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The Art of Power is a challenge to traditional political theory. Diego A. von Vacano examines the work of Machiavelli, arguing that he establishes a new, aesthetic perspective on political life. He then proceeds to carry out the most extensive analysis to date of an important relationship in political theory: that between the thought of Machiavelli and Friedrich Nietzsche. Arguing that these two theorists have similar aims and perspectives, this work uncovers the implications of their common way of looking at the human condition and political practice to elucidate the phenomenon of the persistence of aesthetic, sensory cognition as fundamental to the human experience, particularly to the political life. By exploring this relationship, The Art of Power makes a significant contribution to the growing interest in the intersection of aesthetic theory and political philosophy as well as in interdisciplinary and comparative perspectives on political theory.
"Power is good for one thing only: to increase our happiness and the happiness of others. Being peaceful and happy is the most important thing in our lives and yet most of the time we suffer, we run after our cravings, we look to the past or the future for our happiness." Turning our conventional understanding of power on its head, world-renowned Zen master, spiritual leader, and national bestselling author Thich Nhat Hanh reveals how true power comes from within. What we seek, we already have. Whether we want it or not, power remains one of the central issues in all of our lives. Every day, each of us exercises power in many ways, and our every act subtly affects the world we live in. This struggle for control and authority permeates every aspect of our private and public lives, preventing us from attaining true happiness. The me-first mentality in our culture seeps unnoticed into our decisions and choices. Our bottom-line approach to getting ahead may be most visible in the business world, but the stress, fear, and anxiety it causes are being felt by people in all walks of life. With colorful anecdotes, precise language, and concrete practices, Thich Nhat Hanh illustrates how the current understanding of power leads us on a never-ending search for external markers like job title or salary. The Art of Power boldly challenges our assumptions and teaches each of us how to access the true power that is within our grasp.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • The Washington Post • Entertainment Weekly • The Seattle Times • St. Louis Post-Dispatch • Bloomberg Businessweek In this magnificent biography, the Pulitzer Prize–winning author of American Lion and Franklin and Winston brings vividly to life an extraordinary man and his remarkable times. Thomas Jefferson: The Art of Power gives us Jefferson the politician and president, a great and complex human being forever engaged in the wars of his era. Philosophers think; politicians maneuver. Jefferson’s genius was that he was both and could do both, often simultaneously. Such is the art of power. Thomas Jefferson hated confrontation, and yet his understanding of power and of human nature enabled him to move men and to marshal ideas, to learn from his mistakes, and to prevail. Passionate about many things—women, his family, books, science, architecture, gardens, friends, Monticello, and Paris—Jefferson loved America most, and he strove over and over again, despite fierce opposition, to realize his vision: the creation, survival, and success of popular government in America. Jon Meacham lets us see Jefferson’s world as Jefferson himself saw it, and to appreciate how Jefferson found the means to endure and win in the face of rife partisan division, economic uncertainty, and external threat. Drawing on archives in the United States, England, and France, as well as unpublished Jefferson presidential papers, Meacham presents Jefferson as the most successful political leader of the early republic, and perhaps in all of American history. The father of the ideal of individual liberty, of the Louisiana Purchase, of the Lewis and Clark expedition, and of the settling of the West, Jefferson recognized that the genius of humanity—and the genius of the new nation—lay in the possibility of progress, of discovering the undiscovered and seeking the unknown. From the writing of the Declaration of Independence to elegant dinners in Paris and in the President’s House; from political maneuverings in the boardinghouses and legislative halls of Philadelphia and New York to the infant capital on the Potomac; from his complicated life at Monticello, his breathtaking house and plantation in Virginia, to the creation of the University of Virginia, Jefferson was central to the age. Here too is the personal Jefferson, a man of appetite, sensuality, and passion. The Jefferson story resonates today not least because he led his nation through ferocious partisanship and cultural warfare amid economic change and external threats, and also because he embodies an eternal drama, the struggle of the leadership of a nation to achieve greatness in a difficult and confounding world. Praise for Thomas Jefferson: The Art of Power “This is probably the best single-volume biography of Jefferson ever written.”—Gordon S. Wood “A big, grand, absorbing exploration of not just Jefferson and his role in history but also Jefferson the man, humanized as never before.”—Entertainment Weekly “[Meacham] captures who Jefferson was, not just as a statesman but as a man. . . . By the end of the book . . . the reader is likely to feel as if he is losing a dear friend. . . . [An] absorbing tale.”—The Christian Science Monitor “This terrific book allows us to see the political genius of Thomas Jefferson better than we have ever seen it before. In these endlessly fascinating pages, Jefferson emerges with such vitality that it seems as if he might still be alive today.”—Doris Kearns Goodwin
