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Author : James Shapiro
Publisher : Simon and Schuster
Page : 356 pages
File Size : 28,8 MB
Release : 2011-04-19
Category : Biography & Autobiography
ISBN : 1416541632
Shakespeare scholar James Shapiro explains when and why so many people began to question whether Shakespeare wrote his plays.
Author : Sabrina Feldman
Publisher : Dog Ear Publishing
Page : 376 pages
File Size : 27,92 MB
Release : 2011-10
Category : Authorship, Disputed
ISBN : 1457507218
Sabrina Feldman manages the Planetary Science Instrument Development Office at the NASA Jet Propulsion Laboratory. Born and raised in Riverside, California, she attended college and graduate school at the University of California at Berkeley, where she enjoyed the wonderful performances of the Berkeley Shakespeare Company, studied Shakespeare's works for a semester with Professor Stephen Booth, and received a Ph.D. in experimental physics in 1996. She has worked on many different instrument development projects for NASA, and is the former deputy director of JPL's Center for Life Detection. Her scientific training, combined with a lifelong love of literature and all things Shakespearean, gives her a unique perspective on the Shakespeare authorship mystery. Dr. Feldman lives in Pasadena, California with her husband and two children. This is her first book. If William Shakespeare wrote the Bard's works... Who wrote the Shakespeare Apocrypha? During his lifetime and for many years afterwards, William Shakespeare was credited with writing not only the Bard's canonical works, but also a series of 'apocryphal' Shakespeare plays. Stylistic threads linking these lesser works suggest they shared a common author or co-author who wrote in a coarse, breezy style, and created very funny clown scenes. He was also prone to pilfering lines from other dramatists, consistent with Robert Greene's 1592 attack on William Shakespeare as an "upstart crow." The anomalous existence of two bodies of work exhibiting distinct poetic voices printed under one man's name suggests a fascinating possibility. Could William Shakespeare have written the apocryphal plays while serving as a front man for the 'poet in purple robes, ' a hidden court poet who was much admired by a literary coterie in the 1590s? And could the 'poet in purple robes' have been the great poet and statesman Thomas Sackville (1536-1608), a previously overlooked authorship candidate who is an excellent fit to the Shakespearean glass slipper? Both of these scenarios are well supported by literary and historical records, many of which have not been previously considered in the context of the Shakespeare authorship debate.
Author : Scott McCrea
Publisher : Praeger
Page : 304 pages
File Size : 16,77 MB
Release : 2005-01-30
Category : Literary Criticism
ISBN :
Demonstrates that William Shakespeare of Stratford-upon-Avon really did write the plays and poems attributed to him via a literary forensics case that puts all other authorship theories to rest.
Author : Diana Price
Publisher : Praeger
Page : 384 pages
File Size : 39,7 MB
Release : 2001
Category : Biography & Autobiography
ISBN :
It successfully argues that "William Shakespeare" was the pen name of an aristocrat, and that William Shakespeare of Stratford-upon-Avon was a shrewd entrepreneur, not a dramatist."--BOOK JACKET.
Author : Gary Taylor
Publisher : Oxford University Press
Page : 776 pages
File Size : 26,90 MB
Release : 2017-02-10
Category : Literary Criticism
ISBN : 0192517600
This companion volume to The New Oxford Shakespeare: The Complete Works concentrates on the issues of canon and chronology—currently the most active and controversial debates in the field of Shakespeare editing. It presents in full the evidence behind the choices made in The Complete Works about which works Shakespeare wrote, in whole or part. A major new contribution to attribution studies, the Authorship Companion illuminates the work and methodology underpinning the groundbreaking New Oxford Shakespeare, and casts new light on the professional working practices, and creative endeavours, of Shakespeare and his contemporaries. We now know that Shakespeare collaborated with his literary and dramatic contemporaries, and that others adapted his works before they reached printed publication. The Authorship Companion's essays explore and explain these processes, laying out everything we currently know about the works' authorship. Using a variety of different attribution methods, The New Oxford Shakespeare has confirmed the presence of other writers' hands in plays that until recently were thought to be Shakespeare's solo work. Taking this process further with meticulous, fresh scholarship, essays in the Authorship Companion show why we must now add new plays to the accepted Shakespeare canon and reattribute certain parts of familiar Shakespeare plays to other writers. The technical arguments for these decisions about Shakespeare's creativity are carefully laid out in language that anyone interested in the topic can understand. The latest methods for authorship attribution are explained in simple but accurate terms and all the linguistic data on which the conclusions are based is provided. The New Oxford Shakespeare consists of four interconnected publications: the Modern Critical Edition (with modern spelling), the Critical Reference Edition (with original spelling), a companion volume on Authorship, and an online version integrating all of this material on OUP's high-powered scholarly editions platform. Together, they provide the perfect resource for the future of Shakespeare studies.
Author : Margo Anderson
Publisher : Untreed Reads
Page : 667 pages
File Size : 26,93 MB
Release : 2011-11-04
Category : Literary Criticism
ISBN : 1611871786
The debate over the true author of the Shakespeare canon has raged for centuries. Astonishingly little evidence supports the traditional belief that Will Shakespeare, the actor and businessman from Stratford-upon-Avon, was the author. Legendary figures such as Mark Twain, Walt Whitman and Sigmund Freud have all expressed grave doubts that an uneducated man who apparently owned no books and never left England wrote plays and poems that consistently reflect a learned and well-traveled insider's perspective on royal courts and the ancient feudal nobility. Recent scholarship has turned to Edward de Vere, 17th Earl of Oxford-an Elizabethan court playwright known to have written in secret and who had ample means, motive and opportunity to in fact have assumed the "Shakespeare" disguise. "Shakespeare" by Another Name is the literary biography of Edward de Vere as "Shakespeare." This groundbreaking book tells the story of de Vere's action-packed life-as Renaissance man, spendthrift, courtier, wit, student, scoundrel, patron, military adventurer, and, above all, prolific ghostwriter-finding in it the background material for all of The Bard's works. Biographer Mark Anderson incorporates a wealth of new evidence, including de Vere's personal copy of the Bible (in which de Vere underlines scores of passages that are also prominent Shakespearean biblical references).
