[PDF] The Art And Making Of The Peanuts Movie By Schulz eBook
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This in-depth book goes behind the scenes of the movie-making process and looks at how the movie continues the tradition and legacy of Peanuts. An unmissable experience. For the first time ever, in November 2015, Snoopy, Charlie Brown and the rest of the gang we know and love from Charles Schulz's timeless "Peanuts" comic strip will be making their big-screen debut; like they've never been seen before in a CG-animated feature film in 3D.
For “fan[s] of all things Charlie Brown animated . . . gives you insight as to what . . . Charles M. Schultz felt about these TV and film adaptations” (MTV News). For the first time, this deluxe visual history treats Peanuts fans to an in-depth look at the art and making of the beloved animated Peanuts specials. From 1965’s original classic A Charlie Brown Christmas through the 2011 release of Happiness Is a Warm Blanket, animation historian Charles Solomon goes behind the scenes of all forty-five films, exploring the process of bringing a much-loved comic strip to life. The book showcases the creative development through the years with gorgeous, never-before-seen concept art, and weaves a rich history based on dozens of interviews with former Peanuts directors, animators, voice talent, and layout artists, as well as current industry folk. Filling a void in animation publishing—there is no other history or art book of the Peanuts specials—this volume celebrates five decades of the artistry and humor of Charles M. Schultz and the artists who reimagined the comic for the screen. “This engaging art book features dozens of interesting interviews, but the real treasure is all the often-seen images and little-seen artifacts associated with the five decades of Emmy-winning Peanuts specials.” —The Washington Post “The beautiful, display-worthy book unfolds the history of the Peanuts TV specials and is filled with interviews with the creators of the ’toons; insider scoop on the productions; and fun, exclusive material like storyboards, Charles Schulz’s model sheets, scripts, original cels, and publicity materials.” —Yahoo! TV “A compelling journey through Schulz’s world.” —Sioux City Journal
Drawn from the archives of the Charles M. Schulz Museum, an in-depth look at Peanuts with a “wealth of original art” (The New York Times). Charles M. Schulz believed that the key to cartooning was to take out the extraneous details and leave in only what’s necessary. For fifty years, from October 2, 1950, to February 13, 2000, Schulz wrote and illustrated Peanuts, the single most popular and influential comic strip in the world. In all, 17,897 strips were published, making it “arguably the longest story ever told by one human being,” according to Robert Thompson, professor of popular culture at Syracuse University. For Only What’s Necessary: Charles M. Schulz and the Art of Peanuts, renowned designer Chip Kidd was granted unprecedented access to the extraordinary archives of the Charles M. Schulz Museum and Research Center in Santa Rosa, California. Reproducing the best of the Peanuts newspaper strip, all shot from the original art by award-winning photographer Geoff Spear, Only What’s Necessary also features exclusive, rare, and unpublished original art and developmental work—much of which has never been seen before. “Glorious...equal parts museum and monument, a masterwork of curatorial rigor and an affectionate homage.”—Brain Pickings
"There's a new kid in town, and she's a smart, kind, beautiful Little Red-Haired Girl. And--good grief!--Charlie Brown finds himself instantly with a crush on her. Will he be able to impress her? Meanwhile, Snoopy is heading out on a fantastical flight of the imagination as the Flying Ace! While on his adventure, Snoopy falls head over heels for Fifi, a spunky, high-flying poodle, in the skies over Paris. But when the dastardly Red Baron captures Fifi, it's up to Snoopy and Woodstock to take down the Red Baron once and for all!" --
You know about Noah, but what about the animals? Thimblerig is a little groundhog with big problems. He's a loner con-artist who's losing his mojo; the wild dogs who run the forest harass him at every turn; he's started having vivid nightmares of apocalyptic floods; and worst of all - he believes he sees unicorns when everyone knows unicorns are only the stuff of legend. But what one animal calls problems, Thimblerig calls opportunity. His problems inspire him to come up with the ultimate con: convincing a group of gullible animals that a world-ending flood is coming, that the fabled unicorns have told him where the only safe place will be, and that only he can lead them to safety. And all for a reasonable price, of course. But when the flood really does come, Thimblerig has a choice to make: either he really does save the ones who have trusted him, or he loses everything. And he discovers that his problems have only just begun.
Launching into the 1960s, Schulz adds another new cast member. Two, in fact: The obnoxious Frieda of "naturally curly hair" fame, and her inert, seemingly boneless cat Faron. The rapidly maturing Sally, who was after all just born in the previous volume, is ready to start kindergarten and not at all happy about it. Lucy and Linus' war over the security blanket escalates, with Lucy burying it, cutting it apart, and, in the longest sequence of the book, turning it into a kite and allowing it to fly away. Aauugh! In fact, Linus' life is particularly turbulent in this volume, as he is forced to wear glasses, sees the unexpected return of his favorite teacher, Miss Othmar, and coaxes Sally into the cult of the Great Pumpkin (with regrettable results).
A one-of-a-kind celebration of America's greatest comic strip--and the life lessons it can teach us--from a stellar array of writers and artists Over the span of fifty years, Charles M. Schulz created a comic strip that is one of the indisputable glories of American popular culture—hilarious, poignant, inimitable. Some twenty years after the last strip appeared, the characters Schulz brought to life in Peanuts continue to resonate with millions of fans, their beguiling four-panel adventures and television escapades offering lessons about happiness, friendship, disappointment, childhood, and life itself. In The Peanuts Papers, thirty-three writers and artists reflect on the deeper truths of Schulz’s deceptively simple comic, its impact on their lives and art and on the broader culture. These enchanting, affecting, and often quite personal essays show just how much Peanuts means to its many admirers—and the ways it invites us to ponder, in the words of Sarah Boxer, “how to survive and still be a decent human being” in an often bewildering world. Featuring essays, memoirs, poems, and two original comic strips, here is the ultimate reader’s companion for every Peanuts fan. Featuring: Jill Bialosky Lisa Birnbach Sarah Boxer Jennifer Finney Boylan Ivan Brunetti Hilary Fitzgerald Campbell Rich Cohen Gerald Early Umberto Eco Jonathan Franzen Ira Glass Adam Gopnik David Hajdu Bruce Handy David Kamp Maxine Hong Kingston Chuck Klosterman Peter D. Kramer Jonathan Lethem Rick Moody Ann Patchett Kevin Powell Joe Queenan Nicole Rudick George Saunders Elissa Schappell Seth Janice Shapiro Mona Simpson Leslie Stein Clifford Thompson David L. Ulin Chris Ware