[PDF] The Drama Religious Drama eBook

Author : O. B. Hardison Jr.
Publisher : JHU Press
Page : 247 pages
File Size : 41,33 MB
Release : 2019-12-01
Category : Literary Criticism
ISBN : 1421430878

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Originally published in 1965. The European dramatic tradition rests on a group of religious dramas that appeared between the tenth and twelfth centuries. These dramas, of interest in themselves, are also important for the light they shed on three historical and critical problems: the relation of drama to ritual, the nature of dramatic form, and the development of representational techniques. Hardison's approach is based on the history of the Christian liturgy, on critical theories concerning the kinship of ritual and drama, and on close analysis of the chronology and content of the texts themselves. Beginning with liturgical commentaries of the ninth century, Hardison shows that writers of the period consciously interpreted the Mass and cycle of the church year in dramatic terms. By reconstructing the services themselves, he shows that they had an emphatic dramatic structure that reached its climax with the celebration of the Resurrection. Turning to the history of the Latin Resurrection play, Hardison suggests that the famous Quem quaeritis—the earliest of all medieval dramas—is best understood in relation to the baptismal rites of the Easter Vigil service. He sets forth a theory of the original form and function of the play based on the content of the earliest manuscripts as well as on vestigial ceremonial elements that survive in the later ones. Three texts from the eleventh and twelfth centuries are analyzed with emphasis on the change from ritual to representational modes. Hardison discusses why the form inherited from ritual remained unchanged, while the technique became increasingly representational. In studying the earliest vernacular dramas, Hardison examines the use of nonritual materials as sources of dramatic form, the influence of representational concepts of space and time on staging, and the development of nonceremonial techniques for composition of dialogue. The sudden appearance of these elements in vernacular drama suggests the existence of a hitherto unsuspected vernacular tradition considerably older than the earliest surviving vernacular plays.

Author : Rainer Warning
Publisher : Stanford University Press
Page : 352 pages
File Size : 37,93 MB
Release : 2001
Category : Literary Criticism
ISBN : 9780804737913

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What is medieval religious drama, and what function does it serve in negotiating between the domains of theology and popular life? This book aims to answer these questions by studying three sets of these dramas from Germany, France, England, and Spain: 10th-century Easter plays, 12th-century Adam plays, and 15th- and 16th-century Passion plays.

Author : Lieke Stelling
Publisher : Cambridge University Press
Page : 231 pages
File Size : 12,26 MB
Release : 2019-01-03
Category : Drama
ISBN : 1108477038

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A cross-religious exploration of conversion on the early modern English stage offering fresh readings of canonical and lesser-known plays.

Author : Elizabeth Williamson
Publisher : Routledge
Page : 296 pages
File Size : 35,28 MB
Release : 2016-04-08
Category : Performing Arts
ISBN : 1317068114

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Offering fuller understandings of both dramatic representations and the complexities of religious culture, this collection reveals the ways in which religion and performance were inextricably linked in early modern England. Its readings extend beyond the interpretation of straightforward religious allusions and suggest new avenues for theorizing the dynamic relationship between religious representations and dramatic ones. By addressing the particular ways in which commercial drama adapted the sensory aspects of religious experience to its own symbolic systems, the volume enacts a methodological shift towards a more nuanced semiotics of theatrical performance. Covering plays by a wide range of dramatists, including Shakespeare, individual essays explore the material conditions of performance, the intricate resonances between dramatic performance and religious ceremonies, and the multiple valences of religious references in early modern plays. Additionally, Religion and Drama in Early Modern England reveals the theater's broad interpretation of post-Reformation Christian practice, as well as its engagement with the religions of Islam, Judaism and paganism.

Author : Dr Elizabeth Williamson
Publisher : Ashgate Publishing, Ltd.
Page : 256 pages
File Size : 37,34 MB
Release : 2013-04-28
Category : Literary Criticism
ISBN : 1409475352

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The Materiality of Religion in Early Modern English Drama is the first book to present a detailed examination of early modern theatrical properties informed by the complexity of post-Reformation religious practice. Although English Protestant reformers set out to destroy all vestiges of Catholic idolatry, public theater companies frequently used stage properties to draw attention to the remnants of traditional religion as well as the persistent materiality of post-Reformation worship. The Materiality of Religion in Early Modern English Drama explores the relationship between popular culture and theatrical performance by considering the social history and dramatic function of these properties, addressing their role as objects of devotion, idolatry, and remembrance on the professional stage. Rather than being aligned with identifiably Catholic or Protestant values, the author reveals how religious stage properties functioned as fulcrums around which more subtle debates about the status of Christian worship played out. Given the relative lack of existing documentation on stage properties, The Materiality of Religion in Early Modern English Drama employs a wide range of source materials-including inventories published in the Records of Early English Drama (REED) volumes-to account for the material presence of these objects on the public stage. By combining historical research on popular religion with detailed readings of the scripts themselves, the book fills a gap in our knowledge about the physical qualities of the stage properties used in early modern productions. Tracing the theater's appropriation of highly charged religious properties, The Materiality of Religion in Early Modern English Drama provides a new framework for understanding the canonization of early modern plays, especially those of Shakespeare.

