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On September 24, 2009, Forrest Church succumbed to a three-year battle against esophageal cancer. As his final gift, the beloved minister and acclaimed author wrote one last book, leaving behind a clear statement of his universalist theology and liberal faith. The Cathedral of the World draws from the entire span of Church's life's work, recasting public addresses and adapted book chapters, articles, and several previously unpublished pieces into a single argument. Giving new voice to the power of liberal religion, Church invites all seekers to enter the Cathedral of the World, home to many windows but only one Light.
Described by Cornel West as “a towering public intellectual and the leading universalist philosopher of his generation,” Forrest Church was one of the preeminent liberal theologians of our time. His final gift, The Cathedral of the World, draws from the entire span of Church’s life’s work to leave behind a clear statement of his universalist theology and liberal faith. Giving new voice to the power of liberal religion, Church invites all seekers to enter the Cathedral of the World, home to many windows but only one Light.
“The wonderful cathedral of Notre-Dame de Paris, one of the greatest achievements of European civilization, was on fire. The sight dazed and disturbed us profoundly. I was on the edge of tears. Something priceless was dying in front of our eyes. The feeling was bewildering, as if the earth was shaking.” —Ken Follett “[A] treasure of a book.” —The New Yorker In this short, spellbinding book, international bestselling author Ken Follett describes the emotions that gripped him when he learned about the fire that threatened to destroy one of the greatest cathedrals in the world—the Notre-Dame de Paris. Follett then tells the story of the cathedral, from its construction to the role it has played across time and history, and he reveals the influence that the Notre-Dame had upon cathedrals around the world and on the writing of one of Follett's most famous and beloved novels, The Pillars of the Earth. Ken Follett will donate his proceeds from this book to the charity La Fondation du Patrimoine.
Since its construction, Notre Dame Cathedral has played a central role in French cultural identity. In the wake of the tragic fire of 2019, questions of how to restore the fabric of this quintessential French monument are once more at the forefront. This all-too-prescient book, first published in French in 2013, takes a central place in the conversation. The Gothic cathedral par excellence, Notre Dame set the architectural bar in the competitive years of the third quarter of the twelfth century and dazzled the architects and aesthetes of the Enlightenment with its structural ingenuity. In the nineteenth century, the cathedral became the touchstone of a movement to restore medieval patrimony to its rightful place at the cultural heart of France: it was transformed into a colossal laboratory in which architects Jean-Baptiste Lassus and Eugène-Emmanuel Viollet-le-Duc anatomized structures, dismembered them, put them back, or built them anew—all the while documenting their work with scientific precision. Taking as their point of departure a three-dimensional laser scan of the cathedral created in 2010, architectural historians Dany Sandron and the late Andrew Tallon tell the story of the construction and reconstruction of Notre Dame in visual terms. With over a billion points of data, the scan supplies a highly accurate spatial map of the building, which is anatomized and rebuilt virtually. Fourteen double-page images represent the cathedral at specific points in time, while the accompanying text sets out the history of the building, addressing key topics such as the fundraising campaign, the construction of the vaults, and the liturgical function of the choir. Featuring 170 full-color illustrations and elegantly translated by Andrew Tallon and Lindsay Cook, Notre Dame Cathedral is an enlightening history of one of the world’s most treasured architectural achievements.
Open source provides the competitive advantage in the Internet Age. According to the August Forrester Report, 56 percent of IT managers interviewed at Global 2,500 companies are already using some type of open source software in their infrastructure and another 6 percent will install it in the next two years. This revolutionary model for collaborative software development is being embraced and studied by many of the biggest players in the high-tech industry, from Sun Microsystems to IBM to Intel.The Cathedral & the Bazaar is a must for anyone who cares about the future of the computer industry or the dynamics of the information economy. Already, billions of dollars have been made and lost based on the ideas in this book. Its conclusions will be studied, debated, and implemented for years to come. According to Bob Young, "This is Eric Raymond's great contribution to the success of the open source revolution, to the adoption of Linux-based operating systems, and to the success of open source users and the companies that supply them."The interest in open source software development has grown enormously in the past year. This revised and expanded paperback edition includes new material on open source developments in 1999 and 2000. Raymond's clear and effective writing style accurately describing the benefits of open source software has been key to its success. With major vendors creating acceptance for open source within companies, independent vendors will become the open source story in 2001.
