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This handsome gift volume reveals the stories behind the Huntington's best-known paintings, The Blue Boy by Thomas Gainsborough and Pinkie by Sir Thomas Lawrence. Purchased by Henry E. Huntington in the 1920s, the two masterpieces have resided together in the railroad magnate's mansion-turned-art gallery in San Marino, California, for more than seventy years. Who were the children in these paintings and why did these leading artists choose them as subjects? These and many other intriguing questions are answered by renowned art historian Robert R. Wark. Sixteen color plates feature Pinkie and the Blue Boy as well as other related paintings.
Polly knows she's strong and capable. But whenever she offers to help her uncle or brother or neighbor, they tell her: "That's not what girls do." Then one day, Polly goes to a rally to meet a woman who's running for president, and they make a pinkie promise to remember all the things that girls do. Polly carries that promise with her at school, onto the soccer field, and even into an election for Class President! This inspiring story will encourage young readers to dream big. Godwin Books
"This book is published in conjunction with the exhibition Kehinde Wiley: a portrait of a young gentleman, organized by the Huntington Library, Art Museum, and Botanical Gardens. Malik Gaines investigates the artist's post-modern strategy of inserting Black subjects into canonical European settings. Kimberly Chrisman-Campbell situates Wiley's work within the traditions and trappings of grand manner eighteenth-century portraiture"--
Anyone who has admired Gainsborough's Blue Boy of the Huntington Collection in California, or Rembrandt's Aristotle Contemplating the Bust of Homer at the Metropolitan Museum of Art in New York owes much of his or her pleasure to art dealer Joseph Duveen (1869–1939). Regarded as the most influential—or, in some circles, notorious—dealer of the twentieth century, Duveen established himself selling the European masterpieces of Titian, Botticelli, Giotto, and Vermeer to newly and lavishly wealthy American businessmen—J. P. Morgan, John D. Rockefeller, and Andrew Mellon, to name just a few. It is no exaggeration to say that Duveen was the driving force behind every important private art collection in the United States. The first major biography of Duveen in more than fifty years and the first to make use of his enormous archive—only recently opened to the public—Meryle Secrest's Duveen traces the rapid ascent of the tirelessly enterprising dealer, from his humble beginnings running his father's business to knighthood and eventually apeerage. The eldest of eight sons of Jewish-Dutch immigrants, Duveen inherited an uncanny ability to spot a hidden treasure from his father, proprietor of a prosperous antiques business. After his father's death, Duveen moved the company into the riskier but lucrative market of paintings and quickly became one of the world's leading art dealers. The key to Duveen's success was his simple observation that while Europe had the art, America had the money; Duveen made his fortune by buying art from declining European aristocrats and selling them to the "squillionaires" in the United States. "By far the best account of Joseph Duveen's life in a biography that is rich in detail, scrupulously researched, and sympathetically written. [Secrest's] inquiries into early-twentieth-century collecting whet our appetite for a more general history of the art market in the first half of the twentieth century."—John Brewer, New York Review of Books
2017 PubWest Book Design Bronze Award Winner for Art Book This book offers a celebration of one of America’s most important collections of European art, housed in The Huntington, among the world’s great cultural, research, and educational centers. Gainsborough’s Blue Boy is just one of the masterpieces contained in the Huntington Galleries—the first public collection of Old Master painting, sculpture, and decorative arts in Southern California, and among the most important collections of British Grand Manner portraits anywhere. Over one hundred of the most impressive works housed at The Huntington, including paintings, sculptures, decorative arts, and works on paper, are published together for the first time in this handsome catalog. Breathtaking in their range, these works are presented in a dynamic format that juxtaposes medium, style, and cultural origin. The result is a visually stunning selection of European masterpieces that will serve as both a guide to The Huntington's collection and an enlightening compendium for anyone interested in European art.
This handy, compact notebook (5x8 inches, 12.7x20.32cm) contains 80 lined pages for notes. There are a variety of attractive, colourful covers available in this range of notebooks, with various themes and images, so search for the cover design which suits you best! Enjoy this quality notebook for yourself, or as a gift for friends and family. For more notebooks in this series, and other notebooks and gifts, please see Eunice Wilkie's Amazon author page, or visit https: //www.aletheiabooks.co
Cuddly creatures populate tranquil scenes of the natural world surrounding these newborns. An alphabetical listing of the babies' names provides the perfect ending.--"Kirkus Review". Full color.
"Childhood Memories" is a series of paintings and dioramas that represents the essences of many African American children growing up during the 1950's and the 1960's. These paintings and dioramas depict beautiful landscapes in Southern Maryland and the relationship people had with it. Pinkie Strother, the creator of the art and the story has worked on the art series over two decades. The traditions and the life style during this time in the rural south is illustrated threw a variety of media. The people who lived there are depicted in drawings, paintings, and dioramas. The figurines, representing people of the community, show the basic activities of the era and each figurine depicts and actual person from the artist experience. The exhibition shows a labor of love.
The treasures of the Huntington—literary, historic, artistic, and botanical—are captured in this beautiful volume. Lavishly illustrated with nearly 130 full-color photographs and containing a wealth of information about the collections, the book is both a pictorial treat and a fascinating resource for anyone wanting to learn more about the Huntington.