Author : John Michell
Publisher :
Page : 272 pages
File Size : 33,5 MB
Release : 1999
Category : Drama
ISBN : 9780500281130
Reprinted from 1st pbk. ed., published in 1999. Originally published in hardcover in 1996.
Author : Mark Twain
Publisher : Library of Alexandria
Page : 70 pages
File Size : 39,96 MB
Release : 2020-09-28
Category : Fiction
ISBN : 1613100418
ÊIs Shakespeare Dead? is a short, semi-autobiographical work by American humorist Mark Twain. It explores the controversy over the authorship of the Shakespearean literary canon via satire, anecdote, and extensive quotation of contemporary authors on the subject. Ê The original publication spans only 150 pages, and the formatting leaves roughly half of each page blank. The spine is thread bound. It was published in April 1909 by Harper & Brothers, twelve months before Mark Twain's death. Ê The book attracted controversy for incorporating a chapter from The Shakespeare Problem Restated by George Greenwood without permission or proper credit, an oversight Twain blamed on the accidental omission of a footnote by the printer. Ê The book has been described as "one of his least well received and most misunderstood works". Although she admits that Twain appears to have been sincere in his beliefs concerning Shakespeare, Karen Lystra argues that the essay reveals satirical intentions that went beyond the ShakespeareÑBacon controversy of the time. Ê Though it is commonly assumed to be nothing more than a stale and embarrassing rehash of the Shakespeare-Bacon controversy, Twain was up to something more than flimsy literary criticism. He was using the debate over Shakespeare's real identity to satirize prejudice, intolerance, and self-importanceÑin himself as well as others.... But after his passionate diatribe against the "Stratfordolators" and his vigorous support of the Baconians, he cheerfully admits that both sides are built on inference. Leaving no doubt about his satirical intent, Twain then gleefully subverts his entire argument. After seeming to be a serious, even angry, combatant, he denies that he intended to convince anyone that Shakespeare was not the real author of his works. "It would grieve me to know that any one could think so injuriously of me, so uncomplimentarily, so unadmiringly of me," he writes mockingly. "Would I be so soft as that, after having known the human race familiarly for nearly seventy-four years?" We get our beliefs at second hand, he explains, "we reason none of them out for ourselves. It is the way we are made." Twain has set a trapÑan elaborate joke at the expense of what he scornfully refers to as the "Reasoning Race." He is satirizing the need to win an argument when it is virtually impossible to convince anyone to change sides in almost any debate. His excessive rhetoric of attack is obviously absurdÑcalling the other side "thugs," for exampleÑyet it has been taken at face value.
Author : Erec Smith
Publisher : Rowman & Littlefield
Page : 181 pages
File Size : 10,17 MB
Release : 2019-12-12
Category : Language Arts & Disciplines
ISBN : 1498590411
A Critique of Anti-racism in Rhetoric and Composition: The Semblance of Empowerment critiques current antiracist ideology in rhetoric and composition, arguing that it inadvertently promotes a deficit-model of empowerment for both students and scholars. Erec Smith claims that empowerment theory—which promotes individual, communal, and strategic efficacy—is missing from most antiracist initiatives, which instead often abide by what Smith refers to as a "primacy of identity”: an over-reliance on identity, particularly a victimized identity, to establish ethos. Scholars of rhetoric, composition, communication, and critical race theory will find this book particularly useful.
Author : Anna Beer
Publisher : John Wiley & Sons
Page : 192 pages
File Size : 32,33 MB
Release : 2021-04-26
Category : Literary Criticism
ISBN : 111960527X
Discover an invigorating new perspective on the life and work of William Shakespeare The Life of the Author: William Shakespeare delivers a fresh and exciting new take on the life of William Shakespeare, offering readers a biography that brings to the foreground his working life as a poet, playwright, and actor. It also explores the nature of his relationships with his friends, colleagues, and family, and asks important questions about the stories we tell about Shakespeare based on the evidence we actually have about the man himself. The book is written using scholarly citations and references, but with an approachable style suitable for readers with little or no background knowledge of Shakespeare or the era in which he lived. The Life of the Author: William Shakespeare asks provocative questions about the playwright-poet’s preoccupation with gender roles and sexuality, and explores why it is so challenging to ascertain his political and religious allegiances. Conservative or radical? Misogynist or proto-feminist? A lover of men or women or both? Patriot or xenophobe? This introduction to Shakespeare’s life and works offers no simple answers, but recognizes a man intensely responsive to the world around him, a playwright willing and able to collaborate with others and able to collaborate with others, and, of course, his exceptional, perhaps unique, contribution to literature in English. The book covers the entirety of William Shakespeare’s life (1564-1616), taking him from his childhood in Stratford-upon-Avon to his success in the theatre world of London and then back to his home town and comfortable retirement. The Life of the Author: William Shakespeare sets his achievement as a writer within the dangerous, vibrant cultural world that was Elizabethan and Jacobean England, revealing a writer’s life of frequent collaboration, occasional crisis, but always of profound creativity. Perfect for undergraduate students in Literature, Drama, Theatre Studies, History, and Cultural Studies courses, The Life of the Author: William Shakespeare will also earn a place in the libraries of students interested in Gender Studies and Creative Writing.