It has been twenty-six years since the publication of CATHEDRAL. David Macaulay's first book, CATHEDRAL, introduced readers around the world to his unique gift for presenting architecture and technology in simple terms, and for demystifying even the most complex of concepts. CATHEDRAL received a Caldecott Honor Medal and is now considered a classic. BUILDING THE BOOK CATHEDRAL includes the content of CATHEDRAL in its entirety. Here Macaulay traces the evolution of his creative process in "building" that first book, from the initial concept to the finished drawings. He introduces the basic elements of structure and sequence and explains why one angle of a drawing may be better for conveying an idea than another. He describes how perspective, scale, and contrast can be used to connect a reader with concepts, and how placement of a picture on a page can make a difference in the way information is communicated. Building the Book Cathedral provides an opportunity to examine Macaulay's unique problem-solving skills as he looks back over two and a half decades at the book that launched his distinguished career.
#1 New York Times Bestseller Oprah's Book Club Selection The “extraordinary . . . monumental masterpiece” (Booklist) that changed the course of Ken Follett’s already phenomenal career—and begins where its prequel, The Evening and the Morning, ended. “Follett risks all and comes out a clear winner,” extolled Publishers Weekly on the release of The Pillars of the Earth. A departure for the bestselling thriller writer, the historical epic stunned readers and critics alike with its ambitious scope and gripping humanity. Today, it stands as a testament to Follett’s unassailable command of the written word and to his universal appeal. The Pillars of the Earth tells the story of Philip, prior of Kingsbridge, a devout and resourceful monk driven to build the greatest Gothic cathedral the world has known . . . of Tom, the mason who becomes his architect—a man divided in his soul . . . of the beautiful, elusive Lady Aliena, haunted by a secret shame . . . and of a struggle between good and evil that will turn church against state and brother against brother. A spellbinding epic tale of ambition, anarchy, and absolute power set against the sprawling medieval canvas of twelfth-century England, this is Ken Follett’s historical masterpiece.
Master sculptor Auguste Rodin’s illuminating writings on cathedrals in France are especially relevant and significant following the recent fire at Notre Dame. In this volume, the writer and Rodin scholar Rachel Corbett selects excerpts from the famous sculptor’s book Cathedrals of France, first published in 1914, just before the outbreak of World War I. Cathedrals were central to the way Rodin thought about his art: he saw them as visual metaphors for the human figure, among the finest examples of craftsmanship known to modern man, and as a model for how to live and work—slowly, brick by brick. Here, Corbett takes the fire at Notre Dame and the concerns over its restoration as an entry point in an exploration of Rodin's cathedrals. Rodin adamantly opposed restoration, as he felt it often did more damage than the original injury. (Many of the cathedrals that Rodin looks at in his texts were, in fact, bombed during the war.) But while he rails against various restoration efforts as evidence that “we are letting our cathedrals die,” the book, with its tenderly rendered sketches and written portraits, is itself an attempt to preserve these cathedrals. The selection of texts in this volume is a reminder—as is the tragedy of Notre Dame—of why we ought to appreciate these feats of architecture, whether or not they are still standing today.
This is a lavishly illustrated history of Britain's greatest cathedral from its Anglo-Saxon origins to the late twentieth century. Seven chronological chapters tell the fascinating story of Canterbury from 597, while a further five thematic chapters discuss the Cathedral School, the Archives and Library, the liturgy and music, and the monuments within the Cathedral. The contributors are all leading scholars and their chapters are based on the most up-to-date research. Their emphasis is on the people who, over the centuries, have formed the community of Canterbury and continued the tradition of Christian worship there for over a thousand years. A History of Canterbury Cathedral will be essential for readers with an interest in the Cathedral, as well as for scholars and students of cultural, religious, ecclesiastical, and architectural history.