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Thieves, liars, killers, and conspirators—it's a criminal world out there, and someone has got to write about it. An eclectic collection of the year's best reportage, The Best American Crime Reporting 2008 brings together the murderers and the masterminds, the mysteries and missteps that make for brilliant stories, told by the aces of the true-crime genre. This latest addition to the highly acclaimed series features guest editor Jonathan Kellerman, bestselling author of more than twenty crime novels, most recently Compulsion and the forthcoming Bones.
The Best American Crime Reporting 2010 is yet another must read for the true crime aficionado—an eye-opening compendium of the most gripping, suspenseful, and brilliant crime stories of the year by the masters of the genre. Guest editor Stephen J. Dubner (Freakonomics) joins series editors Otto Penzler and Thomas Cook for the latest annual installment in what Entertainment Weekly has praised as the best mix of “the political, the macabre, and the downright brilliant,” and People Magazine calls, “arresting reading.”
This year’s worth of the most powerful, the most startling, the smartest and most astute, in short, the best crime journalism. Scouring hundreds of publications, Otto Penzler and Thomas H. Cook have created a remarkable compilation containing the best examples of the most current and vibrant of our literary traditions: crime reporting. Included in this volume are Maximillian Potter’s “The Body Farm” from GQ, a portrait of Murray Marks, who collects dead bodies and strews them around two acres of the University of Tennessee campus to study their decomposition in order to help solve crime; Jay Kirk’s “My Undertaker, My Pimp,” from Harper’s, in which Mack Moore and his wife, Angel, switch from run-ning crooked funeral parlors to establishing a brothel; Skip Hollandsworth’s “The Day Treva Throneberry Disappeared” from Texas Monthly, about the sudden disappearence of a teenager and the strange place she turned up; Lawrence Wright’s “The Counterterrorist” from The New Yorker, the story of John O’Neill, the FBI agent who tracked Osama bin Laden for a decade—until he was killed when the World Trade Center collapsed. Intriguing, entertaining, and compelling reading, Best American Crime Writing has established itself as a much-anticipated annual.
Thieves, liars, and killers—it’s a criminal world out there, and someone has to write about it. A thrilling collection of the year’s best reportage by the aces of the true-crime genre, The Best American Crime Reporting 2010 brings together the mysteries and missteps of an eclectic and unforgettable set of criminals. Gripping, suspenseful, and brilliant, this latest addition to the highly acclaimed series features guest editor Stephen J. Dubner, award-winning and megabestselling coauthor of SuperFreakonomics and Freakonomics.
Thieves, liars, and killers—it's a criminal world out there, and someone has to write about it. A thrilling collection of the year's best reportage by the aces of the true-crime genre, The Best American Crime Reporting 2009 brings together the mysteries and missteps of an eclectic and unforgettable set of criminals. Gripping, suspenseful, and brilliant, this latest addition to the highly acclaimed series features guest editor Jeffrey Toobin, New Yorker staff writer, CNN senior legal analyst, and bestselling author of The Nine.
Thieves, liars, killers, and conspirators—it's a criminal world out there, and someone has got to write about it. An eclectic collection of the year's best reportage, The Best American Crime Reporting 2007 brings together the murderers and muscle men, the masterminds, and the mysteries and missteps that make for brilliant stories, told by the aces of the true crime genre. This latest addition to the highly acclaimed series features guest editor Linda Fairstein, the bestselling crime novelist and former chief prosecutor of the Manhattan District Attorney's Office's pioneering Special Victims' Unit.
Edited by Jeffrey Toobin, CNN’s senior legal analyst and New York Times bestselling author of The Nine, The Best American Crime Reporting 2009 is a must-have for the true crime reader, complete with the most gripping, suspenseful, and brilliant stories of the year by the masters of crime reporting. Featuring stories of fraud, murder, theft, and madness, the Best American Crime Reporting series has been hailed as “arresting reading” (People) and the best mix of “the political, the macabre, and the downright brilliant” (Entertainment Weekly).
“With consistently interesting content and beautiful writing, this collection will be devoured by fans of true crime and narrative nonfiction.” —Library Journal Edited by Jeffrey Toobin, CNN’s senior legal analyst and New York Times–bestselling author of The Nine, The Best American Crime Reporting 2009 is a must-have for the true crime reader, complete with the most gripping, suspenseful, and brilliant stories of the year by the masters of crime reporting. Featuring stories of fraud, murder, theft, and madness, the Best American Crime Reporting series has been hailed as “arresting reading” (People) and the best mix of “the political, the macabre, and the downright brilliant” (Entertainment Weekly).
“One of the strengths of this true-crime anthology series comes simply from its astonishing variety . . . it would be tough to better this collection.” —Booklist The 2005 edition of The Best American Crime Writing offers the year’s most shocking, compelling, and gripping writing about real-life crime, including Peter Landesman’s article about female sex slaves (the most requested and widely read New York Times story of 2004), a piece from The New Yorker by Stephen J. Dubner (the coauthor of Freakanomics) about a high-society silver thief, and an extraordinarily memorable “ode to bar fights” written by Jonathan Miles for Men’s Journal after he punched an editor at a staff party. But this year’s edition includes a bonus—an original essay by James Ellroy detailing his fascination with Joseph Wambaugh and how it fed his obsession with crime—even to the point of selling his own blood to buy Wambaugh’s books. Smart, entertaining, and controversial, The Best American Crime Writing is an essential edition to any crime enthusiast’s bookshelf. “Great choices [and] great writing . . . proves truth is indeed stranger than fiction.” —Bloomberg News “Because these well-written articles vary widely, this work should appeal to all true-crime enthusiasts.” —Library Journal “A solid and diverse collection of true-crime writing . . . Anyone interested in true crime should find something to enjoy in this wide-ranging collection.” —Publishers Weekly
A riveting new anthology series--a year's worth of the most powerful, the most startling, the smartest and most astute, in short, the best crime journalism. Scouring hundreds of publications, guest editor Nicholas Pileggi, and series editors Otto Penzler and Thomas H. Cook have created a remarkable compilation of the best examples of the most current and vibrant of our literary traditions: crime reporting. Ranging in style from Mark Singer's ribald "The Chicken Warriors," an up-close look at the tawdry, wildly popular, illegal world of cock-fighting, to David McClintick's harrowing "Fatal Bondage," the tale of a grifter with an attraction to sado-masochistic sex and serial killing, this collection showcases the wide variety of writing in the field today. Criminal behavior itself also falls into a spectrum, from the isolated and idiosyncratic misdeed, such as that documented in Skip Hollandsworth's "The Killing of Alydar," an investigation into the greed that spawned the killing of a thoroughbred horse, to the large-scale malignancies that can shake an entire nation, as recounted in "The Day of the Attack," Nancy Gibbs's sobering retelling of the events of September 11, 2001. Good crime writing is never just about the crime or the criminals, so this collection also has moving and often troubling portraits of the victims, their families, and the communities in which they lived, and, in pieces such as D. Graham Burnett's "Anatomy of a Verdict," a reminder of the immensely difficult process that is coming to judgment. Entertaining, at times alarming, Best American Crime Writing is compelling evidence of the furthest reaches of human behavior.