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Covers painting in Bronze-Age Greece; painting of the Archaic, the Classical, and the Hellenistic periods, and ends with a study of Graeco-Roman painting in the 2nd-3rd c. AD. Looks at techniques, style and themes in multidisciplinary approach to the material record. Extensive bibliography. English language text. 334 col. illus.
"This new and richly illustrated overview of Greek painting combines a fresh scholarly approach to visual arts with the most complete survey to date of the painted monuments of classical antiquity. The Art of Painting in Ancient Greece covers a wide chronological and geographical span, from the Bronze Age murals of Knossos, Santorini and Mycenae to the opulent villas of the Roman Empire, from Anatolia and Egypt in the East to Campania and Etruria in the West. Surveying the techniques, materials, and works produced, as well as ancient literary accounts, the book engages the five main lines of inquiry: Why did the Greeks cover the walls of their sanctuaries, agoras, palaces, homes, and even their tombs with painted images? What topics, real or imaginary, did they choose to depict? How were those images created? What were the techniques employed and the materials used? Who painted those images? And how does the spectacular phenomenon of Greek monumental painting compare with other branches of Greek art, from mosaics and vase painting to sculpture?"--
They reflected - and projected - essential cultural values, whether they were intended for religious sanctuaries for aristocratic drinking parties, civic squares or tombs."--BOOK JACKET.
"The ancient Greeks developed their own very specific ethos of art appreciation, advocating a rational involvement with art. This book explores why the ancient Greeks started to write art history and how the writing of art history transformed the social functions of art in the Greek world. It looks at the invention of the genre of portraiture, and the social uses to which portraits were put in the city state. Later chapters explore how artists sought to enhance their status by writing theoretical treatises and producing works of art intended for purely aesthetic contemplation which ultimately gave rise to the writing of art history and to the development of art collecting. The study, which is illustrated throughout and which draws on contemporary perspectives in the sociology of art, will prompt the student of classical art to rethink fundamental assumptions on Greek art and its cultural and social implications."--BOOK JACKET.
Temples with perfect, elegant proportions and sculptures conforming to the ideal of beauty are the typical images we have of ancient Greek art. This text emphasizes the more primative beginnings of ancient Greek art.
This book, a companion volume to Professor Pollitt's The Art of Rome: Sources and Documents (published by the Press in 1983), presents a comprehensive collection in translation of ancient literary evidence relating to Greek sculpture, painting, architecture, and the decorative arts. Its purpose is to make this important evidence available to students who are not specialists in the Classical languages or Classical archaeology. The author's translations of a wide selection of Greek and Latin texts are accompanied by an introduction, explanatory commentary, and a full bibliography. An earlier version of this book was published twenty-five years ago by Prentice-Hall. In this new publication Professor Pollitt has added a considerable number of new passages, revised some of his earlier translations and presented the texts in a different order which allows the reader to follow more easily the development of sculpture and painting as perceived by the ancient writers. The new and substantial bibliography, organised by topics as they appear in the book, emphasises works that deal directly with the literary sources or that supplement our knowledge of the personalities and monuments described in the sources. This collection will be welcomed by students and teachers of Greek art who have long been in need of an authoritative and reliable sourcebook for their subject.
Designed as a tool for educators who wish to teach students about the art of Ancient Greece. The text contains readings on Greek culture, history and art and is looseleaf bound for easy photocopying. Accompanying material includes 20 slides showing various works of Greek art and a card game designed to teach students about some of the myths commonly depicted in Greek art. The accompanying CD-ROM contains the full text of the book in printable Adobe Acrobat format as well as JPEG files of the images depicted on the slides.
Author : Walters Art Museum (Baltimore, Md.) Publisher : Philip Wilson Publishers Page : 216 pages File Size : 32,35 MB Release : 2008 Category : Art ISBN :
An illustrated guide to the ancient Greek art on display at Walters Art Museum in Baltimore, Maryland, which includes examples from the various schools of pottery and decoration, Roman copies of classical sculpture, pieces of jewelry, and more.
"delightful, readable, and scholarly. The volume is profusely and well illustrated, each art example is clearly labelled and dated, and superb supplementary references for illustrations and supplementary suggestions for further reading are added to complete the study." Choice