Author : Marvin Carlson
Publisher : OUP Oxford
Page : 153 pages
File Size : 26,80 MB
Release : 2014-10-23
Category : Performing Arts
ISBN : 0191648612

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From before history was recorded to the present day, theatre has been a major artistic form around the world. From puppetry to mimes and street theatre, this complex art has utilized all other art forms such as dance, literature, music, painting, sculpture, and architecture. Every aspect of human activity and human culture can be, and has been, incorporated into the creation of theatre. In this Very Short Introduction Marvin Carlson takes us through Ancient Greece and Rome, to Medieval Japan and Europe, to America and beyond, and looks at how the various forms of theatre have been interpreted and enjoyed. Exploring the role that theatre artists play — from the actor and director to the designer and puppet-master, as well as the audience — this is an engaging exploration of what theatre has meant, and still means, to people of all ages at all times. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Author : Dynah Zale
Publisher : Urban Renaissance
Page : 448 pages
File Size : 22,64 MB
Release : 2015-02-01
Category : Fiction
ISBN : 1622863739

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Drama ensues when the chaos of the world enters the doors of First Nazareth A.M.E. Church. Tressie faithfully prays every night that God will send her a thug. It isn’t long before her prayers are answered and she meets a handsome ex-convict named Payce Boyd. He is a fine roughneck, everything Tressie imagined and more—that is, until Tressie experiences firsthand the reality of being a thug’s girl. Seeking solace and comfort in the sanctuary, Tressie soon learns valuable lessons and shocking truths about herself and others. Val and Julian’s love for one another has grown so strong over the years that the time has come for them to take the next step. Val is sure that this time nothing will come between them, until a secret from Julian’s past comes back to haunt her and forces her heart to open up to another. Dean is saved, thoughtful, and understanding to Olivia’s need to remain celibate until she’s married. Finally Dean pops the question and Olivia wonders why the sudden rush to get married. When the wedding day comes, will the marriage be consummated? Danyelle has plans that don’t include a man, until one enters her life and shows her what it means to be in love. Share in the journey of love, lust, self-doubt, and Drama in the Church.

Author : Victoria Rue
Publisher : Wipf and Stock Publishers
Page : 173 pages
File Size : 15,26 MB
Release : 2010-02-01
Category : Religion
ISBN : 160899211X

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My passion is embodied learning. Through twenty-five years of teaching, I've learned that students engage with material best when their bodies are active participants in the learning process. I have found this to be particularly true in teaching religious studies and theology. --from the Introduction People are torn by conflict, fractured by cultural, religious, racial, and economic divides. Religion has often been a prime motivator for this violence. Classrooms must be places in which we learn to hold differences and commonalities. Classrooms are opportunities to rehearse, to practice, how we want to live with one another. Religions, says Rue, are more than ideas: they are lived, enacted by human beings in particular ways. And courses in religion need more than a cognitive understanding of central concepts. Rue asserts that students need to viscerally encounter belief, religious practice, religious imagination, and religious experience. Acting Religious, a practical handbook, maps a new approach that uses theatre to teach religion. For many years, Rue has used theatre techniques and plays to introduce students to what she calls the experience of religion, showing how theatre makes theological ideas palatable, visceral, and available. Acting Religious is at once a call to experience meaning and a theatre method to embody it. Experienced and beginning teachers at both college and high school levels, as well as religious educators, will learn how to use the following techniques in the religion or theology classroom: improvisation, characterization, memorization, script writing, performance. From these methods, students will be able to engage religious traditions experientially as well as cognitively.

Author : Katharine Lee Bates
Publisher : Forgotten Books
Page : 270 pages
File Size : 27,31 MB
Release : 2015-06-26
Category : Drama
ISBN : 9781330432365

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Excerpt from The English Religious Drama The history of the European theatre, not only west of the Channel, but upon the Continent as well, bears resemblance to the history of the little English robin, who, as his strength waxes and his breast brightens and his song grows tuneful, turns his ungrateful bill against the parents who have reared him, so that the misty autumn mornings ring with melodious defiances and cries of combat between the young birds and the old. In like manner the romantic drama, born of the Church and nourished by the Church, came in time, as it acquired an independent life and gradually passed from sacred to secular uses, to incur the resentful hostility of the parent bird, whose plumage its mischievous young activity loved to ruffle. It is not only the Christian drama which has a religious basis. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.