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This is a comprehensive introduction to the inner workings of rock music. Everett takes readers through all aspects of the music and its lyrics, leading fans and listeners to new insights and new ways to develop their own interpretations of the aural landscapes of their lives.
This second edition of the successful Foundations on Rock presents an up-to-date practical reference book describing current engineering practice in the investigation, design and construction of foundations on rock. An extra chapter on Tension Foundations has been included. The methods set out are readily applicable to high rise buildings, bridges,
This second edition of the successful Foundations on Rock presents an up-to-date practical reference book describing current engineering practice in the investigation, design and construction of foundations on rock. An extra chapter on Tension Foundations has been included. The methods set out are readily applicable to high rise buildings, bridges, dams and structures subject to uplift and turning loads. Foundations on Rock differs from the many texts and handbooks on soil foundations in that it focuses on the effect of geology on the stability and settlement of rock foundations. While the intact rock may be strong, defects in the rock such as faults, joints and cavities, and the deterioration of the rock with time, will have a significant effect on foundation performance. Methods of detecting such defects are described, and their implications for foundation design and treatment are elaborated.
Author : United States. Army. Corps of Engineers Publisher : Page : 134 pages File Size : 45,27 MB Release : 1994 Category : Concrete construction ISBN :
By the time Jimi Hendrix died in 1970, the idea of a black man playing lead guitar in a rock band seemed exotic. Yet a mere ten years earlier, Chuck Berry and Bo Diddley had stood among the most influential rock and roll performers. Why did rock and roll become “white”? Just around Midnight reveals the interplay of popular music and racial thought that was responsible for this shift within the music industry and in the minds of fans. Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the color line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more serious, more artistic—and the province of white musicians. Decoding the racial discourses that have distorted standard histories of rock music, Jack Hamilton underscores how ideas of “authenticity” have blinded us to rock’s inextricably interracial artistic enterprise. According to the standard storyline, the authentic white musician was guided by an individual creative vision, whereas black musicians were deemed authentic only when they stayed true to black tradition. Serious rock became white because only white musicians could be original without being accused of betraying their race. Juxtaposing Sam Cooke and Bob Dylan, Aretha Franklin and Janis Joplin, Jimi Hendrix and the Rolling Stones, and many others, Hamilton challenges the racial categories that oversimplified the sixties revolution and provides a deeper appreciation of the twists and turns that kept the music alive.
The nine papers in this volume cover the geology beneath Washington, D.C., Boston, Chicago, Edmonton, Kansas City, New Orleans, New York City, Toronto, and St. Paul/Minneapolis, and present methods of data gathering that could be used in most cities.
An interpretive history of America's pre-rock, popular commercial music spanning 1900-1950. The author examines both popular music stars who ruled the airwaves, sold the most records, and were featured in major motion pictures, and performers in the musical underground: jazz, blues, and country. Chapters are arranged chronologically, with biographies of important musicians and numerous photographs. Contains a discography and videography as well as indexes of musical performers, contributors and music titles. Annotation copyrighted by Book News, Inc., Portland, OR
Introductory technical guidance for civil and geotechnical engineers and construction managers interested in sliding stability of foundations on rock. Here is what is discussed: 1. MODES OF FAILURE 2. METHODS OF ANALYSIS 3. PRELIMINARY PROCEDURES 4. ANALYTICAL PROCEDURES 5. DESIGN CONSIDERATIONS 6. SEISMIC SLIDING STABILITY 7. TREATMENT METHODS.
Dealing with dam types such as gravity, counterfort and arch, this guide examines construction techniques, their development over the years, and their merits and demerits. As well as providing citations of dams, patents and codes, the text presents comparative data on world dams, updated to 1991.
This is the second edition of the successful Foundations on Rock, and is an up-to-date practical reference book describing current engineering practice in the investigation, design and construction of foundations on rock.