[PDF] The Death Rebirth Of Cinema Mastering The Art Of Cinematography In The Digital Cinema Age eBook

Author : Harry Mathias
Publisher : Waterfront Digital Press
Page : 318 pages
File Size : 21,45 MB
Release : 2015-12-15
Category : Performing Arts
ISBN : 9781943625147

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"Simply put, Harry Mathias has done it again. "The Death & Rebirth of Cinema" solidifies Mathias's standing as THE great translator of film-to-digital imaging technology." The world's cinema has mostly left behind its 100-year tradition of cinematography on film, and begins its search for a new visual foundation. What is next for cinema, is what this book is about. This book discusses the big questions of the future of cinematography, in a cinema that is increasing preoccupied with technology and not with artistic moving images. "Just as he did with "Electronic Cinematography" 30 years ago, Mathias cuts through the web of misinformation and lays out a brilliant method to gain control over new and constantly changing imaging technologies without losing sight of the valuable lessons cinematographers have taught us for over 100 years. Harry Mathias has the professional experience, technological savvy, and artistic integrity to connect the rich, foundational knowledge of past photographic systems to today's rapidly changing "technology of the month" attitude. --William McDonald, UCLA Professor & Chair Department of Film, Television and Digital Media, said about this book. This book teaches the vital new cinematography skills that are needed to make great films in a digital cinema world. It covers lighting, lens selection, image control methods, and much more--whether using digital cinema or (photochemical) film with today's technology-driven cinema. Mathias is a very experienced film cinematographer, one who also is a pioneer of digital cinema cinematography. He outlines concrete plans to take the best path forward to a digital imaging future, without leaving behind the photographic skills and lighting arts of films of the past. Exploring the path from our past to the future, this book is not only for cinematographers; it is for anyone who cares about telling dramatic stories visually to film audiences. Film directors, producers, production designers, art directors, editors, colorists, and film critics are all concerned with communicating cinematic images effectively to a theatre audience. Often the issue today is not how can this be done effectively with digital cinema, but how can it be done in spite of all this new technology. In this book, Mathias boldly sets out the plan to reach that cinematography of the future. What is important to cinema is image quality and the art of cinematography--and that is why the major skills required are the same whether a Director of Photography is using film or digital cinema. This book is about making images the right way, regardless of the camera technology being used. Cinema is, after all, technology in the service of art, not the other way around... "

Author : Stephen Prince
Publisher : Rutgers University Press
Page : 203 pages
File Size : 27,91 MB
Release : 2019-01-18
Category : Performing Arts
ISBN : 0813596289

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Digital Cinema considers how new technologies have revolutionized the medium, while investigating the continuities that might remain from filmmaking’s analog era. In the process, it raises provocative questions about the status of realism in a pixel-generated digital medium whose scenes often defy the laws of physics. It also considers what these changes might bode for the future of cinema. How will digital works be preserved and shared? And will the emergence of virtual reality finally consign cinema to obsolescence? Stephen Prince offers a clear, concise account of how digital cinema both extends longstanding traditions of filmmaking and challenges some fundamental assumptions about film. It is essential reading for anyone interested in understanding how movies are shot, produced, distributed, and consumed in the twenty-first century.

Author : Daniel Bernardi
Publisher : Univ of California Press
Page : 320 pages
File Size : 12,52 MB
Release : 2017-09-12
Category : Language Arts & Disciplines
ISBN : 0520285654

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Introduction: screenwriting off the page -- Millennial manic: crisis and change in the business of screenwriting -- Atop the tentpole: hollywood screenwriting today -- Running the room: screenwriting in expanded television -- New markets and microbudgets: "independent" storytellers -- Screenwriter 2.0: the legitimation of writing for video games -- Conclusion: scripting boundaries

Author : Mattias Frey
Publisher : Rutgers University Press
Page : 285 pages
File Size : 48,80 MB
Release : 2015-04-20
Category : Performing Arts
ISBN : 0813570743

