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Paris, France is known as the City of Lights, a metropolis renowned for romance and beauty. Beneath the bustling streets and cafes, however, exists The Catacombs, a labyrinth of crumbling tunnels home to six million dead. When a video camera containing mysterious footage is discovered deep within their depths, a group of friends venture into the tunnels to investigate. But what starts out as a lighthearted adventure takes a turn for the worse when they reach their destination and stumble upon the evil lurking there.
Return to the the epic tale of the Lord of the Isles, David Drake's saga of magic and might. For the first time in a thousand years, the Kingdom of the Isles has a government and a real ruler: Prince Garric of Haft. The enemies joining against him intend to destroy not only the kingdom but humankind as well. The rebels gathering in the West outnumber the royal army and the magic they wield can strike into the heart of the palace itself, but far greater dangers lie behind those. On the far fringes of the Isles, ancient powers ready themselves for a titanic struggle in which human beings are mere pawns--or fodder! Reptilian and insect monsters from out of the ages march on the kingdom, commanded by wizards no longer human or never human at all. If unchecked, their ravening slaughter will sweep over the Isles as destructively as a flood of lava. Garric, ripped from his time and body, must make new allies if he and his kingdom are to survive. Watching them all from the blackness of a tomb walled off in time and space, the Mistress waits... And her fangs drip poison! At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
An intriguing visual history of the veneration in European churches and monasteries of bejeweled and decorated skeletons Death has never looked so beautiful. The fully articulated skeleton of a female saint, dressed in an intricate costume of silk brocade and gold lace, withered fingers glittering with colorful rubies, emeralds, and pearls—this is only one of the specially photographed relics featured in Heavenly Bodies. In 1578 news came of the discovery in Rome of a labyrinth of underground tombs, which were thought to hold the remains of thousands of early Christian martyrs. Skeletons of these supposed saints were subsequently sent to Catholic churches and religious houses in German-speaking Europe to replace holy relics that had been destroyed in the wake of the Protestant Reformation. The skeletons, known as “the catacomb saints,” were carefully reassembled, richly dressed in fantastic costumes, wigs, crowns, jewels, and armor, and posed in elaborate displays inside churches and shrines as reminders to the faithful of the heavenly treasures that awaited them after death. Paul Koudounaris gained unprecedented access to religious institutions to reveal these fascinating historical artifacts. Hidden for over a century as Western attitudes toward both the worship of holy relics and death itself changed, some of these ornamented skeletons appear in publication here for the first time.
The memoirs presented in Women of the Catacombs offer a rare close-up account of the underground Orthodox community and its priests during some of the most difficult years in Russian history. The catacomb church in the Soviet Union came into existence in the 1920s and played a significant part in Russian national life for nearly fifty years. Adherents to the Orthodox faith often referred to the catacomb church as the "light shining in the dark." Women of the Catacombs provides a first-hand portrait of lived religion in its social, familial, and cultural setting during this tragic period. Until now, scholars have had only brief, scattered fragments of information about Russia's illegal church organization that claimed to protect the purity of the Orthodox tradition. Vera Iakovlevna Vasilevskaia and Elena Semenovna Men, who joined the church as young women, offer evidence on how Russian Orthodoxy remained a viable, alternative presence in Soviet society, when all political, educational, and cultural institutions attempted to indoctrinate Soviet citizens with an atheistic perspective. Wallace L. Daniel's translation not only sheds light on Russia's religious and political history, but also shows how two educated women maintained their personal integrity in times when prevailing political and social headwinds moved in an opposite direction.
This man is the only thing that keeps me safe. The only thing that makes life worth living. But I know he's coming... I know he's out there. And until Benton kills him, he'll never really be gone.
The dead of Paris, before the French Revolution, were most often consigned to mass graveyards that contemporaries described as terrible and terrifying, emitting "putrid miasmas" that were a threat to both health and dignity. In a book that is at once wonderfully macabre and exceptionally informative, Erin-Marie Legacey explores how a new burial culture emerged in Paris as a result of both revolutionary fervor and public health concerns, resulting in the construction of park-like cemeteries on the outskirts of the city and a vast underground ossuary. Making Space for the Dead describes how revolutionaries placed the dead at the center of their republican project of radical reinvention of French society and envisioned a future where graveyards would do more than safely contain human remains; they would serve to educate and inspire the living. Legacey unearths the unexpectedly lively process by which burial sites were reimagined, built, and used, focusing on three of the most important of these new spaces: the Paris Catacombs, Père Lachaise cemetery, and the short-lived Museum of French Monuments. By situating discussions of death and memory in the nation's broader cultural and political context, as well as highlighting how ordinary Parisians understood and experienced these sites, she shows how the treatment of the dead became central to the reconstruction of Parisian society after the Revolution.