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The first Priscilla Hutchins novel from Jack McDevitt, hailed by Stephen King as “the logical heir to Isaac Asimov and Arthur C. Clarke.” Humans call them the Monument-Makers. An unknown race, they left stunning alien statues on distant planets in the galaxy. Each relic is different. Each inscription defies translation. Yet all are heartbreakingly beautiful. And for planet Earth, on the brink of disaster, they may hold the only key to survival for the entire human race.
'No one writing today is better than McDevitt at combining galaxy-spanning adventure with the genuine novel of ideas' Washington Post Book World Two hundred years ago, humans made a stunning discovery in the far reaches of the solar system: a huge statue of an alien creature, with an inscription that defied all efforts at translation. Now, as faster-than-light drive opens the stars to exploration, humans are finding other relics of the race they call the Monument-Makers - each different, and each heartbreakingly beautiful. But except for a set of footprints on Jupiter's moon Iapetus, there is no trace of the enigmatic race that has left them behind. Then a team of scientists working on a dead world discover an ominous new image of the Monument-Makers. Somehow it all fits with other lost civilizations, and possibly with Earth's own future. And distant past. But Earth itself is on the brink of ecological disaster - there is no time to search for answers. Even to a question that may hold the key to survival for the entire human race.
Born in 1842, Camille Flammarion was a French astronomer who wrote many popular books about science and astronomy, together with a number of novels which we would now consider to be science fiction. He was a contemporary of H. G. Wells and Jules Verne, though his works never achieved their level of popularity. Omega: The Last Days of the World is an English translation of Flammarion’s novel La Fin du Monde, published in 1893. The book’s fictional premise is the discovery of a comet on a collision course with the Earth in the 25th century. However, this is mostly a pretext on which Flammarion can hang his interesting scientific speculations about how the world will end, together with philosophical thoughts about war and religion. Much of the scientific description he uses in the book, while accurately representing the knowledge and thinking of his time, has today been superseded by modern discoveries. For example, we now know the source of the Sun’s energy to be nuclear fusion rather than being due to gravitational contraction and the constant infall of meteorites. When talking about the ills of society, however, Flammarion could well be talking about today’s world. For example, he excoriates the vast waste of society’s resources on war, and demonstrates how much more productive each nation’s economy would be without it. He also depicts the media of his future world as having been entirely taken over by commercial interests, publishing only what will excite the greatest number of readers rather than serving the public interest. Omega ranges over a vast period of time, from prehistory through to millions of years in the future when mankind has been reduced to the last two doomed individuals. Nevertheless, the book ends on a hopeful and inspiring note. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
Can a computer have a soul? Are religion and science mutually exclusive? Is there really such a thing as free will? If you could time travel to visit Jesus, would you (and should you)? For hundreds of years, philosophers, scientists and science fiction writers have pondered these questions and many more. In Holy Sci-Fi!, popular writer Paul Nahin explores the fertile and sometimes uneasy relationship between science fiction and religion. With a scope spanning the history of religion, philosophy and literature, Nahin follows religious themes in science fiction from Feynman to Foucault and from Asimov to Aristotle. An intriguing journey through popular and well-loved books and stories, Holy Sci-Fi! shows how sci-fi has informed humanity's attitudes towards our faiths, our future and ourselves.