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The term "Western esotericism" refers to a wide range of spiritual currents including alchemy, Hermeticism, Kabbala, Rosicrucianism, and Christian theosophy, as well as several practical forms of esotericism like cartomancy, geomancy, necromancy, alchemy, astrology, herbalism, and magic. The early presence of esotericism in North America has not been much studied, and even less so the indebtedness to esotericism of some major American literary figures. In this book, Arthur Versluis breaks new ground, showing that many writers of the so-called American Renaissance drew extensively on and were inspired by Western esoteric currents.
The Routledge History of Nineteenth-Century America provides an important overview of the main themes within the study of the long nineteenth century. The book explores major currents of research over the past few decades to give an up-to-date synthesis of nineteenth-century history. It shows how the century defined much of our modern world, focusing on themes including: immigration, slavery and racism, women's rights, literature and culture, and urbanization. This collection reflects the state of the field and will be essential reading for all those interested in the development of the modern United States.
In its day, spiritualism brought hundreds of thousands of Americans to séance tables and trance lectures. It has alternately been ridiculed as the apogee of fatuous credulity and hailed as a feminist movement. Its tricks have been exposed, its charlatans unmasked, and its heroes' names lost to posterity. In its day, however, its leaders were household names and politicians worried about capturing the Spiritualist vote. Cathy Gutierrez places Spiritualism in the context of the 19th-century American Renaissance. Although this epithet usually signifies the sudden blossoming of American letters, Gutierrez points to its original meaning: a cultural imagination enraptured with the past and the classics in particular, accompanied by a cultural efflorescence. Spiritualism, she contends, was the religious articulation of the American Renaissance, and the ramifications of looking backward for advice about the present were far-reaching. The Spiritualist movement, says Gutierrez, was a 'renaissance of the Renaissance,' a culture in love with history as much as it trumpeted progress and futurity, and an expression of what constituted religious hope among burgeoning technology and colonialism. Rejecting Christian ideas about salvation, Spiritualists embraced Platonic and Neoplatonic ideas. Humans were shot through with the divine, rather than seen as helpless and inexorably corrupt sinners in the hands of a transcendent, angry God. Gutierrez's study of this fascinating and important movement is organized thematically. She analyzes Spiritualist conceptions of memory, marriage, medicine, and minds, explores such phenomena as machines for contacting the dead, spirit-photography, the idea of eternal spiritual affinity (which implied the necessity for marriage reform), the connection between health and spirituality, and mesmerism.
The Gothic, Romanticism's gritty older sibling, has flourished in myriad permutations since the eighteenth century. In Gothicka, Victoria Nelson identifies the revolutionary turn it has taken in the twenty-first. Today's Gothic has fashioned its monsters into heroes and its devils into angels. It is actively reviving supernaturalism in popular culture, not as an evil dimension divorced from ordinary human existence but as part of our daily lives. To explain this millennial shift away from the traditionally dark Protestant post-Enlightenment Gothic, Nelson studies the complex arena of contemporary Gothic subgenres that take the form of novels, films, and graphic novels. She considers the work of Dan Brown and Stephenie Meyer, graphic novelists Mike Mignola and Garth Ennis, Christian writer William P. Young (author of The Shack), and filmmaker Guillermo del Toro. She considers twentieth-century Gothic masters H. P. Lovecraft, Anne Rice, and Stephen King in light of both their immediate ancestors in the eighteenth century and the original Gothic-the late medieval period from which Horace Walpole and his successors drew their inspiration. Fictions such as the Twilight and Left Behind series do more than follow the conventions of the classic Gothic novel. They are radically reviving and reinventing the transcendental worldview that informed the West's premodern era. As Jesus becomes mortal in The Da Vinci Code and the child Ofelia becomes a goddess in Pan's Labyrinth, Nelson argues that this unprecedented mainstreaming of a spiritually driven supernaturalism is a harbinger of what a post-Christian religion in America might look like.
A convenient source of critical commentary on the careers and works of acclaimed authors who died between 1800 and 1899. A cumulative title index is published separately (included in subscription).
"The only short and acceptable summary and analysis of the five Renaissance occult sciences." - Times Literary Supplement This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1979. "The only short and acceptable summary and analysis of the five Renaissance occult sciences." - Times Literary Supplement This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to se
"The only short and acceptable summary and analysis of the five Renaissance occult sciences." - Times Literary Supplement "The . . . usefulness of this book for students of Renaissance literature and culture will not soon be ended." - Virginia Quarterly Review "The absence of contaminating traces either of condescension or of credulousness give this absorbing volume a special authority and place on the shelves of any reader or any library where the history of modern thoughts is relevant." - Scientific American "A remarkable summary and analysis of the five systems of esoteric science so influential in the Renaissance." - Milton Quarterly "A magnificent job of tying together a vast number of diverse sources into a unified whole . . . engrossing in its entirety." -The Sciences
Is the universe alive? Are there hidden connections within it, revealed in history and in sacred texts? Can we understand or even learn to control these secrets? Have we neglected an entirely separate science that works according to a different set of principles? Certainly by the time of the Renaissance in Europe, there were many thinkers who answered in the affirmative to all of these questions. Despite the growth of modern science and a general disenchantment of the world, the 'occult' or 'esoteric' tradition has evolved in the West, manifesting itself in such diverse groups as the Freemasons, the Mormons, Christian Scientists, the Theosophists, New Ageists and American Fundamentalism. Paradoxically, the turn to science and the triumph of evolution in the nineteenth century produced an explosion of occultism, increasing its power as a kind of super-science. Gothic, fantastic, and supernatural fiction flourished, while Spiritualism emerged as a serious inquiry into the possibility of contacting the dead. After all, if you could communicate with the living at great distances, why should a similar teletechnology not be possible to the other world? Disciplines had not yet hardened, and the borders were as yet undefined between parapsychology and psychology, between mythology and anthropology. Mesmerism became hypnotism, and the subconscious came to be recognized as more than a medium's stomping ground. This book describes the growth and meandering path of the occult tradition over the past five hundred years, and shows how the esoteric world view fits together.