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Contents I. Furious Versionis II. The Interrogation This Hour And What Is Dead Arise, Go Down My Father, In Heaven, Is Reading Out Loud For A New Citizen Of These United States With Ruins III. This Room And Everything In It The City In Which I Love You IV. The Waiting A Story Goodnight You Must Sing Here I Am A Final Thing V. The Cleaving
A kaleidoscopic tribute to San Francisco by a life-long Bay Area resident and co-founder of Salon explores specific city sites including the Golden Gate Bridge and the Land's End sea cliffs while tying his visits to key historical events. By the author of Shadow Knights. 30,000 first printing.
Stretched across city walls and along rooftops, Stephen Powers's colorful large-scale murals sneak up on you. "Open your eyes / I see the sunrise," "If you were here I'd be home," "Forever begins when you say yes." What at first looks like nothing as much as an advertisement suddenly becomes something grander and more mysterious—a hand-painted love letter at billboard size. Combining community activism and public art, Powers and his team of sign mechanics collaborate with a neighborhood's residents to create visual jingles— sincere and often poignant affirmations and confessions that reflect the collective hopes and dreams of the host community. A Love Letter to the City gathers the artist's powerful public art project for the first time, including murals on the walls and rooftops of Brooklyn and Syracuse, New York; Philadelphia; Dublin and Belfast, Ireland; São Paolo, Brazil, and Johannesburg, South Africa.
In this delightful, heartfelt tribute to her home island, the author of the ''How To Live'' books focuses on Long Beach Island with a kind of illustrated love song / poem. After living through Superstorm Sandy, she celebrates beautiful and simple truths and emotions about this eighteen-mile long stretch of sand... ''because I think it is important to say what you love in this life... especially if what you love is vulnerable. And Long Beach Island is that. It's just a beautiful accident of tide and currents, a moment of grace amid storm.''
Find out what happens when a Kiwi girl ventures into the big city in this sexy and funny slow-burn romantic comedy about going after your dreams. Have you ever stopped to look around at your life and realized nothing is how you want it? Turning thirty has a way of making you take a good, hard look at your life. And I think we all know what any sensible adult does in that situation: tequila shots. Lots of them. It's okay, though, because I've finally escaped my tiny New Zealand home town and my negative parents. And New York is better than my wildest fantasies. So is Michael, the sexy single dad who lives in the apartment upstairs. And he's featuring in my fantasies more and more-even if he's a grump and I only ever seem to make a dork of myself in front of him. Ah well, a girl can dream. Anyway, I've got a writing career to build, and writing about being single is fun. If that means swearing off men for a bit, that's fine. I can totally do that. It's just a tiny crush. Besides... happily ever afters aren't real. Are they? Here's what you can expect from Love in the City: ♥ Slow burn, sexy romantic comedy ♥ Kiwi girl moving to the big city ♥ Bearded single dad ♥ New York City vibes ♥ Fun and endearing secondary characters ♥ Gorgeous happily ever after Love in the City contains cursing and sex scenes, and is intended for audiences 18 years and older.
Poetry by Asian American writers has had a significant impact on the landscape of contemporary American poetry, and a book-length critical treatment of Asian American poetry is long overdue. In this groundbreaking book, Xiaojing Zhou demonstrates how many Asian American poets transform the conventional “I” of lyric poetry—based on the traditional Western concept of the self and the Cartesian “I”—to enact a more ethical relationship between the “I” and its others. Drawing on Emmanuel Levinas’s idea of the ethics of alterity—which argues that an ethical relation to the other is one that acknowledges the irreducibility of otherness—Zhou offers a reconceptualization of both self and other. Taking difference as a source of creativity and turning it into a form of resistance and a critical intervention, Asian American poets engage with broader issues than the merely poetic. They confront social injustice against the other and call critical attention to a concept of otherness which differs fundamentally from that underlying racism, sexism, and colonialism. By locating the ethical and political questions of otherness in language, discourse, aesthetics, and everyday encounters, Asian American poets help advance critical studies in race, gender, and popular culture as well as in poetry. The Ethics and Poetics of Alterity is not limited, however, to literary studies: it is an invaluable response to the questions raised by increasingly globalized encounters across many kinds of boundaries. The Poets Marilyn Chin, Kimiko Hahn, Myung Mi Kim, Li Young Lee, Timothy Liu, David Mura, and John Yau
I feel like asking him to stay. To never leave this room. But I know that soon he will leave and... I'm going to ring him that night. I'm not going to write anything down. I might not even say anything. Just listen to him breathe. Lucy and Jim are alone. To the world they seem to be doing alright: they have jobs, friends, ambitions (well, sort of). But inside they are drowning. Until their chance meeting on a London night bus leads to a desperate search for redemption, each through the other. Inevitably, though, their hopes for salvation are dashed as deep-rooted insecurities rise to the surface. City Love is an unflinching look at the opposing human needs for companionship and self-destruction. Sharp observations transform the mundane into the epic in this grim, witty and agonizingly real play that will pierce the heart of anyone who has ever been in love.
After sixteen years of marriage, Mattie Hart's husband Jake leaves her for another woman, leaving her to cope with her teenage daughter's anger and a health crisis that will tear all their lives apart.