its full power. He sets a foundation for mastering this powerful source, beginning with a discussion on how to set camera controls to ensure the right amount of light is allowed to strike the image sensor to create the portrait and how to read a histogram to ensure that a subject-appropriate (versus so-called “correct”) exposure results. Next, he moves on to discuss light quantity and quality and how each can be modified and manipulated to produce dimensional, lifelike portraits. Readers will learn techniques for using hard/soft light, working with window light, ensuring a proper white balance (so that colors in the scene are true-to-life in the final image), and adding or subtracting light to achieve the desired effect. Corbell’s images and instructions show readers how to produce the flattering, highly salable portraits they’re after—indoors and out.

“[The Shadow Drawing] reorients our perspective, distills a life and brings it into focus—the very work of revision and refining that its subject loved best.” —Parul Sehgal, The New York Times (Editors’ Choice) An entirely new account of Leonardo the artist and Leonardo the scientist, and why they were one and the same man. Leonardo da Vinci has long been celebrated as the epitome of genius. He was the masterful painter who gave us the Mona Lisa and the Last Supper, and the visionary inventor who anticipated airplanes, hot-air balloons, and other technological marvels. But what was the connection between Leonardo the painter and Leonardo the scientist? And what can a mysterious, long-lost book teach us about how Leonardo truly conceived his art? Shortly after Leonardo’s death, his peers and rivals created the myth of the two Leonardos: there was Leonardo the artist and then, later in life, Leonardo the scientist. In this pathbreaking biographical interpretation, the art historian Francesca Fiorani tells a very different and much more interesting story. Taking a fresh look at Leonardo’s celebrated but challenging notebooks as well as other, often obscure sources, Fiorani shows that Leonardo became fluent in science when he was still a young man. As an apprentice in a Florence studio, he was especially interested in the science of optics, which tells us how we see what we see. For the rest of his life he remained, according to a close observer, obsessed with optics, believing that his art would grow only as his knowledge of light and shadow deepened. Given Leonardo’s scientific bent, one might think this meant that he wanted to turn himself into a human camera. In fact, he aspired to use science to capture—as no artist before him had ever done—the interior lives of his subjects, to paint the human soul in its smallest, tenderest motions and vicissitudes. And then he hoped to take one further step: to gather his scientific knowledge together in a book that would be even more important than his paintings. His Treatise on Painting would be disfigured, ignored, and lost in subsequent centuries; now, Fiorani traces this singular work’s byzantine path through history and reconstructs the wisdom Leonardo hoped it would impart. Ranging from the teeming streets of Florence to the most delicate brushstrokes on the surface of the Mona Lisa, The Shadow Drawing vividly reconstructs Leonardo’s life while teaching us to look anew at his greatest paintings. The result is both a stirring biography and a bold reconsideration of how the Renaissance understood science and art—and of what was lost when the two were sundered.