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Paris, France is known as the City of Lights, a metropolis renowned for romance and beauty. Beneath the bustling streets and cafes, however, exists The Catacombs, a labyrinth of crumbling tunnels home to six million dead. When a video camera containing mysterious footage is discovered deep within their depths, a group of friends venture into the tunnels to investigate. But what starts out as a lighthearted adventure takes a turn for the worse when they reach their destination and stumble upon the evil lurking there.
The heart-stopping third book in the New York Times bestselling Asylum series follows three teens as they take a senior year road trip to one of America's most haunted cities, uncovering dangerous secrets from their past along the way. With all the thrills, chills, and eerie found photographs that led Publishers Weekly to call Asylum "a strong YA debut," Catacomb is perfect for fans for Miss Peregrine's Home for Peculiar Children. Sometimes the past is better off buried. Senior year is finally over. After all they've been through, Dan, Abby, and Jordan are excited to take one last road trip together, and they're just not going to think about what will happen when the summer ends. But on their way to visit Jordan's uncle in New Orleans, the three friends notice that they're being followed . . . and photographed. Then Dan starts receiving messages from someone he didn't expect to hear from again—someone who died last Halloween. When the trio arrives in New Orleans and the strange occurrences only escalate, Dan is forced to accept that everything that has happened to him in the past year may not be a coincidence, but fate—a fate that ties Dan to a group called the Bone Artists, who have a sinister fascination with notorious killers of the past. Now Dan's only hope is that he will make it out of his senior trip alive. Don't miss Madeleine Roux's all-new gothic horror novel, House of Furies.
During excavation work in 1955, a unique discovery of early Christian art was made in Rome. Below the city was a catacomb system containing a unique and previously unknown collection of paintings and decoration. This book tells of the discovery and of the research and preservation work carried out to conserve it.
The memoirs presented in Women of the Catacombs offer a rare close-up account of the underground Orthodox community and its priests during some of the most difficult years in Russian history. The catacomb church in the Soviet Union came into existence in the 1920s and played a significant part in Russian national life for nearly fifty years. Adherents to the Orthodox faith often referred to the catacomb church as the "light shining in the dark." Women of the Catacombs provides a first-hand portrait of lived religion in its social, familial, and cultural setting during this tragic period. Until now, scholars have had only brief, scattered fragments of information about Russia's illegal church organization that claimed to protect the purity of the Orthodox tradition. Vera Iakovlevna Vasilevskaia and Elena Semenovna Men, who joined the church as young women, offer evidence on how Russian Orthodoxy remained a viable, alternative presence in Soviet society, when all political, educational, and cultural institutions attempted to indoctrinate Soviet citizens with an atheistic perspective. Wallace L. Daniel's translation not only sheds light on Russia's religious and political history, but also shows how two educated women maintained their personal integrity in times when prevailing political and social headwinds moved in an opposite direction.
The spacefaring Barque Cats are valued members of every vessel’s crew, thanks to their special bond with humans. Then Pshaw-Ra, a mysterious cat with highly advanced knowledge, gives the felines the power of telepathy. When panic over a virulent plague drives the government to exterminate animals, Pshaw-Ra guides the cats and humans of the starship Ranzo to safety on his home planet, Mau. But Pshaw-Ra has a hidden agenda. His ultimate goal? Mate the Barque Cats with their godlike counterparts who rule on Mau and create a superior race to conquer the universe. His plans, however, may be doomed by his daughters’ battle royal to become queen, by a suspicious Barque Cat with an equally curious human friend—and by something stirring deep beneath the city with a hunger to devour all life . . . and an undying hatred for cats.
Every story in catacomb art is a tale of deliverance, a tale of the powerlessness of death and the certainty of the resurrection. Looking back through fifteen hundred years of Christian art, it appears the crucifixion of Jesus holds the highest place. We haven't looked back far enough. Go back to the first three centuries after Jesus walked among us. Walk the dark corridors of those subterranean burial chambers of the persecuted Christians. There we find a much different theology at work: a theology with resurrection hope and power at the center. If catacomb art were all we had of Christian theology and practice from the first three centuries AD--no Scriptures--we would have no choice but to conclude that the first message of the Christian faith was the Easter gospel.