[PDF] The Bioscope eBook

The Bioscope Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of The Bioscope book. This book definitely worth reading, it is an incredibly well-written.

The Bioscope

Author :
Publisher :
Page : 1356 pages
File Size : 38,56 MB
Release : 1912
Category : Motion pictures
ISBN :

GET BOOK

The Bioscope Man

Author : Indrajit Hazra
Publisher : Penguin Books India
Page : 324 pages
File Size : 48,57 MB
Release : 2008
Category : Indic fiction (English)
ISBN : 9780143101741

GET BOOK

As Calcutta's star begins to fade, with the capital of His Majesty's India shifting to Delhi, Abani Chatterjee's is on the rise. He is well on his way to become the country's first silent screen star. But just as he is about to find fame, an occurence in the form of personal disaster strikes in the Chatterjee household.

A History of Early Film

Author : Stephen Herbert
Publisher : Taylor & Francis
Page : 448 pages
File Size : 45,17 MB
Release : 2000
Category : Art
ISBN : 9780415211529

GET BOOK

First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

The Komedi Bioscoop

Author : Dafna Ruppin
Publisher : Indiana University Press
Page : 361 pages
File Size : 21,61 MB
Release : 2016-08-01
Category : Social Science
ISBN : 0861969235

GET BOOK

This fascinating study of early cinema in the Netherlands Indies explores the influences of new media technology on colonial society. The Komedi Bioscoop traces the emergence of a local culture of movie-going in the Netherlands Indies (present-day Indonesia) from 1896 until 1914. It outlines the introduction of the new technology by independent touring exhibitors, the constitution of a market for moving picture shows, the embedding of moving picture exhibitions within the local popular entertainment scene, and the Dutch colonial authorities’ efforts to control film consumption and distribution. Dafna Ruppin focuses on the cinema as a social institution in which technology, race, and colonialism converged. In her illuminating study, moving picture venues in the Indies—ranging from canvas or bamboo tents to cinema palaces of brick and stone—are perceived as liminal spaces in which daily interactions across boundaries could occur within colonial Indonesia’s multi-ethnic and increasingly polarized colonial society.

British Cinema

Author : Amy Sargeant
Publisher : Bloomsbury Publishing
Page : 687 pages
File Size : 22,37 MB
Release : 2019-07-25
Category : Performing Arts
ISBN : 1838714758

GET BOOK

Although new writing and research on British cinema has burgeoned over the last fifteen years, there has been a continued lack of single-authored books providing a coherent overview to this fascinating and elusive national cinema. Amy Sargeant's personal and entertaining history of British cinema aims to fill this gap. With its insightful decade-by-decade analysis, British Cinema is brought alive for a new generation of British cinema students and the general reader alike. Sargeant challenges Rachel Low's premise 'that few of the films made in England during the twenties were any good' by covering subjects as diverse as the art of intertitling, the narrative complexities of Shooting Stars and Brunel's burlesques. Sargeant goes onto examine among other things, the differing acting styles of Dietrich and Donat in the seminal Knight Without Armour to early promotional campaigns in the 1930s, whereas subjects ranging from product endorsement by stars to the character of the suburban wife are covered in the 1940s. The 1950s includes topics such as the effect of post-war government intervention, to Free Cinema and Lindsay Anderson's 'infuriating lapses of rigour', together with a much-needed overview of Michael Balcon's contribution to British cinema. For Sargeant, the 1960s provides an overview of the tentative relationship between film and advertising and the rise of young Turks such as Tony Richardson, Ken Loach, Donald Cammell and Nicolas Roeg.

The Bioscope

Author :
Publisher :
Page : 1066 pages
File Size : 47,15 MB
Release : 1912
Category : Motion pictures
ISBN :

GET BOOK

Colonial Cinema in Africa

Author : Glenn Reynolds
Publisher : McFarland
Page : 245 pages
File Size : 15,99 MB
Release : 2015-06-16
Category : Performing Arts
ISBN : 078647985X

GET BOOK

In recent decades historians and film scholars have intensified their study of colonial cinema in Africa. Yet the vastness of the continent, the number of European powers involved and irregular record keeping has made uncovering the connections between imagery, imperialism and indigenous peoples difficult. This volume takes up the challenge, tracing production and exhibition patterns to show how motion pictures were introduced on the continent during the "Scramble for Africa" and the subsequent era of consolidation. The author describes how early actualities, expeditionary footage, ethnographic documentaries and missionary films were made in the African interior and examines the rise of mass black spectatorship. While Africans in the first two decades of the 20th century were sidelined as cinema consumers because of colonial restrictions, social and political changes in the subsequent interwar period--wrought by large-scale mining in southern Africa--led to a rethinking of colonial film policy by missionaries, mining concerns and colonial officials. By World War II, cinema had come to black Africa.

A Companion to Early Cinema

Author : André Gaudreault
Publisher : John Wiley & Sons
Page : 660 pages
File Size : 13,77 MB
Release : 2012-07-17
Category : Performing Arts
ISBN : 1118293878

GET BOOK

A COMPANION TO EARLY CINEMA “This collection of essays by early cinema scholars from Europe and North America offers manifold perspectives on early cinema fiction which perfectly reflect the state of international research.” – Martin Loiperdinger, Universitaet Trier “A fabulous selection of first-rate articles!” – Rick Altman, University of Iowa “One of the most challenging books in recent film studies: in it, early cinema is both a historical object and a contemporary presence. As in a great novel, we can retrace the adventures of the past – the films, styles, discourses, and receptions that made cinema the breakthrough reality it was in its first decades. But we can also come to appreciate how much of this reality is still present in our digital world.” – Francesco Casetti, Yale University A Companion to Early Cinema is an authoritative reference on the field of early cinema. Its 30 peer-reviewed chapters offer cutting-edge research and original perspectives on the major concerns in early cinema studies, and take an ambitious look at ideas and themes that will lead discussions about early cinema into the future. Including work by both established and up-and-coming scholars in early cinema, film theory, and film history, this will be the definitive volume on early cinema history for years to come and a must-have reference for all those working in the field.

Encyclopedia of Early Cinema

Author : Richard Abel
Publisher : Taylor & Francis
Page : 824 pages
File Size : 38,89 MB
Release : 2005
Category : Performing Arts
ISBN : 0415234409

GET BOOK

One-volume reference work on the first twenty-five years of the cinema's international emergence from the early 1890s to the mid-1910s.

British Historical Cinema

Author : Claire Monk
Publisher : Routledge
Page : 284 pages
File Size : 24,26 MB
Release : 2015-01-28
Category : Performing Arts
ISBN : 1136366563

GET BOOK

Films recreating or addressing 'the past' - recent or distant, actual or imagined - have been a mainstay of British cinema since the silent era. From Elizabeth to Carry On Up The Khyber, and from the heritage-film debate to issues of authenticity and questions of genre, British Historical Cinema explores the ways in which British films have represented the past on screen, the issues they raise and the debates they have provoked. Discussing films from biopics to literary adaptations, and from depictions of Britain's colonial past to the re-imagining of recent decades in retro films such as Velvet Goldmine, a range of contributors ask whose history is being represented, from whose perspective, and why.