The Golden Age Of Novelty Songs Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of The Golden Age Of Novelty Songs book. This book definitely worth reading, it is an incredibly well-written.
"This book takes a fond look at one of music's most enduring and most eccentric genres. From their roots in the raucous rhymes 'n' rhythms of Louis Jordan and the inspired lunacy of Spike Jones in the Forties to the musical madness of "Weird Al" Yankovic in the Nineties, novelty songs have always provided a titter, a chuckle, a groan, or a barrel of laughs."
"This book takes a fond look at one of music's most enduring and most eccentric genres. From their roots in the raucous rhymes 'n' rhythms of Louis Jordan and the inspired lunacy of Spike Jones in the Forties to the musical madness of "Weird Al" Yankovic in the Nineties, novelty songs have always provided a titter, a chuckle, a groan, or a barrel of laughs."
This new Rough Guide is devoted to pop music, the tacky, catchy yet enduring music we grew up listening to when we should have been listening to something more profound. We celebrate the hits, the singers, the impresarios and the songs which have made up the soundtrack to our lives. So come along pop pickers, put on your blue suede shoes (or your tartan trousers or puffball skirt, it's your call) and take a stroll down Electric Avenue. Not aarf! Features include: bull; The Stars A celebration of those performers, from Robbie Williams to Andy Williams (and Madonna to Mungo Jerry), who have had us singing along or, in the case of Dean Friedman and Kajagoogoo, left us wondering what the world is coming to.
Take funny music seriously! Though often dismissed as silly or derivative, funny music, Lily E. Hirsch argues, is incredibly creative and dynamic, serving multiple aims from the celebratory to the rebellious, the entertaining to the mentally uplifting. Music can be a rich site for humor, with so many opportunities that are ripe for a comedic left turn. Taking Funny Music Seriously includes original interviews with some of the best musical humorists, such as Tom Lehrer, "the J. D. Salinger of musical satire"; Peter Schickele, who performed as the invented composer P. D. Q. Bach, the supposed lost son of the great J. S. Bach; Kate Micucci and Riki Lindhome of the funny music duo Garfunkel and Oates; comedic film composer Theodore Shapiro; Too Slim of the country group Riders in the Sky; and musical comedian Jessica McKenna, from the podcast Off Book, part of a long line of "funny girls." With their help, Taking Funny Music Seriously examines comedy from a variety of genres and musical contexts--from bad singing to rap, classical music to country, Broadway music to film music, and even love songs and songs about death. In its coverage of comedic musical media, Taking Funny Music Seriously is an accessible and lively look at funny music. It offers us a chance to appreciate more fully the joke in music and the benefits of getting that joke--especially in times of crisis--including comfort, catharsis, and connection.
What is the soundtrack for a nuclear war? During the Cold War, over 500 songs were written about nuclear weapons, fear of the Soviet Union, civil defense, bomb shelters, McCarthyism, uranium mining, the space race, espionage, the Berlin Wall, and glasnost. This music uncovers aspects of these world-changing events that documentaries and history books cannot. In Atomic Tunes, Tim and Joanna Smolko explore everything from the serious to the comical, the morbid to the crude, showing the widespread concern among musicians coping with the effect of communism on American society and the threat of a nuclear conflict of global proportions. Atomic Tunes presents a musical history of the Cold War, analyzing the songs that capture the fear of those who lived under the shadow of Stalin, Sputnik, mushroom clouds, and missiles.
Presents a selection of interviews with some of the entertainment world's most important directors, creators, writers, actors, and musicians who discuss their unique careers.
Early '70s Radio focuses on the emergence of commercial music radio "formats," which refer to distinct musical genres aimed toward specific audiences. This formatting revolution took place in a period rife with heated politics, identity anxiety, large-scale disappointments and seemingly insoluble social problems. As industry professionals worked overtime to understand audiences and to generate formats, they also laid the groundwork for market segmentation. Audiences, meanwhile, approached these formats as safe havens wherein they could re-imagine and redefine key issues of identity. A fresh and accessible exercise in audience interpretation, Early '70s Radio is organized according to the era's five prominent formats and analyzes each of these in relation to their targeted demographics, including Top 40, "soft rock", album-oriented rock, soul and country. The book closes by making a case for the significance of early '70s formatting in light of commercial radio today.
A wonderful tribute to the ukulele and its leading advocates, past and present.Contains seventeen classics and eight new tunes as well as an in-depth historical essay illustrated with original sheet music covers. Classic selections include: Yaaka Hula Hickey Dula; Where Did Robinson Crusoe Go with Friday on Saturday Night?; All That I Ask of You Is Love; They're Wearing 'Em Higher in Hawaii; Sierra Sue; Any Time; Pasadena; Somebody Stole My Gal; Blue; and more. All tunes are shown with complete lyrics and chord diagrams. Includes a select discography of audio's featuring ukulele artists and a list of uke web sites. Most of the songs heard in the feature film Stanley's Gig (2000) starring Faye Dunaway can be found in this book. Includes access toonline audio
Author : B. Lee Cooper Publisher : Bloomsbury Publishing USA Page : 386 pages File Size : 31,41 MB Release : 2004-04-30 Category : Language Arts & Disciplines ISBN : 0313072728
The function of print resources as instructional guides and descriptors of popular music pedagogy are addressed in this concise volume. Increasingly, public school teachers and college-level faculty members are introducing and utilizing music-related educational approaches in their classrooms. This book lists reports dealing with popular music resources as classroom teaching materials, and will stimulate further thought among students and teachers. It focuses on the growing spectrum of published scholarship available to instructors in specific teaching fields (art, geography, social studies, urban studies, and so on) as well as on the multitude of general resources (including biographical directories and encyclopedias of artist profiles). Building on two recent publications: Teaching with Popular Music Resources: A Bibliography of Interdisciplinary Instructional Approaches, Popular Music and Society, XXII, no. 2 (Summer 1998), and American Culture Interpreted through Popular Music: Interdisciplinary Teaching Approaches (Bowling Green State University Popular Press, 2000), this volume focuses on the growing spectrum of published scholarship that is available to instructors in specific teaching fields (art, geography, social studies, urban studies, and so on) as well as on the multitude of general resources (including biographical directories and encyclopedias of artist profiles).
"Jack Benny became one of the most influential entertainers of the 20th century--by being the top radio comedian, when the comics ruled radio, and radio was the most powerful and pervasive mass medium in the US. In 23 years of weekly radio broadcasts, by aiming all the insults at himself, Benny created Jack, the self-deprecating "Fall Guy" character. He indelibly shaped American humor as a space to enjoy the equal opportunities of easy camaraderie with his cast mates, and equal ego deflation. Benny was the master of comic timing, knowing just when to use silence to create suspense or to have a character leap into the dialogue to puncture Jack's pretentions. Jack Benny was also a canny entrepreneur, becoming one of the pioneering "showrunners" combining producer, writer and performer into one job. His modern style of radio humor eschewed stale jokes in favor informal repartee with comic hecklers like his valet Rochester (played by Eddie Anderson) and Mary Livingstone his offstage wife. These quirky characters bouncing off each other in humorous situations created the situation comedy. In this career study, we learn how Jack Benny found ingenious ways to sell his sponsors' products in comic commercials beloved by listeners, and how he dealt with the challenges of race relations, rigid gender ideals and an insurgent new media industry (TV). Jack Benny created classic comedy for a rapidly changing American culture, providing laughter that buoyed radio listeners from 1932's depths of the Great Depression, through World War II to the mid-1950s"--Provided by publisher.