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Over the past decade, as digital media has expanded and print outlets have declined, pundits have bemoaned a “crisis of criticism” and mourned the “death of the critic.” Now that well-paying jobs in film criticism have largely evaporated, while blogs, message boards, and social media have given new meaning to the saying that “everyone’s a critic,” urgent questions have emerged about the status and purpose of film criticism in the twenty-first century. In Film Criticism in the Digital Age, ten scholars from across the globe come together to consider whether we are witnessing the extinction of serious film criticism or seeing the start of its rebirth in a new form. Drawing from a wide variety of case studies and methodological perspectives, the book’s contributors find many signs of the film critic’s declining clout, but they also locate surprising examples of how critics—whether moonlighting bloggers or salaried writers—have been able to intervene in current popular discourse about arts and culture. In addition to collecting a plethora of scholarly perspectives, Film Criticism in the Digital Age includes statements from key bloggers and print critics, like Armond White and Nick James. Neither an uncritical celebration of digital culture nor a jeremiad against it, this anthology offers a comprehensive look at the challenges and possibilities that the Internet brings to the evaluation, promotion, and explanation of artistic works.

Author : Norman Goldberg
Publisher : Elsevier
Page : 326 pages
File Size : 12,25 MB
Release : 1992-05-14
Category : Photography
ISBN : 0080500668

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For anyone who has ever wondered how cameras work, this book is a pleasant way to learn. It is generously endowed with enough fundamentals to satisfy the technical specialist, without intimidating the casual but curious amateur photographer. The author has repaired, modified, and designed and analyzed cameras for the past forty five years. With this background, he goes beyond describing camera functions based on advertised data, instead the book explains how various cameras really work. The book peels off the cover panels and lets you look into the dark side of the lens. The dozen or so formulas use simple math and the drawings alone are worth the price of admission. Describes how cameras work and how well they overcome the difficulties in making a technically perfect photo Covers causes of image faults Presents unique methods for testing cameras Covers integration of optics, electronics, and mechanics in contemporary cameras

Author : Glenn Kennel
Publisher : Taylor & Francis
Page : 204 pages
File Size : 20,47 MB
Release : 2007
Category : Business & Economics
ISBN : 0240808746

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First Published in 2007. Routledge is an imprint of Taylor & Francis, an informa company.

Author : Harry Mathias
Publisher : Createspace Independent Publishing Platform
Page : 0 pages
File Size : 46,57 MB
Release : 2010-09-18
Category : Cinematography
ISBN : 9781453623107

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ELECTRONIC CINEMATOGRAPHY, Achieving Photographic Control over the Video Image is newly back in print for the first time in years. This pioneering book was ahead of its time. This is the book that caused a new generation of filmmakers to think of creating digital cinema and video in creative and cinematic terms. A very popular Cinema Industry reference book and college text book, this book went through several re-printings. ELECTRONIC CINEMATOGRAPHY went out of print when its original publisher left the publishing business. It, never the less, enjoyed vigorous used book sales, commanding high prices and sales volumes as a used collector's book. ELECTRONIC CINEMATOGRAPHY, Achieving Photographic Control over the Video Image is a book that uniquely demystifies video and reveals its real creative potential. Harry Mathias, who has worked successfully in both film and digital cinema, approaches digital cinema cinematography from the point of view of the cinematographer, rather than that of the video engineer. This book shows you how video theory can be applied to creative ends. They relate the image characteristics of video to those of film and demonstrate how those characteristics can be applied to tell dramatic visual stories. ELECTRONIC CINEMATOGRAPHY is filled withe exciting ideas and practical knowledge that, for the first time, provide the hows and whys of realizing both the filmic and special electronic potentials of video equipment. The book requires no previous electronic experience. Included in its detailed tone reproduction in a video image... determining exposure indexes for video cameras... lighting for video... and dealing with the limitations of digital image quality. The future demands a new analysis of the visual techniques that will be required by the improved picture quality of high-definition video and its application to dramatic cinema subjects. This book takes you toward that goal, and teaches you the necessary skills."

