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The Ghosts in Shakespeare

Author : Louis William Rogers
Publisher :
Page : 212 pages
File Size : 11,11 MB
Release : 1925
Category : Dramatists, English
ISBN :

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Shakespeare and the Supernatural

Author : Victoria Bladen
Publisher :
Page : 0 pages
File Size : 43,19 MB
Release : 2020
Category : Occultism in literature
ISBN : 9781526109064

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This edited collection of twelve essays from an international range of contemporary Shakespeare scholars explores the supernatural in Shakespeare from a variety of perspectives and approaches.

Shakespeare's Ghost Writers

Author : Marjorie Garber
Publisher : Routledge
Page : 224 pages
File Size : 13,28 MB
Release : 2020-11-25
Category : Drama
ISBN : 1000143384

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The plays of Shakespeare are filled with ghosts - and ghost writing. Shakespeare's Ghost Writers is an examination of the authorship controversy surrounding Shakespeare: the claim made repeatedly that the plays were ghost written. Ghosts take the form of absences, erasures, even forgeries and signatures - metaphors extended to include Shakespeare himself and his haunting of us, and in particular theorists such Derrida, Marx, Nietzsche, and Freud - the figure of Shakespeare constantly made and remade by contemporary culture. Marjorie Garber, one of the most eminent Shakespearean theorists writing today, asks what is at stake in the imputation that "Shakespeare" did not write the plays, and shows that the plays themselves both thematize and theorize that controversy. This Routledge Classics edition contains a new preface and new chapter by the author.

Shakespeare's Literary Lives

Author : Paul Franssen
Publisher : Cambridge University Press
Page : 289 pages
File Size : 17,20 MB
Release : 2016-01-21
Category : Literary Criticism
ISBN : 1107125618

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In this book, Franssen investigates the use of Shakespeare as a fictional character in different literary genres, periods and cultures.

Ghosts, Holes, Rips and Scrapes

Author : Zachary Lesser
Publisher : University of Pennsylvania Press
Page : 209 pages
File Size : 50,69 MB
Release : 2021-05-28
Category : Literary Criticism
ISBN : 081229792X

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Four years before the publication of the First Folio, a group of London printers and booksellers attempted to produce a "collected works" of William Shakespeare, not in an imposingly large format but as a series of more humble quarto pamphlets. For mysterious reasons, perhaps involving Shakespeare's playing company, the King's Men, the project ran into trouble. In an attempt to salvage it, information on the title pages of some of the playbooks was falsified, making them resemble leftover copies of earlier editions. The deception worked for nearly three hundred years, until it was unmasked by scholars in the early twentieth century. The discovery of these "Pavier Quartos," as they became known, was a landmark success for the New Bibliography and played an important role in establishing the validity and authority of that method of analysis. While more recent scholars have reassessed the traditional narrative that the New Bibliographers wrote, no one has gone back to look at the primary evidence: the quartos themselves. In Ghosts, Holes, Rips and Scrapes Zachary Lesser undertakes a completely fresh study of these playbooks. Through an intensive bibliographical analysis of over three hundred surviving quartos, Lesser reveals evidence that has gone entirely unseen before: "ghosts" (faint, oily impressions produced when one book is bound next to another); "holes" (the tiny remains of the first simple stitching that held pamphlets together); and "rips and scrapes" (post-production alterations of title pages). This new evidence—much of it visible only with the aid of enhanced photographic methods—suggests that the "Pavier Quartos" are far more mysterious, with far more consequential ramifications for book history and Shakespeare scholarship than we have thought.

Henry VI. Part III.

Author : William Shakespeare
Publisher :
Page : 150 pages
File Size : 41,73 MB
Release : 1786
Category :
ISBN :

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Shakespeare's Ghosts Live

Author : Adrian Parker-Reed
Publisher : Cambridge Scholars Publishing
Page : 370 pages
File Size : 35,28 MB
Release : 2017-03-07
Category : Religion
ISBN : 144387955X

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Shakespeare has been one of the most-cited authors since his plays were performed, and yet little attention has been paid to his views on psychic phenomena. It took another 300 years of paranormal experiences before scholars at Cambridge University helped to found the Society for Psychical Research, which brought scientific scrutiny to the area, and the UK is now a world leader in university research on this topic. This book throws new light on many historical case reports from Shakespeare’s time onwards. It identifies the core experiences that transcend time and give clues to an understanding of psychic phenomena. The book highlights Shakespeare’s insights, showing how these relate to, and even amplify, the conclusions of later and on-going research. In our time of disconnectedness from nature, the book discusses neglected human experiences which represent an important part of life and which do, in fact, occur to most of us. In doing so, the book raises awareness against the emptiness of a zombie-like existence in today’s society and offers a new approach to life and death, and their deeper meaning.

Julius Caesar. Hamlet

Author : William Shakespeare
Publisher :
Page : 352 pages
File Size : 38,40 MB
Release : 1881
Category :
ISBN :

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The Oxford Handbook of Shakespeare and Music

Author : Christopher R. Wilson
Publisher : Oxford University Press
Page : 1289 pages
File Size : 50,69 MB
Release : 2022
Category : Drama
ISBN : 0190945141

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"This compendium reflects the latest international research into the many and various uses of music in relation to Shakespeare's plays and poems, the contributors' lines of enquiry extending from the Bard's own time to the present day. The coverage is global in its scope, and includes studies of Shakespeare-related music in countries as diverse as China, the Czech Republic, France, Germany, India, Italy, Japan, Russia, South Africa, Sweden, and the Soviet Union, as well as the more familiar Anglophone musical and theatrical traditions of the UK and USA. The range of genres surveyed by the book's team of distinguished authors embraces music for theatre, opera, ballet, musicals, the concert hall, and film, in addition to Shakespeare's ongoing afterlives in folk music, jazz, and popular music. The authors take a range of diverse approaches: some investigate the evidence for performative practices in the Early Modern and later eras, while others offer detailed analyses of representative case studies, situating these firmly in their cultural contexts, or reflecting on the political and sociological ramifications of the music. As a whole, the volume provides a wide-ranging compendium of cutting-edge scholarship engaging with an extraordinarily rich body of music without parallel in the history of the global arts"--