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Contemporary scholarship recognizes in Maximus the Confessor a theologian of towering intellectual importance. In this book Adam G. Cooper puts to him a question which from the origins of Christian thought has constituted an interpretative crux for catholic Christianity: what is the place of the material order and, specifically, of the human body, in God's creative, redemptive, and perfective economies? While the study builds upon the insights of other efforts in Maximian scholarship, it primarily presents an engagement with the full vista of Maximus's own writings, providing a unique contribution towards an intelligent apprehension of this erudite but often impenetrable theological mind.
Contemporary scholarship recognises in Maximus the Confessor a theologian of towering intellectual importance. In this book Adam Cooper puts to him the question of what is the place of the material order and, specifically, of the human body, in God's creative, redemptive, and perfective economies?
Despina D. Prassas's translation of the Quaestiones et Dubia presents for the first time in English one of the Confessor's most significant contributions to early Christian biblical interpretation. Maximus the Confessor (580–662) was a monk whose writings focused on ascetical interpretations of biblical and patristic works. For his refusal to accept the Monothelite position supported by Emperor Constans II, he was tried as a heretic, his right hand was cut off, and his tongue was cut out. In his work, Maximus the Confessor brings together the patristic exegetical aporiai tradition and the spiritual-pedagogical tradition of monastic questions and responses. The overarching theme is the importance of the ascetical life. For Maximus, askesis is a lifelong endeavor that consists of the struggle and discipline to maintain control over the passions. One engages in the ascetical life by taking part in both theoria (contemplation) and praxis (action). To convey this teaching, Maximus uses a number of pedagogical tools including allegory, etymology, number symbolism, and military terminology. Prassas provides a rich historical and contextual background in her introduction to help ground and familiarize the reader with this work.
This volume includes a translation of four spiritual treatises of Maximus the Confessor (c. 580-662), plus an account of his trial. Included are The Four Hundred Chapters of Love, Commentary on the Lord's Prayer, Chapters on Knowledge, The Church's Mystagogy, and Trial of Maximus.
This volume provides translations from St. Maximus' two main collections of theological reflections - his Ambigua (or Difficulties) and his Questions to Thalassius - plus one of his Christological opuscula, previously unavailable in English. The translations are accompanied by notes. --from back cover.
Long overlooked by scholars, this seventh-century "Life of the Virgin," attributed to Maximus the Confessor, is the earliest complete Marian biography. Originally written in Greek and now surviving only in Old Georgian, it is now translated for the first time into English. It is a work that holds profound significance for understanding the history of late ancient and medieval Christianity, providing a rich source for understanding the history of Christian piety.This "Life "is especially remarkable for its representation of Mary's prominent involvement in her son's ministry and her leadership of the early Christian community. In particular, it reveals highly developed devotion to Mary's compassionate suffering at the Crucifixion, anticipating by several centuries an influential medieval style of devotion known as "affective piety" whose origins generally have been confined to the Western High Middle Ages.
This study contextualizes the achievement of a strategically crucial figure in Byzantium's turbulent seventh century, the monk and theologian Maximus the Confessor (580-662). Building on newer biographical research and a growing international body of scholarship, as well as on fresh examination of his diverse literary corpus, Paul Blowers develops a profile integrating the two principal initiatives of Maximus's career: first, his reinterpretation of the christocentric economy of creation and salvation as a framework for expounding the spiritual and ascetical life of monastic and non-monastic Christians; and second, his intensifying public involvement in the last phase of the ancient christological debates, the monothelete controversy, wherein Maximus helped lead an East-West coalition against Byzantine imperial attempts doctrinally to limit Jesus Christ to a single (divine) activity and will devoid of properly human volition. Blowers identifies what he terms Maximus's "cosmo-politeian" worldview, a contemplative and ascetical vision of the participation of all created beings in the novel politeia, or reordered existence, inaugurated by Christ's "new theandric energy". Maximus ultimately insinuated his teaching on the christoformity and cruciformity of the human vocation with his rigorous explication of the precise constitution of Christ's own composite person. In outlining this cosmo-politeian theory, Blowers additionally sets forth a "theo-dramatic" reading of Maximus, inspired by Hans Urs von Balthasar, which depicts the motion of creation and history according to the christocentric "plot" or interplay of divine and creaturely freedoms. Blowers also amplifies how Maximus's cumulative achievement challenged imperial ideology in the seventh century--the repercussions of which cost him his life-and how it generated multiple recontextualizations in the later history of theology.
A major study of the work of St Maximus the Confessor, covering all the important areas of his thought, from Trinitarian theology to cosmology and spirituality.
Author : Saint Maximus the Confessor Publisher : Popular Patristics Series Page : 0 pages File Size : 18,33 MB Release : 2019 Category : Church ISBN : 9780881416473
"St Maximus the Confessor (c. 580-662) expounds the meaning of the Divine Liturgy in On the Ecclesiastical Mystagogy. He draws on the tradition of the Celestial Hierarchy by Dionysius the Areopagite, and influences the subsequent tradition, beginning with St Germanus of Constantinople's commentary. Maximus situates his understanding of the liturgy within his bold synthetic theological vision, seeing Christ the Logos of the God reflected and manifested in the logoi of created things. For Maximus, all things are interrelated-the material and the spiritual, God and man, earth and heaven-and cohere in Christ (cf. Col 1.17)"--