Author : Paul Wheeler
Publisher : Taylor & Francis
Page : 208 pages
File Size : 44,28 MB
Release : 2013-05-02
Category : Performing Arts
ISBN : 113605586X

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High end digital cinematography can truly challenge the film camera in many of the technical, artistic and emotional aspects of what we think of as 'cinematography'. This book is a guide for practising and aspiring cinematographers and DOPs to digital cinematography essentials - from how to use the cameras to the rapidly emerging world of High Definition cinematography and 24p technology. This book covers the `on-the-set' knowledge you need to know - its emphasis lies in practical application, rather than descriptions of technologies, so that in this book you will find usable `tools' and information to help you get the job done. From `getting the look' to lighting styles and ratios, what is needed for different types of shoots and the technical preparation required, this is a complete reference to the knowledge and skills required to shoot high end digital films. The book also features a guide to the Sony DVW in-camera menus - showing how to set them up and how they work - a device to save you time and frustration on set. Paul Wheeler is a renowned cinematographer/director of photography and trainer, he runs courses on Digital Cinematography at the National Film & Television School and has lectured on the Royal College of Art's MA course and at The London International Film School. He has been twice nominated by BAFTA for a Best Cinematography award and also twice been the winner of the INDIE award for Best Digital Cinematography.

Author : Stephen Prince
Publisher : Rutgers University Press
Page : 271 pages
File Size : 42,88 MB
Release : 2011-12-07
Category : Performing Arts
ISBN : 0813552184

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Avatar. Inception. Jurassic Park. Lord of the Rings. Ratatouille. Not only are these some of the highest-grossing films of all time, they are also prime examples of how digital visual effects have transformed Hollywood filmmaking. Some critics, however, fear that this digital revolution marks a radical break with cinematic tradition, heralding the death of serious realistic movies in favor of computer-generated pure spectacle. Digital Visual Effects in Cinema counters this alarmist reading, by showing how digital effects–driven films should be understood as a continuation of the narrative and stylistic traditions that have defined American cinema for decades. Stephen Prince argues for an understanding of digital technologies as an expanded toolbox, available to enhance both realist films and cinematic fantasies. He offers a detailed exploration of each of these tools, from lighting technologies to image capture to stereoscopic 3D. Integrating aesthetic, historical, and theoretical analyses of digital visual effects, Digital Visual Effects in Cinema is an essential guide for understanding movie-making today.

Author : Jacqueline B Frost
Publisher : Routledge
Page : 337 pages
File Size : 23,15 MB
Release : 2021-03-17
Category : Art
ISBN : 1000359859

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Packed with gems of wisdom from the current 'masters of light’, this collection of conversations with twenty leading contemporary cinematographers provides invaluable insight into the art and craft of cinematography. Jacqueline Frost’s interviews provide unprecedented insight into the role as cinematographers discuss selecting projects, the conceptual and creative thinking that goes into devising a visual strategy, working with the script, collaborating with leading directors such as Martin Scorcese, Spike Lee, and Ava DuVernay, the impact of changing technology, and offer advice for aspiring cinematographers. Interviews include Maryse Alberti, John Bailey, Robert Elswit, Kirsten Johnson, Kira Kelly, Ellen Kuras, Edward Lachman, Matthew Libatique, John Lindley, Seamus McGarvey, Reed Morano, Polly Morgan, Rachel Morrison, Rodrigo Prieto, Cynthia Pusheck, Harris Savides, Nancy Schrieber, John Seale, Sandi Sissel, Dante Spinotti, Salvatore Totino, Amy Vincent and Mandy Walker. Filled with valuable information and advice for aspiring cinematographers, directors, and filmmakers, this is essential reading for anyone interested in the art and craft of cinematography.