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The female body, with its history as an object of social control, expectation, and manipulation, is central to understanding the gendered construction of shame. Through the study of 20th-century literary texts, The Female Face of Shame explores the nexus of femininity, female sexuality, the female body, and shame. It demonstrates how shame structures relationships and shapes women's identities. Examining works by women authors from around the world, these essays provide an interdisciplinary and transnational perspective on the representations, theories, and powerful articulations of women's shame.
Author : J. Brooks Bouson Publisher : State University of New York Press Page : 239 pages File Size : 28,85 MB Release : 2010-07-02 Category : Literary Criticism ISBN : 1438427395
Poetics and Politics of Shame in Postcolonial Literature provides a new and wide-ranging appraisal of shame in colonial and postcolonial literature in English. Bringing together young and established voices in postcolonial studies, these essays tackle shame and racism, shame and agency, shame and ethical recognition, the problem of shamelessness, the shame of willed forgetfulness. Linked by a common thread of reflections on shame and literary writing, the essays consider specifically whether the aesthetic and ethical capacities of literature enable a measure of stability or recuperation in the presence of shame’s destructive potential. The obscenity of the in-human, both in the colonial setting and in aftermaths that show little sign of abating, entails the acute significance of shame as a subject for continuing and urgent critical attention.
Through readings of an array of recent texts - literary and popular, fictional and autofictional, realist and experimental - this book maps out a contemporary, Western, shame culture
DIVFrom a highly respected thinker on race, gender, and American politics, a new consideration of black women and how distorted stereotypes affect their political beliefs/div
Shows that the feminist interventions of the Mao era (19491976) continue to influence contemporary Chinese women. This book traces how the legacy of the Maoist gender project is experienced or contested by particular Chinese women, remembered or forgotten in their lives, and highlighted or buried in their narratives. Xin Huang examines four womens life stories: an urban woman who lived through the Mao era (19491976), a rural migrant worker, a lesbian artist who has close connections with transnational queer networks, and an urban woman who has lived abroad. The individual narratives are paired with analysis of the historical and social contexts in which each woman lives. Huang focuses on the shifting relationship between gender and class, fashion and shame in the Mao and post-Mao eras, queer desire and artwork, and contemporary transnational encounters. By rethinking the historical significance and contemporary relevance of one of the twentieth centurys major feminist interventionssocialist and Marxist womens liberation during the Mao yearsThe Gender Legacy of the Mao Era provides insight into current struggles over gender equality in China and around the world.
Sure to become a classic on female empowerment, a groundbreaking exploration of the personal, cultural, and global implications of intergenerational trauma created by patriarchy, how it is passed down from mothers to daughters, and how we can break this destructive cycle. Why do women keep themselves small and quiet? Why do they hold back professionally and personally? What fuels the uncertainty and lack of confidence so many women often feel? In this paradigm-shifting book, leading feminist thinker Bethany Webster identifies the source of women’s trauma. She calls it the Mother Wound—the systemic disenfranchisement of women by the patriarchy—and reveals how this cycle is perpetuated by wounded mothers who unconsciously pass on damaging beliefs and behaviors to their daughters. In her workshops, online courses, and talks, Webster has helped countless women re-examine their lives and their relationships with their mothers, giving them the vocabulary to voice their pain, and encouraging them to share their experiences. In this manifesto and self-help guide, she offers practical tools for identifying the manifestations of the Mother Wound in our daily life and strategies we can use to heal ourselves and prevent our daughters from enduring the same pain. In addition, she offers step-by-step advice on how to reconnect with our inner child, grieve the mother we didn’t have, stop people-pleasing, and, ultimately, transform our heartache and anger into healing and self-love. Revealing how women are affected by the Mother Wound, even if they don’t personally identify as survivors, Discovering the Inner Mother revolutionizes how we view mother-daughter relationships and gives us the inspiration and guidance we need to improve our lives and ultimately create a more equitable society for all.
WINNER OF THE 2022 NOBEL PRIZE IN LITERATURE "My father tried to kill my mother one Sunday in June, in the early afternoon," begins Shame, the probing story of the twelve-year-old girl who will become the author herself, and the single traumatic memory that will echo and resonate throughout her life. With the emotionally rich voice of great fiction and the diamond-sharp analytical eye of a scientist, Annie Ernaux provides a powerful reflection on experience and the power of violent memory to endure through time, to determine the course of a life.
Caribbean women have long utilized the medium of fiction to break the pervasive silence surrounding abuse and exploitation. Contemporary works by such authors as Tiphanie Yanique and Nicole Dennis-Benn illustrate the deep-rooted consequences of trauma based on gender, sexuality, and race, and trace the steps that women take to find safer ground from oppression. Taking Flight examines the immigrant experience in contemporary Caribbean women’s writing and considers the effects of restrictive social mores. In the texts examined in Taking Flight, culturally sanctioned violence impacts the ability of female characters to be at home in their bodies or in the spaces they inhabit. The works draw attention to the historic racialization and sexualization of black women’s bodies and continue the legacy of narrating black women’s long-standing contestation of systems of oppression. Arguing that there is a clear link between trauma, shame, and migration, with trauma serving as a precursor to the protagonists’ emigration, Jennifer Donahue focuses on how female bodies are policed; how moral, racial, and sexual codes are linked; and how the enforcement of social norms can function as a form of trauma. Donahue considers the relationship between trauma, shame, and sexual politics and investigates how shame works as a social regulator that frequently leads to withdrawal or avoidant behaviors in those who violate socially sanctioned mores. Most importantly, Taking Flight positions flight as a powerful counter to disempowerment and considers how flight, whether through dissociation or migration, functions as a form of resistance.