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Author : Wayne Heisler
Publisher : University Rochester Press
Page : 364 pages
File Size : 39,66 MB
Release : 2009
Category : Music
ISBN : 1580463215
A richly interdisciplinary study of Strauss's contributions to ballet, his collaboration with prominent dance artists of his time, and his explorations of musical modernism.
Author : Wayne Heisler
Publisher :
Page : 232 pages
File Size : 49,45 MB
Release : 2005
Category : Ballet
ISBN :
Author : Rudolf Hartmann
Publisher : Oxford University Press, USA
Page : 288 pages
File Size : 33,22 MB
Release : 1981
Category : Language Arts & Disciplines
ISBN :
Here is the definitive account of all of Strauss's dramatic works--fifteen operas and two ballets. Whenever possible, the author has included illustrations of the first performance and premiere as well as the work's evolution through various stages. His discussions of the individual works are based on a thorough examination of the sources, many hitherto unknown. In addition, he provides a brief synopsis of each to further help the reader. No one who loves the work of Strauss can do without this essential book.
Author : Morten Kristiansen
Publisher : Cambridge University Press
Page : 653 pages
File Size : 11,99 MB
Release : 2020-10-29
Category : Music
ISBN : 1108386490
Richard Strauss in Context offers a distinctive approach to the study of a composer in that it places the emphasis on contextualizing topics rather than on biography and artistic output. One might say that it inverts the relationship between composer and context. Rather than studies of Strauss's librettists that discuss the texts themselves and his musical settings, for instance, this book offers essays on the writers themselves: their biographical circumstances, styles, landmark works, and broader positions in literary history. Likewise, Strauss's contributions to the concert hall are positioned within the broader development of the orchestra and trends in programmatic music. In short, readers will benefit from an elaboration of material that is either absent from or treated only briefly in existing publications. Through this supplemental and broader contextual approach, this book serves as a valuable and unique resource for students, scholars, and a general readership.
Author : Charles Youmans
Publisher : Cambridge University Press
Page : 369 pages
File Size : 20,91 MB
Release : 2010-11-18
Category : Music
ISBN : 1139828525
Richard Strauss is a composer much loved among audiences throughout the world, both in the opera house and the concert hall. Despite this popularity, Strauss was for many years ignored by scholars, who considered his commercial success and his continued reliance on the tonal system to be liabilities. However, the past two decades have seen a resurgence of scholarly interest in the composer. This Companion surveys the results, focusing on the principal genres, the social and historical context, and topics perennially controversial over the last century. Chapters cover Strauss's immense operatic output, the electrifying modernism of his tone poems, and his ever-popular Lieder. Controversial topics are explored, including Strauss's relationship to the Third Reich and the sexual dimension of his works. Reintroducing the composer and his music in light of recent research, the volume shows Strauss's artistic personality to be richer and much more complicated than has been previously acknowledged.
Author : Roe-Min Kok
Publisher : OUP USA
Page : 488 pages
File Size : 11,83 MB
Release : 2011-01-19
Category : History
ISBN : 0195393856
This collection of essays aims to broaden and update scholarly approaches to Schumann, by considering his works and their reception in the context of various cultural and socio-institutional frameworks, from mid-nineteenth-century politics, through Nazi Germany, to late-twentieth-century popular culture.
Author : Clair Rowden
Publisher : Routledge
Page : 244 pages
File Size : 47,3 MB
Release : 2016-05-13
Category : Music
ISBN : 1317082273
With its first public live performance in Paris on 11 February 1896, Oscar Wilde's Salomé took on female embodied form that signalled the start of 'her' phenomenal journey through the history of the arts in the twentieth century. This volume explores Salome's appropriation and reincarnation across the arts - not just Wilde's heroine, nor Richard Strauss's - but Salome as a cultural icon in fin-de-siècle society, whose appeal for ever new interpretations of the biblical story still endures today. Using Salome as a common starting point, each chapter suggests new ways in which performing bodies reveal alternative stories, narratives and perspectives and offer a range and breadth of source material and theoretical approaches. The first chapter draws on the field of comparative literature to investigate the inter-artistic interpretations of Salome in a period that straddles the end of the nineteenth century and the beginning of the Modernist era. This chapter sets the tone for the rest of the volume, which develops specific case studies dealing with censorship, reception, authorial reputation, appropriation, embodiment and performance. As well as the Viennese premiere of Wilde's play, embodied performances of Salome from the period before the First World War are considered, offering insight into the role and agency of performers in the production and complex negotiation of meaning inherent in the role of Salome. By examining important productions of Strauss's Salome since 1945, and more recent film interpretations of Wilde's play, the last chapters explore performance as a cultural practice that reinscribes and continuously reinvents the ideas, icons, symbols and gestures that shape both the performance itself, its reception and its cultural meaning.
Author : Bryan Gilliam
Publisher : Cambridge University Press
Page : 357 pages
File Size : 22,55 MB
Release : 2014-11-13
Category : Music
ISBN : 0521456592
Richard Strauss' fifteen operas make up the largest German operatic legacy since Wagner's operas of the nineteenth century. In the first book to discuss all of Strauss' operas, Bryan Gilliam explores the composer's response to Wagner in his discussion of Strauss's stage works and their historical contexts.
Author : Davinia Caddy
Publisher : Cambridge University Press
Page : 255 pages
File Size : 37,94 MB
Release : 2012-04-26
Category : Music
ISBN : 1107379008
Belle-époque Paris witnessed the emergence of a vibrant and diverse dance scene, one that crystallized around the Ballets Russes, the Russian dance company formed by impresario Sergey Diaghilev. The company has long served as a convenient turning point in the history of dance, celebrated for its revolutionary choreography and innovative productions. This book presents a fresh slant on this much-told history. Focusing on the relation between music and dance, Davinia Caddy approaches the Ballets Russes with a wide-angled lens that embraces not just the choreographic, but also the cultural, political, theatrical and aesthetic contexts in which the company made its name. In addition, Caddy examines and interprets contemporary French dance practices, throwing new light on some of the most important debates and discourses of the day.
Author : Christopher Moore
Publisher : Wesleyan University Press
Page : 292 pages
File Size : 16,23 MB
Release : 2018-04-10
Category : Music
ISBN : 0819577839
This collection of essays provides the first in-depth examination of camp as it relates to a wide variety of twentieth and twenty-first century music and musical performances. Located at the convergence of popular and queer musicology, the book provides new research into camp’s presence, techniques, discourses, and potential meanings across a broad spectrum of musical genres, including: musical theatre, classical music, film music, opera, instrumental music, the Broadway musical, rock, pop, hip-hop, and Christmas carols. This significant contribution to the field of camp studies investigates why and how music has served as an expressive and political vehicle for both the aesthetic characteristics and the receptive modes that have been associated with camp throughout twentieth and twenty-first-century culture.