Excerpt from Power of Art This book (now published posthumously) is the fruit of my husband's lifelong interest in the arts and his belief in their dynamic power to mold the character of peoples and civilizations. He had a deep conviction that greater emphasis on the arts and aesthetic qualities in our homes, our schools, our churches and other institutions of everyday life might well lead us to a new Golden Age. A short time before his death last summer he committed to my care the manuscript, which he had completed except for the final checking and editing. In its preparation for publication I have received invaluable help from many friends. Among those who read portions of the proof and assisted in checking data were Professors D.Foster, M.Hayes, R.W. Holmes and Mrs. Louise Holmes, K.M. Lynch, F.D. Reed, A. L.Snell, A.G. Stokey, and L.S. Stevenson - all of Mount Holyoke College; also Professor F.Saunders of Harvard University and my cousin. Colonel A.S. Meek. Professor Frederick H.Cramer, Mrs. Elizabeth Cramer and Professor Ellen D.Ellis of Mount Holyoke College gave most generously of their valuable time and labor in reading the various sets of proofs, in large part or in their entirety, and in tracking down those elusive A.A.s and typographical curiosities (which seem to spring up overnight like toadstools to surprise and confound one). To them I am also deeply indebted for many valuable and constructive suggestions, I should like to express my appreciation for various kinds of help to Mr. Whitney Darrow and Dr. Henry Goddard Leach (Princeton classmates of my husband); to Mr. and Mrs. Lincoln Cromwell of New York; to Miss Flora Belle Ludington, Librarian at Mount Holyoke College, and Miss W.D. Stephens of Philadelphia; also to Mrs. Joseph Ledden and Miss Grace Perkinson. Professor Roger Holmes most kindly consented to perform the arduous task of making the index, for which I am deeply grateful. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Want to become the best possible version of yourself? The Art of Power, Happiness and Success will strengthen your psychology and beliefs, thereby providing you with more opportunities to get what you really desire in life. The Art of Power, Happiness and Success will make you feel more confident, more knowledgeable and more successful in all areas of your life. It does not matter if you are already a successful and happy individual, or if you are battling depression, anger, anxiety or stress daily. The Art of Power, Happiness and Success is for you. Imagine the control, power and peace you will feel when you apply the brilliant strategies and information outlined in this ebook. Identify the root cause of your fears, and change your focus and perception, so that you can access your best states. Become the person you have always wanted to be, and become a true role model for your family, friends and peers. Have you ever wished that you could simply transform your negativity, fears and failures into beautiful blessings that you can learn to dance with and utilise rather than run away from helplessly? Have you ever wished that you could master your thoughts, emotions and actions? If you apply everything this book outlines, then you will notice how things start working with you rather than against you. Are you ready?
A new book by Boris Groys acknowledges the problem and potential of art's complex relationship to power. Art has its own power in the world, and is as much a force in the power play of global politics today as it once was in the arena of cold war politics. Art, argues the distinguished theoretician Boris Groys, is hardly a powerless commodity subject to the art market's fiats of inclusion and exclusion. In Art Power, Groys examines modern and contemporary art according to its ideological function. Art, Groys writes, is produced and brought before the public in two ways—as a commodity and as a tool of political propaganda. In the contemporary art scene, very little attention is paid to the latter function. Arguing for the inclusion of politically motivated art in contemporary art discourse, Groys considers art produced under totalitarianism, Socialism, and post-Communism. He also considers today's mainstream Western art—which he finds behaving more and more according the norms of ideological propaganda: produced and exhibited for the masses at international exhibitions, biennials, and festivals. Contemporary art, Groys argues, demonstrates its power by appropriating the iconoclastic gestures directed against itself—by positioning itself simultaneously as an image and as a critique of the image. In Art Power, Groys examines this fundamental appropriation that produces the paradoxical object of the modern artwork.
The Principality of Epirus was a medieval Greek state established in the western part of the Balkans after the fall of Constantinople to the forces of the Fourth Crusade in 1204. The Epirote rulers from the Komnenos Doukas family claimed to be legitimate successors to the Byzantine imperial throne and, with the support of the high clergy and the aristocracy within their domain, carefully maintained their Byzantine identity under the conditions of exile. This book explores a corpus of Epirote architecture, frescoes, sculpture, and inscriptions from the early thirteenth to the early fourteenth century within a comparative and interdisciplinary framework, focusing on the nexus of art, patronage, and political ideology. Through an examination of a vast array of visual and textual sources, many of them understudied or hitherto unpublished, the book uncovers how the Epirote elite mobilised art and material culture to address the issues of succession and legitimacy, construct memory, reclaim Constantinople, and mediate encounters and exchanges with the Latin West. In doing so, this study offers a new perspective on Byzantine political and cultural history in the aftermath of the Fourth Crusade.