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When a party commemorating the anniversary of a gruesome killing at the infamous Boy Meets Girl Inn ends in a bloodbath, Noelle Dixon’s diary becomes the key piece of evidence. But the cryptic entries suggest there’s more to the bizarre case than can be rationally explained.
Romantic Comedy offers an introduction to the analysis of a popular but overlooked film genre. The book provides an overview of Hollywood's romantic comedy conventions, examining iconography, narrative patterns, and ideology. Chapters discuss important subgroupings within the genre: screwball sex comedy and the radical romantic comedy of the 1970s. A final chapter traces the lasting influence of these earlier forms within current romantic comedies. Films include: Pillow Talk (1959), Annie Hall (1977), and You've Got Mail (1998).
A NEW YORK TIMES BEST BOOK OF THE YEAR • A darkly funny take on mothers and daughters, about a woman who must take drastic measures to save her husband and herself from the vengeful ghost of her mother-in-law. “A quirky, gruesome, utterly original feminist horror experience.” —The New York Times Book Review When Ralph and Abby Lamb move in with Ralph’s mother, Laura, Abby hopes it’s just what she and her mother-in-law need to finally connect. After a traumatic childhood, Abby is desperate for a mother figure, especially now that she and Ralph are trying to become parents themselves. Abby just has so much love to give—to Ralph, to Laura, and to Mrs. Bondy, her favorite resident at the long-term care home where she works. But Laura isn’t interested in bonding with her daughter-in-law. She’s venomous and cruel, especially to Abby, and life with her is hellish. When Laura takes her own life, her ghost haunts Abby and Ralph in very different ways: Ralph is plunged into depression, and Abby is terrorized by a force intent on destroying everything she loves. To make matters worse, Mrs. Bondy’s daughter is threatening to move Mrs. Bondy from the home, leaving Abby totally alone. With everything on the line, Abby comes up with a chilling plan that will allow her to keep Mrs. Bondy, rescue Ralph from his tortured mind, and break Laura's hold on the family for good. All it requires is a little ingenuity, a lot of determination, and a unique recipe for chicken à la king…
In this darkly comic story about how we value female labour—and don’t—a new mother becomes embroiled in a dangerous mystery when her friend, a controversial entrepreneur, goes missing. When her daughter Lotte was born, Dani had welcomed the chance to be a stay-at-home mother. To be good at something, for once. But now Dani can’t stop thinking about her seemingly healthy husband, Clark, dropping dead. Not because she hates him (not right now, anyway), but because it’s become abundantly clear to Dani that if he dies, she and Lotte will be left destitute. And then Dani discovers The Temple. Ostensibly a yoga centre, The Temple and its guardian, Renata, are committed to helping people reach their full potential. And if that sometimes requires sex work, so be it. Finally, Dani has found something she could be good at, even great at; meaningful work that will protect her and Lotte from poverty, and provide true economic independence from Clark. Just as Dani is preparing to embrace this opportunity, Renata disappears. And Dani discovers there might be something else she’s good at: detective work.
Teddy Bear Cannibal Massacre is an anthology of the best upcoming writers exploring the dark side of stoners, zombies, killer clowns, Disneyland, werewolves in night clubs, the Golden Age of Hollywood, and Scottish hermit crabs. Includes new work by Roberta Rogow, Brian Rosenberger, Tim Johnson, C.C. Parker and Jenifer Jourdanne among others. Table of Contents Formaldehyde by C.C. Parker Doof Doof Doof by Paul Haines Peppercorn Rent by Roberta Rogaw Rats, Wrong Alley by Tim Johnson Brilliant Suspension by Trina Shealy Orton Blue Elephants by Jenifer Jourdanne Hermetic Crab by Cameron Hill Head Drippers by Rob Steussi Something Funny is Going On by Brian Rosenberger Clob by Michael Stone Berries Under Snow by William Brock
How do psychoanalysts act during analysis? When does treatment start? How long does a session or treatment last? How much does it cost? What does analytical interpretation entail? What is the final aim of analysis? These are the main issues Antonio Quinet addresses for clinical psychoanalysts and students in training. This is not a do-it-yourself book or a step-by-step manual, but rather an examination of Freudian and Lacanian techniques based on psychoanalytical theory and ethics. The ideas examined are grounded in the structure of subjectivity, and the basic assumption that analysts have taken their own analysis to the end. It is from thereon that the will have the analyst's desire as a practicla tool for their own clinical practice. Antonio Quinet's contribution regarding the start of treatment comes from his updated examination of Freudian concepts through Lacanian mathemes. This approach has made this book's first version a best seller in Brazil, with over 30,000 copies sold.
Author : American Film Institute Publisher : Univ of California Press Page : 1198 pages File Size : 36,10 MB Release : 1993 Category : Motion pictures ISBN : 9780520079083
"The entire field of film historians awaits the AFI volumes with eagerness."--Eileen Bowser, Museum of Modern Art Film Department Comments on previous volumes: "The source of last resort for finding socially valuable . . . films that received such scant attention that they seem 'lost' until discovered in the AFI Catalog."--Thomas Cripps "Endlessly absorbing as an excursion into cultural history and national memory."--Arthur Schlesinger, Jr.
THE GRIFFITH PROJECT Paolo Cherchi Usai, General Editor Volume 12: Essays on D.W. Griffith Edited by Paolo Cherchi Usai and Cynthia Rowell With contributions by William M. Drew, Helmut Färber, André Gaudreault, Philippe Gauthier, Lea Jacobs, Joyce Jesionowski, Charlie Keil, Richard Koszarski, Arthur Lennig, Pat Loughney, David Mayer, Russell Merritt, Jan Olsson, Paul Spehr, Yuri Tsivian, Linda Williams In early 1996, an international group of 35 specialists in silent cinema volunteered to write commentaries on more than six hundred films directed, written, produced and supervised by D.W. Griffith – or featuring him as a performer – for the eleven-volume series The Griffith Project, the largest monograph ever assembled on an individual film director, in conjunction with the massive retrospective held at the Pordenone Silent Film Festival from 1996 to 2008. All authors involved in The Griffith Project were bound to strict editorial rules, most notably the fact that all titles in the series would be assigned to them in pre-determined groups rather than as a result of their own individual preference for this or that specific entry. The patience and commitment demonstrated by all scholars in this endeavor requires at least a symbolic recognition. We therefore invited the members of the project team to write an essay on a (D.W. Griffith-related) topic of their own choice. The papers included in this volume constitute the response to our carte blanche invitation. Our offer was also extended to other experts on D.W. Griffith who, for various reasons, were unable to participate in The Griffith Project but consistently supported it with their generous advice and insight. This volume brings The Griffith Project to completion, as 2008 sees the last installment of the D.W. Griffith program at the Pordenone Silent Film Festival with the screening of his films produced between 1925 and 1931. Not surprisingly, twelve years of research on D.W. Griffith have unearthed an impressive wealth of knowledge but also an equally amazing array of new questions, certainly enough of them to fill several more volumes. Some of them (including the increasingly complex issue of D.W. Griffith's role as production supervisor) are only introduced or barely mentioned here, but we are confident that what we have called the 'Griffith Project' will continue – at the Giornate and elsewhere – with more research and newly found or preserved prints. PAOLO CHERCHI USAI is Director of the National Film and Sound Archive of Australia. He is co-founder of the Pordenone Silent Film Festival and of the L. Jeffrey Selznick School of Film Preservation at George Eastman House (Rochester, New York). He directed the experimental feature film Passio (2007). His latest book is David Wark Griffith (Editrice Il Castoro, 2008).
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