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“[Charles Portis] understood, and conveyed, the grain of America, in ways that may prove valuable in future to historians trying to understand what was decent about us as a nation.” --Donna Tartt, New York Times Book Review Ray Midge is waiting for his credit card bill to arrive. His wife, Norma, has run off with her ex-husband, taking Ray's cards, shotgun and car. But from the receipts, Ray can track where they've gone. He takes off after them, as does an irritatingly tenacious bail bondsman, both following the romantic couple's spending as far as Mexico. There Ray meets Dr Reo Symes, the seemingly down-on-his-luck and rather eccentric owner of a beaten up and broken down bus, who needs a ride to Belize. The further they drive, in a car held together by coat-hangers and excesses of oil, the wilder their journey gets. But they're not going to give up easily.
In the tradition of Cormac McCarthy and Flannery O’Connor, Bill Cheng’s Southern Cross the Dog is an epic literary debut in which the bonds between three childhood friends are upended by the Great Mississippi Flood of 1927. In its aftermath, one young man must choose between the lure of the future and the claims of the past. Having lost virtually everything in the fearsome storm—home, family, first love—Robert Chatham embarks on an odyssey that takes him through the deep South, from the desperation of a refugee camp to the fiery and raucous brothel Hotel Beau-Miel and into the Mississippi hinterland, where he joins a crew hired to clear the swamp and build a dam. Along his journey he encounters piano-playing hustlers, ne’er-do-well Klansmen, well-intentioned whores, and a family of fur trappers, the L’Etangs, whose very existence is threatened by the swamp-clearing around them. The L’Etang brothers are fierce and wild but there is something soft about their cousin Frankie, possibly the only woman capable of penetrating Robert’s darkest places and overturning his conviction that he’s marked by the devil. Teeming with language that renders both the savage beauty and complex humanity of our shared past, Southern Cross the Dog is a tour de force that heralds the arrival of a major new voice in fiction.
Robert Cochran’s Haunted Man’s Report is a pioneering study of the novels and other writings of Arkansan Charles Portis (1933–2020), best known for the novel True Grit and its film adaptations. Hailed by one critic as “the author of classics on the order of a twentieth-century Mark Twain” and as America’s “least-known great novelist,” Portis has garnered a devoted fan base with his ear for language, picaresque characters, literary Easter eggs, and talent for injecting comedy into even the smallest turn of phrase. As a former Marine who served on the front lines of the Korean War and as a journalist who observed firsthand the violent resistance to the civil rights movement, Portis reported on atrocities that came to inform his fiction profoundly. His novels take aim at colonialism and notions of American exceptionalism, focusing on ordinary people, often vets, searching for safe havens in a fallen world. Haunted Man’s Report, a deeply insightful literary exploration of Portis’s singular and underexamined oeuvre, celebrates this novelist’s great achievement and is certain to prove a valuable guide for readers new to Portis as well as aficionados.
The ultimate Portis: for the first time in one collector's volume, the complete fiction and collected nonfiction of the author of True Grit Rediscover a comic genius and master storyteller comparable to Mark Twain "Charles Portis is one of the great pure pleasures available in American literature." —Ron Rosenbaum "Like Mark Twain’s Huckleberry Finn and Thomas Berger’s Little Big Man, Charles Portis’s True Grit captures the naïve elegance of the American voice." —Jonathan Lethem "No living Southern writer captures the spoken idioms of the South as artfully as Portis does." —Donna Tartt "His fiction is the funniest I know." —Roy Blount, Jr. Twice adapted as a film, first in a version starring John Wayne and then by the Coen Brothers, True Grit is a wonder of novelistic perfection, told in the unforgettable voice of 14-year-old Mattie Ross as she sets out to avenge her murdered father in a quest that brings her out of her native Arkansas and into the wilds of the Choctaw Nation of the 1870s. One of the great literary Westerns, it is also a novel that has invited comparison with The Wizard of Oz, Alice in Wonderland, and Adventures of Huckleberry Finn. Portis's deadpan debut novel Norwood (1966) is, like True Grit, the story of a quest, though here the stakes are far lower: an auto mechanic from Texas embarks on a madcap journey to New York City to try and recover $70 owed to him from an Army buddy. A book that according to Roy Blount Jr. “no one should die without having read,” The Dog of the South (1979) is yet a third saga of pursuit, this time all the way to Central America. Ray Midge is on the road looking for the man who has run off with his car (and of somewhat less interest to him, his wife.) Masters of Atlantis (1985) conjures the fictional cult of Gnomonism and takes an uproarious plunge into the dark heart of conspiratorial thinking and schismatic in-fighting. Gringos (1991), set in Mexico, follows an expatriate ex-Marine in his search to find a UFO hunter gone missing in the Yucatan, amid a supporting cast of archaeologists, drug-addled hippie millenarians, and the son of the “bravest dog in all Mexico.” A generous gathering of the nonfiction reveals Portis's skills as a reporter, above all in his coverage of the Civil Rights Movement; his appreciation of Arkansas history and landscape, as in “The Forgotten River”; and his poignancy as a family memoirist, on display in his recollection “Combinations of Jacksons.”
Award-winning husband-and-wife folklorists Randy Russell and Janet Barnett have gone to the dogs. Digging deeply through the rich field of Southern folklore, the authors have discovered that a dog's devotion to its human does not always end at the grave.