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In the 1970s, New York City hit rock bottom. Crime was at its highest, the middle class exodus was in high gear, and bankruptcy loomed. Many people credit New Yorks ''master builder'' Robert Moses with turning Gotham around, despite his brutal, undemocratic. and demolition-heavy ways. Urban critic and journalist Roberta Brandes Gratz contradicts this conventional view. New York City, Gratz argues, recovered precisely because of the waning power of Moses. His decline in the late 1960s and the drying up of big government funding for urban renewal projects allowed New York to organically regenerate according to the precepts defined by Jane Jacobs in her classic, The Death and Life of Great American Cities, and in contradiction to Mosess urban philosophy. As American cities face a devastating economic crisis, Jacobss philosophy is again vital for the redevelopment of metropolitan life. Gratz who was named as one of Planetizens Top 100 Urban Thinkers gives an on-the-ground account of urban renewal and community success.
In the 1970s, New York City hit rock bottom. Crime was at its highest, middleclass exodus was in high gear, and bankruptcy loomed. Many people credit New York's “master builder,” Robert Moses, with turning Gotham around, despite his heavy-handed ways. Roberta Brandes Gratz contradicts this conventional view. She argues that New York City recovered precisely because of the waning power of Moses and the growing influence of Jane Jacobs, the pioneer of organic renewal projects. As American cities face a new economic crisis, Jacobs's philosophy is again vital for metropolitan life. Gratz gives an on-the-ground account of urban renewal and community success. Her writing—at once personal, political, and instructive—breaks down how the impossible was achieved.
In the 1970s, New York City hit rock bottom. Crime was at its highest, the middle class exodus was in high gear, and bankruptcy loomed. Many people credit New York's "master builder" Robert Moses with turning Gotham around, despite his brutal, undemocratic. and demolition-heavy ways. Urban critic and journalist Roberta Brandes Gratz contradicts this conventional view. New York City, Gratz argues, recovered precisely because of the waning power of Moses. His decline in the late 1960s and the drying up of big government funding for urban renewal projects allowed New York to organically regenerate according to the precepts defined by Jane Jacobs in her classic, The Death and Life of Great American Cities, and in contradiction to Moses's urban philosophy. As American cities face a devastating economic crisis, Jacobs's philosophy is again vital for the redevelopment of metropolitan life. Gratz who was named as one of Planetizen's Top 100 Urban Thinkers gives an on-the-ground account of urban renewal and community success.
Stretching from the colonial era to 9/11 and beyond, New York at War is that most rare of books: a work of history that is at once local and international, timely and timeless. Bringing a unique lens to bear on the world's most celebrated and contested city, Jaffe reveals the unimaginable ways the city has changed -- and how it has stubbornly endured -- under threats both external and internal.
New York City, 1845. Timothy Wilde, a 27-year-old Irish immigrant, joins the newly formed NYPD and investigates an infanticide and the body of a 12-year-old Irish boy whose spleen has been removed.
The first detailed study of “Neo-Antique” architecture applies an archaeological lens to the study of New York City’s structures Since the city’s inception, New Yorkers have deliberately and purposefully engaged with ancient architecture to design and erect many of its most iconic buildings and monuments, including Grand Central Terminal and the Soldiers’ and Sailors’ Memorial Arch in Brooklyn, as well as forgotten gems such as Snug Harbor on Staten Island and the Gould Memorial Library in the Bronx. Antiquity in Gotham interprets the various ways ancient architecture was re-conceived in New York City from the eighteenth century to the early twenty-first century. Contextualizing New York’s Neo-Antique architecture within larger American architectural trends, author Elizabeth Macaulay-Lewis applies an archaeological lens to the study of the New York buildings that incorporated these various models in their design, bringing together these diverse sources of inspiration into a single continuum. Antiquity in Gotham explores how ancient architecture communicated the political ideals of the new republic through the adaptation of Greek and Roman architecture, how Egyptian temples conveyed the city’s new technological achievements, and how the ancient Near East served many artistic masters, decorating the interiors of glitzy Gilded Age restaurants and the tops of skyscrapers. Rather than classifying neo-classical (and Greek Revival), Egyptianizing, and architecture inspired by the ancient Near East into distinct categories, Macaulay-Lewis applies the Neo-Antique framework that considers the similarities and differences—intellectually, conceptually, and chronologically—among the reception of these different architectural traditions. This fundamentally interdisciplinary project draws upon all available evidence and archival materials—such as the letters and memos of architects and their patrons, and the commentary in contemporary newspapers and magazines—to provide a lively multi-dimensional analysis that examines not only the city’s ancient buildings and rooms themselves but also how New Yorkers envisaged them, lived in them, talked about them, and reacted to them. Antiquity offered New Yorkers architecture with flexible aesthetic, functional, cultural, and intellectual resonances—whether it be the democratic ideals of Periclean Athens, the technological might of Pharaonic Egypt, or the majesty of Imperial Rome. The result of these dialogues with ancient architectural forms was the creation of innovative architecture that has defined New York City’s skyline throughout its history.
The only thing standing between an insane, heavily armed Peacekeeper-01 and a high body count in Gotham City is Batman. Their first bout didn’t go well for the Dark Knight, but the city is on the line and he can’t let the Scarecrow’s master plan come to fruition…and whose side is Miracle Molly truly on? The penultimate chapter of “Fear State”! Backup: With the Bat comms unreliable, Oracle has instructed the Batgirls to stay in the Clock Tower while she and Nightwing investigate who’s behind the Oracle Network hacks. But with the Magistrate’s forces instructed to attack the Clock Tower, will the Batgirls make it out before it’s too late?
It’s a battle to the death as Batman goes head-to-head with the Grim Knight! The Caped Crusader is forced to not only fight off the most evil version of himself, but the growing desire to turn his back on his moral code and commit cold-blooded murder. Any other time, Batman would be able to stay on the straight and narrow, but as the Joker serum finally takes over his body, Bruce Wayne may just succumb to pure evil, and kill the Grim Knight. All of this is foreseen by the Batman Who Laughs, who has been planning for the corruption of Bruce Wayne, banking on him activating the “Last Laugh” protocol and turning Gotham City into an incubator for evil. All the Batman Who Laughs needs is one last “Happy Bruce” from another dimension to make his serum work…but only Batman knows where the last Bruce is going to show up.
The Gotham War is set to fracture the Bat-Family this fall, as Batman and Catwoman find themselves on opposite sides of a conflict more than a year in the making! Prepare for war with this Special Edition comic book available on Batman Day 2023, featuring a 10-page original prelude story and preview pages from Batman/Catwoman: The Gotham War: Battle Lines #1, which sets the stage for a fateful fight for Gotham City's future!