The Generation Of Plays Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of The Generation Of Plays book. This book definitely worth reading, it is an incredibly well-written.
Since the 1980s, Yoruba popular theatre has virtually disappeared due to radio, TV and other mass media in Nigeria. This is the personal account of a theatre worker on tour with the Oyin Adejobi Company. Drawing on archives, interviews and transcribed plays, she describes a successful Yoruba drama.
This broad, exuberant, comedy-farce, created by a professor and his students, is not only delighting other colleges and high schools but, when invited to open the American College Theatre Festival in Washington, D.C., it brought raves from the professional critics as well.--Publisher's description.
This collection of three Canadian plays--zahgidiwin/love by Frances Koncan, The Millennial Malcontent by Erin Shields, and Smoke by Elena Eli Belyea--speaks to millennials' complex and varied experiences and the challenges and stereotypes they often face.
The Morosco Theatre, Frederick Brisson presents Henry Fonda in a new comedy "Generation," by William Goodhart, with Richard Jordan, Holly Turner, Sandy Baron, Don Fellows, and A. Larry Haines, directed by Gene Saks, incidental music by Jerry Bock, lyrics by William Goodhart, scenery and lighting by George Jenkins, costumes by Albert Wolsky, associate producer Victor Samrock, production managaer Fred Hebert.
Asian American plays provide an opportunity to think about how racial issues are engaged through theatrical performance physical contact, bodily labor, and fleshly desire as well as through the more standard elements of plot, setting, characterization, staging, music, and action. Asian American Plays for a New Generation showcases seven exciting new plays that dramatize timely themes that are familiar to Asian Americans. The works variously address immigration, racism, stereotyping, identity, generational tensions, assimilation, and upward mobility as well as post-9/11 paranoia, racial isolation, and adoptee experiences. Each of these works engages directly and actively with Asian American themes through performance to provide an important starting point for building relationships, raising political awareness, and creating active communities that can foster a sense of connection or even rally individuals to collective action.
Design, Make, Play: Growing the Next Generation of STEM Innovators is a resource for practitioners, policymakers, researchers and program developers that illuminates creative, cutting edge ways to inspire and motivate young people about science and technology learning. The book is aligned with the National Research Council’s new Framework for Science Education, which includes an explicit focus on engineering and design content, as well as integration across disciplines. Extensive case studies explore real world examples of innovative programs that take place in a variety of settings, including schools, museums, community centers, and virtual spaces. Design, Make, and Play are presented as learning methodologies that have the power to rekindle children’s intrinsic motivation and innate curiosity about STEM (science, technology, engineering, and mathematics) fields. A digital companion app showcases rich multimedia that brings the stories and successes of each program—and the students who learn there—to life.
This first major collection of contemporary Native American writing for the theatre ranges from the groundbreaking work of Body Indian to the experimental performance style of Spiderwoman Theater. Contains: Indian Radio Days by LeAnne Howe and Roxy Gordon (Choctaw) The Story of Susannah by Victoria Nalani Kneubuhl (Hawaiian) Body Indian by Hanay Geiogamah (Kiowa) The Woman Who was a Red Deer Dressed for the Deer Dance by Diane Glancy (Cherokee) Power Pipes by Spiderwoman Theater (Kuna/Rappahannock) Only Drunks and Children Tell the Truth by Drew Hayden Tayler (Ojibway) The Independence of Eddie Rose by Willam S. Yellow Robe, Jr. (Assiniboine/Nakota) The volume includes an introduction by the editor, Mimi Gisolfi D'Aponte, Professor of Theatre at CUNY, and an epilogue by Elizabeth Theobald, director of the Manshantucket Pequot Museum in Connecticut.
This volume provides modern, uncensored translations of Aristophanes’ Acharnians, Knights, and Wasps. These plays, originally a series, are the world’s earliest political satires, and are made available here for the first time in one volume, augmented by full introductions and notes. In these three works, Aristophanes launched satirical attacks on Cleon, the world’s first demagogue, and explored the vulnerability of democracy to populist manipulation and disinformation. Henderson's fresh translations and exploration of the themes within them enable readers to explore the perils facing democracy in its first century which are still with us today. The Introduction offers the reader background on Aristophanes' life, Athenian democracy, classical drama, as well as on political comedy, while introductions to each individual play provide the reader with context. An appendix also collects selected fragments from Aristophanes' lost political plays. Three More Plays by Aristophanes offers an invaluable collection of these works for students and faculty working on classical studies, theatre and theatre history, and drama. The clear translations and contextualizing introductions and notes also make these plays accessible to students of government, law, and political science, and to the general reader interested in any of these subjects.
Readers and acolytes of the vital early 1950s-mid 1960s writers known as the Beat Generation tend to be familiar with the prose and poetry by the seminal authors of this period: Jack Kerouac, Gregory Corso, Lawrence Ferlinghetti, Diane Di Prima, and many others. Yet all of these authors, as well as other less well-known Beat figures, also wrote plays-and these, together with their countercultural approaches to what could or should happen in the theatre-shaped the dramatic experiments of the playwrights who came after them, from Sam Shepard to Maria Irene Fornes, to the many vanguard performance artists of the seventies. This volume, the first of its kind, gathers essays about the exciting work in drama and performance by and about the Beat Generation, ranging from the well-known Beat figures such as Kerouac, Ginsberg and Burroughs, to the “Afro-Beats” - LeRoi Jones (Amiri Baraka), Bob Kaufman, and others. It offers original studies of the women Beats - Di Prima, Bunny Lang - as well as groups like the Living Theater who in this era first challenged the literal and physical boundaries of the performance space itself.