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Author : Roman Ingarden
Publisher :
Page : 436 pages
File Size : 38,12 MB
Release : 1973
Category : Literature
ISBN :
Author : Roman Ingarden
Publisher : Northwestern University Press
Page : 467 pages
File Size : 49,18 MB
Release : 1973
Category : Literary Criticism
ISBN : 0810105993
This long-awaited translation of Das literarische Kunstwerk makes available for the first time in English Roman Ingarden's influential study. Though it is inter-disciplinary in scope, situated as it is on the borderlines of ontology and logic, philosophy of literature and theory of language, Ingarden's work has a deliberately narrow focus: the literary work, its structure and mode of existence. The Literary Work of Art establishes the groundwork for a philosophy of literature, i.e., an ontology in terms of which the basic general structure of all literary works can be determined. This "essential anatomy" makes basic tools and concepts available for rigorous and subtle aesthetic analysis.
Author : Roman Ingarden
Publisher : Northwestern University Press
Page : 504 pages
File Size : 29,14 MB
Release : 1973
Category : Literary Criticism
ISBN : 9780810105379
This long-awaited translation of Das literarische Kunstwerk makes available for the first time in English Roman Ingarden's influential study. Though it is inter-disciplinary in scope, situated as it is on the borderlines of ontology and logic, philosophy of literature and theory of language, Ingarden's work has a deliberately narrow focus: the literary work, its structure and mode of existence. The Literary Word of Art establishes the groundwork for a philosophy of literature, i.e., an ontology in terms of which the basic general structure of all lliterary works can be determined. This "essential anatomy" makes basic tools and concepts available for rigorous and subtle aesthetic analysis.
Author : M. Kronegger
Publisher : Springer Science & Business Media
Page : 477 pages
File Size : 14,8 MB
Release : 2013-03-09
Category : Philosophy
ISBN : 9401734119
Regardless of the subject matter, our studies are always searching for a sense of the universal in the specific. Drawing, etchings and paintings are a way of communicating ideas and emotions. The key word here is to communicate. Whether the audience sees the work as laborious or poetic depends on the creative genius of the artist. Some painters use the play of light passing through a landscape or washing over a figure to create an evocative moment that will be both timeless and transitory. The essential role of art remains what is has always been, a way of human expression. This is the role that our participants concentrate on as they discuss art as the expression of the spirit, a creative act through which the artist makes manifest what is within him. Spirit suggests the unity of feeling and thought. Avoiding broad generalities, our participants address specific areas in orchestration with music, architecture, literature and phenomenology. Profs. Souiller, Scholz, Etlin, Sweetser, Josephs show us at what point art is an intimate, profound expression and the magic of a civilization as a whole, springing from its evolving thoughts and embodying ideals, such as the Renaissance, the Baroque, Modernism and at what point it reflects the trans formation of a particular society and its mode of life.
Author : Edith Stein
Publisher : ICS Publications
Page : 360 pages
File Size : 38,87 MB
Release : 2015-02-05
Category : Religion
ISBN : 1939272319
Edith Stein and Roman Ingarden, both students of Edmund Husserl, the founder of phenomenology, corresponded extensively between 1917 and 1938. These 162 letters, most published here for the first time, reveal a friendship that spanned the adult lives of these two important 20th-century thinkers. Through Stein’s letters, the reader can follow her through her student days, her conversion from Judaism to Catholicism, her professional life, and her decision to become a Carmelite nun in the Carmel of Cologne, where she took the name Teresa Benedicta of the Cross. The letters end in 1938, when the Nazi threat escalating throughout Eastern Europe made correspondence difficult, especially across national borders. Four years later Edith Stein was arrested in the Netherlands by the Nazi SS, transported to Auschwitz, and was killed in the gas chambers. Roman Ingarden survived World War II, continued his academic work in Poland, and died in 1970. Although Ingarden’s letters to her have not been found, Stein’s to him also help us understand the life of this Polish phenomenologist and aesthetician, his life in Poland, his intellectual development, his own writings and academic career, and the editorial assistance Stein provided for all of the works he published in German. Translated from the newest critical German edition by Dr. Hugh Candler Hunt, this premiere English edition of her correspondence—volume 12 of ICS Publications’ Collected Works of Edith Stein—gives us a fascinating and intimate window into Edith Stein’s rich life and personality, revealing her warmth and humor, deep capacity for friendship, and remarkable intellectual and spiritual depth. Book has 13 photos, bibliography and linked index.
Author : Timothy Weiss
Publisher : University of Toronto Press
Page : 274 pages
File Size : 11,63 MB
Release : 2004-01-01
Category : Literary Criticism
ISBN : 9780802089588
Weiss examines texts that reference Asian, North African, or Middle Eastern societies and their imaginaries, and, equally important, engage questions of individual and communal identity that issue from transformative encounters.
Author : Phillip Brian Harper
Publisher : NYU Press
Page : 288 pages
File Size : 18,63 MB
Release : 2015-12-25
Category : Literary Criticism
ISBN : 1479867985
An artistic discussion on the critical potential of African American expressive culture In a major reassessment of African American culture, Phillip Brian Harper intervenes in the ongoing debate about the “proper” depiction of black people. He advocates for African American aesthetic abstractionism—a representational mode whereby an artwork, rather than striving for realist verisimilitude, vigorously asserts its essentially artificial character. Maintaining that realist representation reaffirms the very social facts that it might have been understood to challenge, Harper contends that abstractionism shows up the actual constructedness of those facts, thereby subjecting them to critical scrutiny and making them amenable to transformation. Arguing against the need for “positive” representations, Abstractionist Aesthetics displaces realism as the primary mode of African American representational aesthetics, re-centers literature as a principal site of African American cultural politics, and elevates experimental prose within the domain of African American literature. Drawing on examples across a variety of artistic production, including the visual work of Fred Wilson and Kara Walker, the music of Billie Holiday and Cecil Taylor, and the prose and verse writings of Ntozake Shange, Alice Walker, and John Keene, this book poses urgent questions about how racial blackness is made to assume certain social meanings. In the process, African American aesthetics are upended, rendering abstractionism as the most powerful modality for Black representation.
Author : Christian Moraru
Publisher : Bloomsbury Publishing USA
Page : 530 pages
File Size : 49,53 MB
Release : 2021-08-26
Category : Literary Criticism
ISBN : 1501358960
Shortlisted for the AATSEEL 2022 Award for Best Edited Multi-Author Scholarly Volume (AATSEEL is The American Association of Teachers of Slavic and East European Languages) Theory in the "Post" Era brings together the work and perspectives of a group of Romanian theorists who discuss the morphings of contemporary theory in what the editors call the “post” era. Since the Cold War's end and especially in the third millennium, theorists have been exploring the aftermath - and sometimes just the “after” - of whole paradigms, the crisis or “passing” of anthropocentrism, the twilight of an entire ontological and cultural “condition,” as well as the corresponding rise of an antagonist model, of an “anti,” “meta,” or “neo” alternative, with examples ranging from “posthumanism” and “post-postmodernism” to “post-aesthetics,” “postanalog” interpretation or “digicriticism,” “post-presentism,” “post-memory,” “post-“ or “neo-critique,” and so forth. It is no coincidence, the contributors to this volume argue, that this “post” moment is also a time when theory is practiced as a world genre. If theory has always been a “worlded” enterprise, a quintessentially communal, cross-cultural and international project, this is truer at present than ever. Perhaps more than other humanist constituencies, today's theorists work and belong in a theory commons that is transnational if still uneven economically, politically, and otherwise. Theory in the "Post" Era reports the results of Romanian theory experiments that join efforts made in other places to foster a theory for the “post” age.
Author : Hans H. Rudnick
Publisher : Springer Science & Business Media
Page : 306 pages
File Size : 14,77 MB
Release : 2012-12-06
Category : Philosophy
ISBN : 9400919646
This Ingardenia volume is the second in the Analecta Husserliana series that is entirely devoted to the phenomenology of Roman Ingarden. The first was volume IV (1976). Twenty years after Ingarden's death, this volume demonstrates that the Polish phenomenologist's contribution to philosophy and literary scholarship has received world-wide attention. His ideas have proven especially fruitful for the definition of the structure of the literary work of art and the subsequent recognition of its characteristic features. Of all the early phenomenologists who were students of Husserl, it is Ingarden whose work has faithfully pursued the original tenet that language "holds" the essence of the life-world "in readiness" (bereit halten). To investigate this premise with the rigor of a science, as Husserl had envisioned for phenomenology, was Ingarden's life work. That Ingarden did not quite reach his ambitious goal does not diminish his unquestionable achievement. The understanding of the nature of the literary work of art has increased enormously because of his analyses and aesthetics. The Polish phenomenologist investigated above all the work of art as a structure of necessary components which define and determine its nature. That the artistic ingredient was shortchanged under those conditions should not be surprising, particu larly since Ingarden usually kept a purist's philosophical distance from the concrete detail of the material under consideration. He was not concerned with individual works of art but with the principle that was shared by all of them as the defining feature of their being.
Author : Rachel Bath
Publisher : Rowman & Littlefield
Page : 256 pages
File Size : 25,89 MB
Release : 2017-12-20
Category : Philosophy
ISBN : 178660535X
This volume offers a comprehensive guide to the extensive corpus of Jean-Luc Marion’s ideas, including a discussion of contemporary French phenomenology and critical appraisal of Marion’s ideas by leading scholars in the field. The contributors apply Marion’s thought to various fields of study, including theology, art, literature and psychology.